"Vulgar," Leatha said, wiping her eyes with her napkin after taking too much horseradish on her gefilte fish.
"I don't think so." He put his hand on her leg under the table, and she pushed it away without changing expression.
"Don't do that in public.”
"Or in private either! Damn it, Lea, what's happening to our marriage? We both work, A-OK, that's fine, but what about our life together? What about our raising a newborn?"
"We've talked about this before…"
"You've said no before, that's what has happened. Look, Lea honey, I'm not trying to push you back to the Middle Ages with one in the hand, one on the hip, and one in the belly. Women have been relieved at last of all the trouble and danger of childbirth, but by God they are still women. Not men with different builds. A lot of couples don't want kids, fine, and I agree that creche-raised babies have all the advantages. But other couples are raising babies, and women can even nurse them after the right injections."
"You don't think I'd do that?"
"I'm not asking you to do that, as you so sweetly put it — though it's nowhere near as shocking as your tone of voice indicates. I would just like you to consider raising a child, a son. He would be with us evenings and weekends. It would be fun."
"Not exactly my idea of fun."
The answer that was on his lips was sharp, bitter, and nasty and would have surely started an even worse fight, but before he could speak she grabbed him by the arm.
"Gust, there in the corner at that back table — isn't that the horrible person who was at the lab?"
"Blalock? Yes, it looks like him. Though it's hard to tell in this overromantic light. What difference does it make?"
"Don't you realize that if he is here, he followed us and is watching us? He thinks we may have been responsible for the bottle failures."
"You're imagining too much. Maybe he just likes cult food. He looks the type who might even live on it."
Yet why was he at the restaurant? If he was there to worry them, he succeeded. Leatha pushed her plate away and Gust had little appetite as well. He called for the check and, depressed in spirits, they shrugged into their coats and went out into the cold night, past the silent and accusing eyes of Sharm, who knew he was not going to live the new life in New Town no matter how much he wanted to.
Many years before, Catherine Ruffin had developed a simple plan to enable her to get her work done, a plan that was not part of her work routine. She had discovered, early in her career, that she had an orderly mind and a highly retentive memory that were a great asset in her work. But she had to study facts slowly and deliberately without interruptions, something that was impossible during the routine of a busy office day. Staying after work was not the answer; the phone still rang, and she was often too fatigued to make the most of the opportunity. Nor was it always possible to bring work back to her apartment. Since she had always been an early riser, she found that her colleagues were all slugabeds and would rather do anything than come to work five minutes early. She went to her office now at seven every morning and had the solid core of her work done before anyone else appeared. It was a practical and satisfactory solution to the problem and one that appealed to her. However, she was so used to being alone at these early hours that she looked upon anyone else's presence as an interruption and an annoyance.
She found the note on her desk when she came in, — it certainly had not been there when she left the previous evening. It was typed and quite clear:
Please see me now in bottle lab. Urgent. R. Livermore.
She was annoyed at the tone and the interruption and perhaps the idea that someone had actually come to work before her. Been here all night, more likely; the scientific staff tended to do that unless specifically forbidden. Still, it looked urgent, so she had better comply. There would be time for recriminations later if Livermore had overstepped himself. She put her massive purse in the bottom drawer of her desk and went to the elevator.
There was no one in sight on the laboratory floor, nor in the office when she went in. A motion caught her eye, and she turned to look at the door that led into the bottle rooms; it was closed now, yet she had the feeling that it had moved a moment before. Perhaps Liver-more had gone through and was waiting for her. As she started forward there was the sharp sound of breaking glass from behind the door, again and again. At the same instant an alarm bell began ringing loudly in the distance. She gasped and stood frozen an instant at the suddenness of it. Someone was in there, breaking the apparatus. The bottles! Running heavily, she threw the door open and rushed inside. Glass littered the £^or; fluids still dripped from the shattered bottles. There was no one there. She looked about her, stunned by the destruction and the suddenness, shocked by the abrupt termination of these carefully plotted lives. The almost invisible masses of cells that were to be the next generation were dying, even while she stood there gaping. And there was nothing she could do about it. It was horrifying, and she could not move. Shards of glass were at her feet and in the midst of the glass and the widening pool of liquid was a hammer.
The killer's weapon? She bent down and picked the hammer up and when she stood upright again someone spoke behind her.
"Turn about slowly. Don't do anything you'll regret."
Catherine Ruffin was out of her depth, floundering. Everything was happening too fast, and she could not grasp the reality of it.
"What?" she said. "What?" Turning to look at the stranger in the doorway behind her, who held what appeared to be a revolver.
"Put that hammer down slowly," he said.
"Who are you?" The hammer clattered on the floor.
"I'll ask the same thing of you. I am Blalock, FBI. My identification is here." He held out his badge.
"Catherine Ruffin. I was sent for. Dr. Livermore. What does this mean?"
"Can you prove that?"
"Of course. This note, read it for yourself."
He pinched it between the tips of his fingers and looked at it briefly before dropping it into an envelope and putting it into his pocket. His gun had vanished.
"Anyone could have typed that," he said. "You could have typed it yourself."
"I don't know what you're talking about. It was on my desk when I came to work a short while ago. I read it, came here, heard the sound of glass being broken, entered here and saw this hammer and picked it up. Nothing else."
Blalock looked at her closely for a long instant, then nodded and waved her after him to the outer office. "Perhaps. We will check that out later. For the moment you will sit here quietly while I make some calls."
He had a list of numbers, and the first one he dialed rang a long time before it was answered. Leatha Crabb's sleep-puffed face finally appeared on the screen.
"What do you want?" she asked, her eyes widening when she saw who the caller was.
"Your husband. I wish to talk to him."
"He's — he's asleep." She looked about uneasily, and Blalock did not miss the hesitation in her voice.
"Is he? Then wake him and bring him to the phone."
"Why? Just tell me why?"
"Then I will be there at once. Would that embarrass you, Mrs. Crabb? Will you either wake your husband — or tell me the truth?"
She lowered her eyes and spoke in a small voice.
"He's not here. He hasn't been here all night."
"Do you know where he is?"
"No. And I don't care. We had a difference of opinion, and he stamped out. And that is all I wish to tell you." The screen went dark. Blalock instantly dialed another number. This time there was no answer. He turned to Catherine Ruffin who sat, still dazed by the rapid passage of events.