I sat in that same spot for a long time, not knowing what to do with my first night in a big city. There was no one else around. The door the mother and daughter had run out of was still open, the light still on. No one had gone in. No ghosts had come out. After half an hour, I decided to look inside.
On the wall, there was an old-fashioned clock – the kind with a woodpecker which taps out the hour with its beak – and a world-city calendar showing that famous red bridge in San Francisco. A cup of green tea sat on the table. I touched it, it was still warm. In the oven, the coal was burning weakly. By the door, the tap was dripping. There were two beds, one narrow, one wide. I chose the narrow one. A flowery skirt was lying on it, so I guessed it must be the daughter's. I lay down and stared at the rain-stained ceiling. The more I thought about the last few hours, the less I cared. I was too tired to care about anything – and cold. Heavenly Bastard in the Sky, was I cold. As cold as that damp ceiling.
A whole month passed and no one came. I was the only visitor to the empty house. I spent every night there, free of charge. A guest house all to myself. At the end of the month I found a job and left.
When I left my village, it was like I took a step with my right foot and, by the time my left foot came to join it, four years had passed. For these four years I was just like some spare chair forgotten in the dark corner of a warehouse. My first Beijing job was as a cleaner in a hotel called the Day to Day People's Hostel. I wasn't allowed to clean the rooms, only the corridors and toilets, but at least I could share a bedroom with four of the other cleaners. I stuck it out for a year or so, but eventually I quit. Then I worked in a state-run toy factory making plastic guns and aeroplanes. There were about 5,000 women workers and I couldn't stand the noise and stink of the dormitory, so I quit that job too. From then on, I kind of drifted from job to job. I spent a few months in a tin-can factory monitoring the tin-can-making machines, until finally I ended up as a cleaner at a rundown old cinema called The Young Pioneers. Despite the name, it didn't show young-pioneer-type films, only Hong Kong martial-arts movies. Monks hitting each other, that kind of stuff. After each screening, I had to sweep up all the sugar-cane peels, half-eaten chicken legs, peanut shells, melon rinds and other crap that people leave behind – sometimes even fried frogs.
But I sort of liked this job. I slept on a broken sofa in the projection room, and I got to watch movies all day. Plus, I could keep the things people left under their seats. I once found an English dictionary. It was an exciting find. There was this famous high-school student from Shanghai who had got into Harvard University after learning to recite the whole English dictionary off by heart. I couldn't remember his name, but he became our national hero. I figured I could be like him – that this forgotten dictionary might be my passport to the world too. Anyway, I started learning the words. It wasn't that difficult, but it got a bit boring after a while so I stopped. Even so, I could say a few words to the foreigners who came to the cinema. And I thought a cinema was a pretty cool place to live. I spent all my spare money on film magazines and going to other cinemas to see the latest releases.
But the best thing about my cinema-sweeping job was meeting the Assistant Film Director. I helped him find an umbrella he'd lost. He told me it had been a gift from his girlfriend when she'd moved to Shenzhen, after which he'd never seen her again. He seemed upset when he talked about her, but if a yellow umbrella had been her parting gift, then no wonder.
Why did I give this pathetic umbrella man my number? He was as scrawny as a pencil, with a sharp military-style haircut and the cheapest kind of red V-neck peasant sweater you can buy in the market. But I didn't care. He told me how he'd worked with Gong Li, Zhang Yimou, Chen Kaige, names I was in awe of. Plus, he didn't look like a liar or a thief. I gave him my ID number, my Young Pioneers Cinema number, my mobile phone number, my home phone number and my next-door neighbour's phone number. He told me to get a black-and-white passport photo and go to the office at the Beijing Film Studios.
Who would have thought an umbrella could play such a key role in the design of my future? I returned a crappy old umbrella to an Assistant Film Director and, one month later, I was working as an extra, earning 20 yuan for a day's work. Finally I was getting closer to the shiny things.
Fragment Tree
YOU CAN CHECK ANY CHINESE DICTIONARY, there's no word for romance. We say 'Lo Man', copying the English pronunciation. What the fuck use was a word like romance to me anyway? There wasn't much of it about in China, and Beijing was the least romantic place in the whole universe. 'Eat first, talk later,' as old people say. Anyway, there was zero romance between me and Xiaolin.
We met when I was in this TV series set in the imperial court of the Qing dynasty. The whole set was a reproduction of what life looked like 300 years ago. The peonies in the vases were all made from paper, and the lotus lilies in the pond were plastic. I was playing one of the Princess's many servant girls, a role that required me to wear a thick fake plait. It was so heavy it pulled my head backwards. The make-up assistant had given me a disdainful look and sniffed at the length of my hair, before grabbing a handful of it and attaching the chunky braid. My scenes involved walking solemnly into the palace, pouring tea for my Princess, or combing my Princess's hair. All without speaking, of course.
Xiaolin was Assistant to the Producer. His job was to chauffeur the Producer around, bark out orders on his behalf, and basically eat, drink and sleep for him. As well as this he was expected to nanny the whole crew. The first time Xiaolin and I spoke was during a lunch break. Every day we would all queue for lunchboxes. Key cast members and important behind-the-scenes people – the TV show's upper class – were given a large lunchbox worth 8 yuan. The extras, the assistants and the runners received a smaller 5-yuan lunchbox. Water was free.
I had collected my 5-yuan lunchbox – pickled cucumber, rice with not more than 1 centimetre of meat – and was sitting alone in a corner to eat, avoiding conversation. I didn't want to talk to anyone. Instead I watched the crew members out of the corner of my eye as they discussed the actress's large bra, the Director's new mistress, or the recent news, featured in that day's Beijing Evening, that a serial killer was on the loose. Then I saw a young man walking towards me. It was Xiaolin. He was tall, with a body like a solid pine tree. He stopped in front of me, holding out one of the large lunchboxes.
'You like fish?' he said. 'There's one left.'
I have to say, I didn't feel anything special towards Xiaolin at first. He was too male, with his big feet and big hands. To me, that wasn't beautiful, or 'city' enough. He looked like any young man from my village with dust in their hair. Which was strange, since he was actually a Beijinger born and bred. Anyway, eat first, talk later. I took the lunchbox and started to devour the juicy pieces of carp. There was no doubt about it, it was tastier than my 5-yuan lunch. By the time I had finished the fish, I was feeling warmer towards Xiaolin. In all the time I'd been in Beijing, no one had ever offered me a lunch like that. It was something.