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When at last the dark stone towers of Machi appeared in the

distance-lines of ink on a pale parchment-it was difficult to believe.

He had lost track of the days. He felt as if he had been traveling

forever, or perhaps that he had only just begun. As they drew nearer, he

opened his hood despite the stinging air and watched the towers thicken

and take form.

He didn't know when they passed over the river. The bridge would have

been no more than a rise in the snow, indistinguishable from a random

drift. Still, they must have passed it, because they entered into the

city itself. The high snow made the houses seemed shorter. Other dog

teams yipped and called, pulled wide sledges filled with boxes or ore or

the goods of trade; even the teeth of winter would not stop Machi. Maati

even saw men with wide, leather-laced nets on their shoes and goods for

sale strapped to their backs tramping down worn paths that led from one

house to the next. He heard voices lifted in loud conversation and the

harking of dogs and the murmur of the platform chains that rose up with

the towers and shifted, scraping against the stone.

The city seemed to have nothing in common with the one he had known, and

still there was a beauty to it. It was stark and terrible, and the wide

sky forgave it nothing, but he could imagine how someone might boast

they lived here in the midst of the desolation and carved out a life

worth living. Only the verdigris domes over the forges were free from

snow, the fires never slackening enough to how before the winter.

On the way to the palace of the Khai Machi, his guide passed what had

once been the palaces of the Vaunyogi. The broken walls jutted from the

snow. He thought he could still make out scorch marks on the stones.

There were no bodies now. The Vaunyogi were broken, and those who were

not dead had scattered into the world where they would be wise never to

mention their true names again. The hones of their house made Maati

shiver in a way that had little to do with the biting air. Otah-kvo had

done this, or ordered it done. It had been necessary, or so Maati told

himself. He couldn't think of another path, and still the ruins

disturbed him.

He entered the offices of the Master of Tides through the snow door,

tramping up the slick painted wood of the ramp and into rooms he'd known

in summer. When he had taken off his outer cloaks and let himself be led

to the chamber where the servants of the Khai set schedules, Piyun See,

the assistant to the Master of Tides, fell at once into a pose of welcome.

"It's a pleasure to have you back," he said. "The Khai mentioned that we

should expect you. But he had thought you might be here earlier."

Though the air in the offices felt warm, the man's breath was still

visible. Maati's ideas of cold had changed during his journey.

"The way was slower than I'd hoped," Maati said.

"The most high is in meetings and cannot be disturbed, but he has left

us with instructions for your accommodation...."

Maati felt a pang of disappointment. It was naive of him to expect

Otah-kvo to be there to greet him, and yet he had to admit that he had

harbored hopes.

"Whatever is most convenient will, I'm sure, suffice," Maati said.

"Don't bother yourself Piyun-cha," a woman's voice said from behind

them. "I can see to this."

The changes of the previous months had left Kiyan untransformed. Her

hair-black with its lacing of white-was tied hack in a simple knot that

seemed out of place above the ornate robes of a Khai's wife. Her smile

didn't have the chill formal distance or false pleasure of a player at

court intrigue. When she embraced him, her hair smelled of lavender oil.

For all her position and the incarcerating power of being her husband's

wife she would, Maati thought, still look at home at a wayhouse watching

over guests or haggling with the farmers, bakers and butchers at the at

the market.

But perhaps that was only his own wish that things could change and

still be the same.

"You look tired," she said, leading him down a long flight of smnooth-

worn granite stairs. "How long have you been traveling?"

"I left the Dai-kvo before Candles Night," he said.

"You still dress like a poet," she said, gently. So she knew.

"The Dai-kvo agreed to Otah-kvo's proposal. I'm not formally removed so

long as I don't appear in public ceremony in my poet's robes. I'm not

permitted to live in a poet's house or present myself in any way as

carrying the authority of the Dal-kvo."

"And Cehmai?"

"Cehmai's had some admonishing letters, I think. But I took the worst of

it. It was easier that way, and I don't mind so much as I might have

when I was younger."

The doors at the stairway's end stood open. They had descended below the

level of the street, even under its burden of snow, and the candlelit

tunnel before them seemed almost hot. His breath had stopped ghosting.

"I'm sorry for that," Kiyan said, leading the way. "It seems wrong that

you should suffer for doing the right thing."

"I'm not suffering," Maati said. "Not as badly as I did when I was in

the Dai-kvo's good graces, at least. The more I see of the honors I was

offered, the better I feel about having lost them."

She chuckled.

The passageway glowed gold. A high, vaulted arch above them was covered

with tiles that reflected the light hack into the air where it hung like

pollen. An echo of song came from a great distance, the words blurred by

the tunnels. And then the melody was joined and the whispering voices of

the gods seemed to touch the air. Maati's steps faltered, and Kiyan

turned to look at him and then followed his gaze into the air.

"The winter choir," she said. Her voice was suddenly smaller, sharing

his awe. "There are a lot of idle hands in the colder seasons. Music

becomes more important, I think, when things are cold and dark."

"It's beautiful," Maati said. "I knew there were tunnels, but ..."

"It's another city," Kiyan said. "Think how I feel. I didn't know half

the depth of it until I was supposed to help rule it."

They began walking again, their words rising above the song.

"How is he?"

"Not idle," she said with both amusement and melancholy in her tone.

"He's been working until he's half exhausted every day and then getting

up early. There's a thousand critical things that he's called on to do,

and a thousand more that are nothing more than ceremony that only

swallow his time. It makes him cranky. He'll be angry that he wasn't

free to meet you, but it will help that I could. "That's the best I can

do these days. Make sure that the things most important to him are seen

to while he's off making sure the city doesn't fall into chaos."

"I'd think it would be able to grind on without him for a time just from