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you might introduce him to your friends."

"I would be honored," Idaan said, her mind considering the thou sand

ways that this might be a trap. "Perhaps tomorrow evening you would join

me for tea in the winter gardens. I have no doubt there are many people

who would be pleased to join us."

"Not too many, I hope," he said. He had an odd voice, she thought. As if

he was amused at something. As if he knew how badly he had shaken her.

Her fear shifted slightly, and she raised her chin. "I already find

myself forgetting names I should remember," the poet continued. "It's

most embarrassing."

"I will he pleased to remind you of my own, should it be required," she

said. Her father's movement was almost too slight to see, but she caught

it and cast her gaze down. Perhaps she had gone too far. But when the

poet spoke, he seemed to have taken no offense.

"I expect I will remember yours, Idaan-cha. It would be very rude not

to. I look forward to meeting your friends and seeing your city. Perhaps

even more than closeting myself in your library."

He had to know. He had to. Except that she was not being led away under

guard. She was not being taken to the quiet chambers and questioned. If

he did not know, he must only suspect.

Let him suspect, then. She would get word to Adrah and the Galts. They

would know better than she what to do with this NIaati Vaupathai. If he

was a threat, he would be added to the list. I3iitrah, Danat, Kaiin,

Otah, Maati. The men she would have to kill or have killed. She smiled

at him gently, and he nodded to her. One more name could make little

difference now, and he, at least, was no one she loved.

"WHEN ARE THEY SENDING YOU?" KIYAN ASKED AS SIZE POURED OUT THE bucket.

Gray water flowed over the bricks that paved the small garden at the

hack of the wayhouse. Otah took the longhandled brush and swept the

water off to the sides, leaving the walkway deep red and glistening in

the sunlight. He felt Kiyan's gaze on him, felt the question in the air.

The gardens smelled of fresh turned earth. Spices for the kitchen grew

here. In a few weeks, the place would be thick with growing things:

basil and mint and thyme. He imagined scrubbing these bricks week after

week over the span of years until they wore smooth or he died, and felt

an irrational surge of fondness for the walkway. He smiled to himself.

"Itani?"

"I don't know. That is, I know they want me to go to Machi in two weeks

time. Amiit Foss is sending half the couriers he has up there, it seems.

"Of course he is. It's where everything's happening."

"But I haven't decided to go."

The silence bore down on him now, and he turned. Kiyan stood in the

doorway-in her doorway. Her crossed arms, her narrowed eyes, and the

single frown-line drawn vertically between her brows, made Otah smile.

He leaned on his brush.

"We need to talk, sweet," he said. "There are some things ... we have

some business, I think, to attend to."

Kiyan answered by taking the brush from him, leaning it against the

wall, and marching to a meeting room at the back of the house. It was

small but formal, with a thick wooden door and a window that looked out

on the corner of the interior courtyard. The sort of place she might

give to a diplomat or a courier for an extra length of copper. The sort

of place it would be difficult to be overheard. That was as it should be.

Kiyan sat carefully, her face as blank as that of a man playing tiles.

Otah sat across from her, careful not to touch her hand. She was holding

herself back, he knew. She was restraining herself from hoping until she

knew, so that if what he said did not match what she longed to hear, the

disappointment would not he so heavy. For a moment, his mind flickered

back to a bathhouse in Saraykeht and another woman's eyes. He had had

this conversation once before, and he doubted he would ever have it again.

"I don't want to go to the north," Otah said. "For more reasons than one.

"Why not?" Kiyan asked.

"Sweet, there are some things I haven't told you. Things about my

family. About myself...."

And so he began, slowly, carefully, to tell the story. He was the son of

the Khai Machi, but his sixth son. One of those cast out by his family

and sent to the school where the sons of the Khaiem and utkhaiem

struggled in hope of one day being selected to be poets and wield the

power of the andat. He had been chosen once, and had walked away. Itani

Noygu was the name he had chosen for himself, the man he had made of

himself. But he was also Otah Machi.

He was careful to tell the story well. He more than half expected her to

laugh at him. Or to accuse him of a self-aggrandizing madness. Or to

sweep him into her arms and say that she'd known, she'd always known he

was something more than a courier. Kiyan defeated all the stories he had

spun in his dreams of this moment. She merely listened, arms crossed,

eyes turned toward the window. The vertical line between her brows

deepened slightly, and that was all. She did not move or ask questions

until he had nearly reached the end. All that was left was to tell her

he'd chosen to take her offer to work with her here at the wayhouse, but

she knew that already and lifted her hands before he could say the words.

"Irani ... lover, if this isn't true ... if this is a joke, please tell

me. Now."

"It isn't a joke," he said.

She took a deep breath, letting it out slowly. When she spoke, she

seemed calm in a way that he knew meant rage beyond expression. At the

first tone of it, his heart went tight.

"You have to leave. Now. Tonight. You have to leave and never come hack."

"Kiyan-kya..."

"No. No kya. No sweet. No my lone. None of that. You have to leave my

house and you can't ever come back or tell anyone who you are or who I

am or that we knew each other once. Igo you understand that?"

"I understand that you're angry with me," Otah said, leaning toward her.

"You have a right to be. But you don't know how carefully I have had to

guard this."

Kiyan tilted her head, like a fox that's heard a strange noise, then

laughed once.

"You think I'm upset you didn't tell me? You think I'm upset because you

had a secret and you didn't spill it the first time we shared a bed?

Irani, this may surprise you, but I have secrets a thousand times less

important than that, and I've kept them a hundred times better."

`But you want me to leave?

"Of course I want you to leave. Are you dim? Do you know what happened

to the men who guarded your eldest brother? They're dead. Do you recall

what happened when the Khai Yalakeht's sons turned on each other six

years back? 't'here were a dozen corpses before that was through, and