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Pat was unsure of what she meant. “Feral children?”

“You’ve heard of Romulus and Remus?” asked Domenica.

A Room, a Photograph, Love and Memory 67

“They were brought up by wolves. Well, they were feral. And there were many others. Wolves, monkeys, even gazelles. Animals can make very good parents, you know. And they tend not to be too pushy – unlike those people downstairs.”

26. A Room, a Photograph, Love and Memory Pat looked around Domenica’s room. Two of the walls were covered with book shelves, towering up to the ceiling, and the others were liberally hung with framed photographs and paintings.

“Yes,” remarked Domenica, noticing Pat’s interest. “It is a bit of a mess this room. That wall over there, with its photographs, is a bit like one of those Italian restaurants where they have pictures of the well-known people who have eaten there. Usually these days it’s Sean Connery, but I really can’t imagine that he’s spent all hours in those Italian restaurants. Where would he find the time to get on with being famous, poor man? And if you go to Italy, all the restaurants have photographs of Luciano Pavarotti, who also couldn’t possibly have been to all the places which claim him. It’s rather like the cult of saints and their bones.

There are so many bits of the more popular saints that one could assemble several hundred skeletons of each of them. St Catherine of Siena for example – she of the miraculous water barrel – must have had numerous fingers. I’ve seen at least twenty in various churches in Tuscany. Quite miraculous!”

Pat laughed. “I find those old bones a bit creepy,” she said.

“But I suppose that some people like them.”

“Yes, I understand that Neapolitans and the like find great consolation in such things,” Domenica said. “But you are a most tolerant girl. Yours is a tolerant generation. The religious enthusiasms of others can be a bit trying, but they are important, don’t you think? They allow people to express their sense of the spiritual.”

68

A Room, a Photograph, Love and Memory Domenica took a sip of her sherry. “I don’t mind a good-going religious ritual of the sort you see in India,” she continued. “You know, something with coloured smoke and elephants

– though the Scottish Episcopal Church doesn’t go in for elephants very much, alas. I can see a bishop on an elephant, can’t you?”

Pat had noticed the prints on the wall, and the metal candlestick on the table, in the shape of a three-headed cobra. And on Domenica’s desk, in a small porcelain pot, a bundle of joss sticks.

“Yes,” said Domenica, who seemed to have an uncanny facility for guessing exactly what it was that Pat was going to ask.

“Some mementoes from India. But actually I was born right here in Scotland Street.”

“Right here? In this building?”

Domenica nodded. “In those days people were born in places where people lived. Astonishing, but true. I came into this world, would you believe it, in this very room. It was my parents’

bedroom and their bed was over there, against that wall. I was born in that bed. Precisely sixty-one years ago next Friday afternoon. There was a war on, as you may recall, and I had been conceived when my father came back on home leave from convoy duty. He did not survive the North Atlantic, I’m afraid, and so I never knew him.” She pointed to a photograph above a small, corner fireplace. “That’s my father there.”

Pat got up and crossed the room to stand before the A Room, a Photograph, Love and Memory 69

photograph. A tall man was standing on what seemed to be a dune, the grass about his feet bending in the breeze. The face was an intelligent one, the mouth relaxed into a smile. His hair was ruffled, blown by the wind.

“I loved him very much,” said Domenica. “Although I never knew him, I loved him very much. Does that sound odd to you?

To love somebody you never knew?”

Pat thought for a moment. “No, I don’t think so. People fall in love with all sorts of people. People write letters to one another and fall in love even if they never meet. That happens.”

Domenica nodded. “It’s a special sort of love that one has for such a person. It’s an idealised love, I suppose. You’re in love with a memory, with an idea of somebody. And I suppose that for some people that’s all they have.”

For a short while there was silence. Pat looked again at the picture of Domenica’s father and then returned to her seat. She had always imagined that the saddest fate for a child would be to have no parents. But perhaps it was sadder still to have parents who did not love you. At least, if you had no parents you could think that they would have loved you, if they had been there.

But if you knew your parents did not love you, then you would be denied even that scrap of comfort.

She looked at Domenica. “I’m sure he would have loved you,”

she said. “I’m sure that he would have loved you a great deal.”

“Yes. I think he would.”

They said nothing for a moment. Then Domenica looked at her watch. “We must go through to the kitchen,” she said. “And then while I’m getting dinner ready, we can talk a little more. I don’t want to bore you, though. Sixty-one can be very boring for twenty whatever it is you are.”

“Twenty. Just twenty.”

“A good age to be,” said Domenica. “As is every age, I imagine, except for the years between fourteen and seventeen and a half. An awful time for everybody. Were you a dreadful teenager? I was, I think. In fact, I was exactly the sort of person I would not have liked to be. Does that make sense? Let’s think about it.”

27. The Electricity Factory

Domenica chopped the onions with a large-bladed knife, while her guest sat at the scrubbed-pine table and watched her.

“When did you live in India?” Pat asked.

Domenica tipped the onions into a saucepan. “I shall explain,”

she said. “It will be simpler if you get the whole story. Reduced, of course, to five minutes. Time marched on, and it continued to do so until I was eighteen, when my mother suddenly decided that she wanted to go off to India. She had been offered the job of principal at a school for girls in south India. It was run by a Scottish charity, some people in Glasgow. I stayed behind – I was about to go to university – and she went off. When I had finished my degree, I went out to see her. You travelled by ship in those days – a tremendous thrill for me.

“Her school was in the hills above Cochin, in Kerala. It’s a lovely state, Kerala – all that greenery and those waterways and those cool towns up in the Western Ghats. I fell in love with the place immediately, and begged her to let me stay with her, which I did. I had no idea what I was going to do at home, and Scotland was pretty dull, remember, in the early Sixties. I suppose we were still in the Fifties while everybody else had moved on.

“So I stayed with my mother in the principal’s lodge at the school. It seemed very grand to be living in a lodge, but it was quite a modest house, really. There was a verandah which ran round two sides of the house and a garden with fire coral trees. There were pepper vines growing up these trees and we used to harvest our own pepper and let it dry on banana leaves on the ground.

“I loved living there, as you can imagine, although I didn’t have all that much to do. I was taken on as a teacher, but I was not paid for this, and the duties were pretty light. But it was easy work, because the girls at the school were all very well-behaved and wouldn’t dream of being rude to the staff. Nobody was rude then. Rudeness was invented much later.

“And that’s where I stayed for three years. Then, at a lunch party held by the manager of a tea company, I met the man who became my husband. He came from Cochin, where his father The Electricity Factory