“No,” she said, dragging it out a little so it became Noo-oo. The other ladies twittered in anticipation.
Dunning’s eyes flicked briefly to me and saw nothing to interest him. When he looked back at Mrs. Levesque, they once more picked up their patented twinkle.
“An hour after you eat some, you’re hungry for power.”
I’m not sure all the ladies got it, but they all shrieked with appreciation. Dunning sent Mrs. Levesque happily on her way, and as I passed out of hearing, he was turning his attention to a Mrs. Bowie. Who would, I was sure, be equally happy to receive it.
He’s a nice man. Always joking around and stuff.
But the nice man had cold eyes. When interacting with his fascinated lady-harem, they had been blue. But when he turned his attention to me—however briefly—I could have sworn that they turned gray, the color of water beneath a sky from which snow will soon fall.
3
The market closed at 6:00 P.M., and when I left with my few items, it was only twenty past five. There was a U-Needa-Lunch on Witcham Street, just around the corner. I ordered a hamburger, a fountain Coke, and a piece of chocolate pie. The pie was excellent—real chocolate, real cream. It filled my mouth the way Frank Anicetti’s root beer had. I dawdled as long as I could, then strolled down to the canal, where there were some benches. There was also a sightline—narrow but adequate—to the Center Street Market. I was full but ate one of my oranges anyway, casting bits of peel over the cement embankment and watching the water carry them away.
Promptly at six, the lights in the market’s big front windows went out. By quarter past, the last of the ladies had exited, toting their carry-alls either up Up-Mile Hill or clustering at one of those phone poles with the painted white stripe. A bus marked ROUNDABOUT ONE FARE came along and scooped them up. At quarter to seven, the market employees began leaving. The last two to exit were Mr. Currie, the manager, and Dunning. They shook hands and parted, Currie going up the alley between the market and the shoe store next to it, probably to get his car, and Dunning to the bus stop.
By then there were only two other people there and I didn’t want to join them. Thanks to the one-way traffic pattern in the Low Town, I didn’t have to. I walked to another white-painted pole, this one handy to The Strand (where the current double feature was Machine-Gun Kelly and Reform School Girl; the marquee promised BLAZING ACTION), and waited with some working joes who were talking about possible World Series matchups. I could have told them plenty about that, but kept my mouth shut.
A city bus came along and stopped across from the Center Street Market. Dunning got on. It came the rest of the way down the hill and pulled up at the movie-theater stop. I let the working joes go ahead of me, so I could watch how much money they put in the pole-mounted coin receptacle next to the driver’s seat. I felt like an alien in a science fiction movie, one who’s trying to masquerade as an earthling. It was stupid—I wanted to ride the city bus, not blow up the White House with a death-ray—but that didn’t change the feeling.
One of the guys who got on ahead of me flashed a canary-colored bus pass that made me think fleetingly of the Yellow Card Man. The others put fifteen cents into the coin receptacle, which clicked and dinged. I did the same, although it took me a bit longer because my dime was stuck to my sweaty palm. I thought I could feel every eye on me, but when I looked up, everyone was either reading the newspaper or staring vacantly out the windows. The interior of the bus was a fug of blue-gray smoke.
Frank Dunning was halfway down on the right, now wearing tailored gray slacks, a white shirt, and a dark blue tie. Natty. He was busy lighting a cigarette and didn’t look at me as I passed him and took a seat near the back. The bus groaned its way around the circuit of Low Town one-way streets, then mounted Up-Mile Hill on Witcham. Once we were in the west side residential area, riders began to get off. They were all men; presumably the women were back at home putting away their groceries or getting supper on the table. As the bus emptied and Frank Dunning went on sitting where he was, smoking his cigarette, I wondered if we were going to end up being the last two riders.
I needn’t have worried. When the bus angled toward the stop at the corner of Witcham Street and Charity Avenue (Derry also had Faith and Hope Avenues, I later learned), Dunning dropped his cigarette on the floor, crushed it with his shoe, and rose from his seat. He walked easily up the aisle, not using the grab-handles but swaying with the movements of the slowing bus. Some men don’t lose the physical graces of their adolescence until relatively late in life. Dunning appeared to be one of them. He would have made an excellent swing-dancer.
He clapped the bus driver on the shoulder and started telling him a joke. It was short, and most of it was lost in the chuff of the airbrakes, but I caught the phrase three jigs stuck in an elevator and decided it wasn’t one he’d have told to his Housedress Harem. The driver exploded with laughter, then yanked the long chrome lever that opened the front doors. “See you Monday, Frank,” he said.
“If the creek don’t rise,” Dunning responded, then ran down the two steps and jumped across the grass verge to the sidewalk. I could see muscles ripple under his shirt. What chance would a woman and four children have against him? Not much was my first thought on the subject, but that was wrong. The correct answer was none.
As the bus drew away, I saw Dunning mount the steps of the first building down from the corner on Charity Avenue. There were eight or nine men and women sitting in rockers on the wide front porch. Several of them greeted the butcher, who started shaking hands like a visiting politician. The house was a three-story New England Victorian, with a sign hanging from the porch eave. I just had time to read it:
Below this, hanging from the big sign on hooks, was a smaller orange sign reading NO VACANCY.
Two stops further down the line, I exited the bus. I thanked the driver, who uttered a surly grunt in return. This, I was discovering, was what passed for courteous discourse in Derry, Maine. Unless, of course, you happened to know a few jokes about jigs stuck in an elevator or maybe the Polish navy.
I walked slowly back toward town, jogging two blocks out of my way to keep clear of Edna Price’s establishment, where those in residence gathered on the porch after supper just like folks in one of those Ray Bradbury stories about bucolic Greentown, Illinois. And did not Frank Dunning resemble one of those good folks? He did, he did. But there had been hidden horrors in Bradbury’s Greentown, too.
The nice man doesn’t live at home anymore, Richie-from-the-ditchie had said, and he’d had the straight dope on that one. The nice man lived in a rooming house where everybody seemed to think he was the cat’s ass.
By my estimation, Price’s Rooms was no more than five blocks west of 379 Kossuth Street, and maybe closer. Did Frank Dunning sit in his rented room after the other tenants had gone to bed, facing east like one of the faithful turning toward Qiblah? If so, did he do it with his hey-great-to-see-you smile on his face? I thought no. And were his eyes blue, or did they turn that cold and thoughtful gray? How did he explain leaving his hearth and home to the folks taking the evening air on Edna Price’s porch? Did he have a story, one where his wife was either a little bit cracked or an outright villain? I thought yes. And did people believe it? The answer to that one was easy. It doesn’t matter if you’re talking 1958, 1985, or 2011. In America, where surface has always passed for substance, people always believe guys like Frank Dunning.