The ring of the phone was unforgiving. It couldn't be my far-away Ben, and it was too early in the morning for Xiaolin to be harassing me. Xiaolin had got hold of the phone number at my flat and would sometimes relieve his lonely evenings by dialling it incessantly. It was as though he was intent only on bringing the phone on my floor to life. But I couldn't think about Xiaolin first thing in the morning. It was stupid to wake up so early just to be pissed off.
The phone went silent for about a minute, then started ringing again.
It occurred to me that maybe it was Huizi. After Ben left, his flatmate Patton and my friend Huizi became the only people I could talk to. Strangely they were both scriptwriters, although that was about all they had in common. Huizi wrote these brilliant films that could never get past the censors, so to make money he wrote TV scripts. This was how we'd met. He'd written some episodes for this show called The Kindest Cop in Town, and had admired the way I threw myself to the ground in my role as 'Scared girl in police chase'. Huizi had great opinions on extras and minor roles. He believed it was the supporting characters that made stories what they are, that gave them their soul and substance. I loved hearing him say that. What Huizi and I didn't agree about was old people. He adored listening to them nattering away in the street. He said he stole the best parts of their conversations and typed them straight into his scripts. I didn't tell Huizi how much I hated those old hens and old cocks. Huizi might steal their conversations, but I felt those old people stole my life. For me, it was old people who were responsible for all the shit things that had happened in China.
Huizi often talked to me about the poet Cha-Haisheng. This Beijing poet had written one of Huizi's favourite poems, called 'Facing the Ocean, the Warmth of Spring is Blossoming'. He told me that Cha-Haisheng committed suicide in 1989 by tying himself to a train track that ran along a mountain pass, beside a section of the Great Wall. Huizi referred to this particular poem so much that I can still recite the first verse off by heart:
From tomorrow, I will be a lucky person
Feed horses, chop wood, travel the world
From tomorrow, I will think of my health and eat more vegetables
I will have a house facing the ocean; the warmth of spring will blossom.
I wanted to be a lucky person too. Feeding horses, chopping wood, travelling the world, thinking only of my health and eating more vegetables. I wanted to live in a house facing the ocean and feel the warmth of spring blossom around me. Not that I'd made much effort to achieve this. In fact, I'd done very little, since arriving in Beijing, to make my life more comfortable. I'd just drifted through this painfully crowded city, without finding a place to settle. Maybe I would never get to stand and face the ocean as the warmth of spring blossomed around me. Maybe I should tie myself to a train track on a mountain pass too. Fuck it.
I lay in bed listening to the phone, the tragic story of the poet spinning round my head. Cha-Haisheng was very young when he died – only 25 years old. It was spring, just before the Tiananmen Square demonstration. Perhaps if he hadn't committed suicide, he'd have become a student leader and defied the armed soldiers. Then he'd have died like a true hero.
Anyway, Huizi told me the doctor doing the postmortem found only half an orange in the poet's stomach. Half an orange, Heavenly Bastard in the Sky! That's the only thing the poet ate on the day of his death. Suddenly I felt guilty. I felt my life was like a worm's. No soul. I was a useless person compared with this poet. Useless like all the other useless people in Ginger Hill Village. Lost in my thoughts, I decided I would answer the phone if it rang for another minute. It might be Huizi. But then it occurred to me – Huizi barely called anyone. He didn't get too involved with the details of his friends' lives. He was private, shut tight like a fortress. His short crew-cut and refined manners gave him the air of a Buddhist monk. Huizi would say, never look back to the past. Never regret. Even if there is emptiness ahead, never look back.
I hung on to those words. I depended on them.
I buried myself even further under the covers and could have stayed there another four hours just dreaming and listening to the damn telephone ring, but I forced myself to think logically. Who could it be? 1) Definitely not Huizi. He wasn't a morning person. He didn't believe in doing much before the double-digit hours, and, anyway, I couldn't imagine that, when he did get up, he'd immediately reach for the telephone to have a chat. No, he would sit quietly and slowly savour his first cigarette of the day. 2) Patton? He was out of town. 3) A wrong number? 4) The landlady asking about her rent? 5) The utilities people collecting money for gas or water or electricity or the TV licence? Fuck, the goddamn phone just kept ringing. I threw back the covers, padded naked over to the phone, sat down on the floor and finally answered it.
'Hello? Hello?'
It wasn't my beloved Ben, or volatile Xiaolin, or even Huizi with his thought-provoking philosophies. It was some unknown Third-Rate Director.
'Fenfang, how are you? This is Old Third-Rate Director, but you can just call me Old Third.'
'Ah, hello, Old Third.'
The Chinese Film and Television Bureau has a rigid four-tier classification system for Directors: first-rate, second-rate, third-rate and fourth-rate. But the loss of face that would have to be endured by someone with Fourth-Rate Director printed on their business card meant that I had yet to meet one.
'I've seen your details in the Beijing Film Studio archives, eh, and think you're perfect for my film. Can you come and join us tomorrow, eh? All you have to do is go to the main gate of the Film Studios, eh, and wait with the other extras for a bus…'
Hang on hang on hang on. I dragged the phone closer towards me.
'What do you mean exactly? What role is this, a leading role? Or a number two, or what?'
Old Third said I could decide which of the many female roles I wanted. His film was based on the collective wedding ceremony that had been held in Beijing 's Forbidden City in the year 2000; 2,000 couples took part. The film would tell the story of one of these 2,000 couples as they walked up the red carpet together to welcome the dawn of a new era, a new century. However, he needed 1,999 other couples to act in supporting roles.
'Right, I see.'
I wanted to hang up. I hadn't put any money in my meter and it was about four degrees in my flat. I had nothing on and my teeth were chattering. What's more, I could guess where Old Third was going with this phone call. I'd heard it all before, and played hundreds of nothing roles. This would be no different. He was rambling again, so I politely cut in.
'Old Third, I'm sorry to interrupt, but could I call you back? I'm not wearing any clothes and I'm getting cold.'
'What's that?You're not wearing any clothes?'
'That's right, I've got nothing on. I'm getting cold.'
Old Third repeated what I'd said again, his voice getting steadily squeakier, like a drunk on a plane who's got his seat-belt on too tight and spots the air stewardess approaching with the drinks trolley.
'You've got nothing on? You're naked?' There was a pause. 'Actually, thinking about it, I'm looking for someone to fill the supporting role of Female Number Three Hundred. She needs to be quite tall, but I see from your application form that you're one metre sixty-eight and you look thin in the photo and, since you're on the phone now not wearing anything, eh…'