Выбрать главу

He makes love with his wife that night: first puts his hand on her breast, she puts hers on his — they were lying on their backs, room dark, still no stars or moonlight; he had to trace her face to find her lips — got on their sides to face each other and kissed and more deeply kissed and moved their hands down and now they were really started, he’d thought of Sage a lot before he turned the night-table light off while he was waiting for his wife to come to bed and a little of Sage during the beginning of the lovemaking and then just thought of his wife and now just thinks of a woman in the dark with more appealing — higher, firmer, but not larger — breasts, and legs stronger, harder, longer, slimmer than his wife’s, but the same beautiful face as hers — to him almost no woman has a more beautiful face and lovelier hair or skin — and next day Sage is intermittently on his mind: while he’s running his daily two miles, swimming in the local lake he likes taking his kids to, reading the newspaper, working on a manuscript, cooking dinner, and washing the dishes after and later listening to another concert on radio, this time an organ one taped in St. Paul. He doesn’t know what it is but she’s sure as hell captured his imagination, he thinks, which a woman, usually one young as she the last dozen years and up till now always one of his students, does from time to time, but never as intensely or for this long. He thinks of getting her phone number from Florida Information and calling her parents. That is, if they live there, because maybe the college she goes to is in that city or town — which is it? — and she lives in Palm Beach only when she’s away from home. Well, he’ll find out, won’t he? when he calls Information, and that would be the end of it if that’s what the situation is. But why call her parents? Not like the last time: to get them to come up and take their daughter away. Just to do something wild, idiotic, and unfuddydud-like, that’s all, something he once was or used to do or just didn’t feel constricted and tight about being or doing till around twenty years ago, which was a few years before he met his wife. And unfuddydud-like’s not the word; it’s “uncareful, unheedful, unforethoughtful, untimid, unsmothered, imprudent, unrepressed.” In other words, a reason or justification he just thought of but one connected to the memory of what he did with Sandy and her folks. In other words, if he hadn’t thought about Sandy in connection to Sage, he wouldn’t have thought of doing it. In other words, an excuse to be as stupid and reckless as he can one more time because he suddenly feels compelled to and it feels scary and exciting but damn good. But why be that stupid and reckless? Didn’t he just say? Anyway, don’t answer, for by questioning it he won’t do anything to be like it, for doing what he thought about doing is something you do without giving it those kinds of justifications and reasons and second thoughts, and more so at his age than when he was twenty or thirty or approaching forty. So it’s just for him, a release of some sort, last done so long ago it’s almost as if he never did it, stupid as it is. And when he gets, if he does, one of her parents on the phone, what will he say? What he has to, what will come out, and, unlike the last time, all unthought-of beforehand and unrehearsed, in any accent or voice he wants, even his real one, since neither they nor Sage know him, and probably the real one is the bravest to do and so in the end will give him the greatest release. If he gets their answering machine he’ll leave whatever message he’ll leave and call it quits with this wild, idiotic craziness or whatever it is. Or maybe he’ll do it as an experiment: once he speaks to one of her folks or their answering machine or the phone just rings and rings till he hangs up, will Sage then leave his mind for good or close to it? Or maybe tomorrow — probably tomorrow — this whole notion of calling will be gone. Is that what he wants? Of course it would be best, along with his not thinking of her so much if at all, for what’s he gain by it? But that’s not what he’s saying and he doesn’t want to think of it anymore now or it’ll all be spoiled. How’s that? Drop it; and he squeezes his eyes closed and stays that way for about a minute, and that seems to do it.

He goes to town next day. “I have some photocopying to do and I’ll pick up a good bread,” he tells his wife; “anything else you might want?” hoping there isn’t, since he doesn’t want to make a bunch of stops, especially if what she wants him to get is before the place he wants to make the call from, and she says, “Nothing I can think of,” and he starts to leave, then thinks of it and also what a fake he is, considering what’s getting him out of here, and goes back to kiss her and then leaves, stomach churning nervously, even youthfully in a way, hasn’t felt that feeling in his pit for he doesn’t know how long, a feeling like — well, churning, nervousness, and of course he’s been thinking of Sage most of the morning, but that could be because he was thinking of making the call and how he would do it, which means he didn’t give himself a chance to forget her. Does he really have the guts for this? he thinks in the car: the brains, no, but the guts? Well, he’ll find out, and stops at a pay phone against the side wall of the first service station in town, has three dollars in change; if the call’s more he’ll forget it: he’d have to get change from the guy inside, and besides, it doesn’t make sense if it has to be so expensive. Looks in the phone book attached to the phone stand for the Palm Beach area code — it isn’t listed but West Palm Beach is — and he dials it plus the Information number and asks for Ottunburg and spells it, “I don’t know the exact address but it’s there, in the heart of the city, and I think this Ottunburg’s the only one.” He’s told that there are five Ottunburg numbers, all at the same address — Nelson F., pool, cottages two and three, and the children’s phone — and he says, “Give me Nelson, not the pool or cottages but the main house,” dials, sticks two-seventy-five in when asked for it, and a woman answers and he thinks it could be the maid or cook or someone, what with the spread they must have, and says, “I’d like to speak to Mr. Ottunburg, please”—not sure why he asked for him; if a man had answered he might have asked for Mrs. Ottunburg, probably to give himself a little more time — and she says, “He’s not home; who’s calling?” and he says, “Is he at work?” and thinks why’d he ask that? since he’s not going to make another call and not just because he has no more change, and she says, “He’s on a business trip, may I take a message?” and he says, “Is Mrs. Ottunburg in?” and she says, “This is she, who am I speaking to?” and he says, “Then this is for you too, ma’am. Your daughter Sage — who’s fine, by the way, best of health, no problems — is having an intense affair with a fifty-eight-year-old man in Bar Harbor, Maine, I’m sorry to have to report to you,” and she says, “My, my, not Sage,” and he thinks, She kidding him or what? because she doesn’t sound serious, which even if he didn’t expect her to that much he didn’t think she’d be mocking and he says, “Yes, Sage, a waitress, I believe, at the Popover Palace or something there in Acadia National Park — I never get to those places because I can’t stand the crowds,” and she says, “May I again ask who’s calling, since this is quite alarming, sir?” and he says, “I can’t divulge my name, I’m sorry, and I have to go now,” and she says, “One thing I do know, though, is that you can’t be the man she’s having this affair with — Sage would never take to someone so gross,” and hangs up.