‘Excuse me a sec,’ he said.
‘Oh yes, there’s something in the Gents,’ the old barman said when the barmaid had poked about in her handbag and had shaken her head. ‘Just inside the door, sir.’
But when Jeffrey put a pound in nothing came out. Too late he saw – scrawled on a length of perforated stamp paper and stuck too high to be noticed – Out of order. He swore hotly. If the woman hadn’t been there he’d have created a scene, demanding his pound back, even claiming he had put in two.
‘You have a car?’ he enquired quite bluntly when he returned to the theatre bar, because on the way back from the Gents it had occurred to him that she had only said she could drive. Driver? it enquired on the wretchedly long-winded personal data thing; but he always asked, just to be sure. He was modest in his expectations where the Bryanston Square Introduction Bureau was concerned. He sought no more than a car-owner who would transport him and his photographic equipment from one chosen area of London to another, someone who – as privately he put it to himself – would be drawn into his work. He imagined a quiet person, capable after instruction of unfolding and setting up a tripod, of using a simple light-meter, of making notes and keeping a record, who would enjoy becoming part of things. He imagined conversations that were all to do with the enterprise he had undertaken; nothing more was necessary. He naturally had not revealed any of these details on the Bryanston Square application form he had completed eighteen months ago, believing that it would be unwise to do so.
‘It’s just I wondered,’ he said in the theatre bar, ‘if you possessed a car?’
He watched her shaking her head. She’d had a car until a year ago, a Nissan. ‘I hardly ever used it,’ she explained. ‘I really didn’t.’
He didn’t let his crossness show, but disappointment felt like a weight within him. It wearied him, as disappointment had a way of doing. The nearest there’d ever been was the social worker with the beaten-up Ford Escort, or ages before that the club receptionist with the Mini. But neither had lasted long enough to be of any real help and both had turned unpleasant in the end. All that wasted effort, this time again; he might as well just walk away, he thought.
‘My turn to get us a drink,’ she said, taking a purse from her handbag and causing him to wonder if she had an aspirin in there too.
He didn’t ask. He’d thought as he set out that if yet again there was nothing doing there might at least be the consolation of dinner – which references to toothache could easily put the kibosh on. He wondered now about L’Etape. He’d often paused to examine the menu by the door.
‘Wine, this was.’ He handed her his glass and watched her crossing the empty space to the bar. She wasn’t badly dressed: no reason why she shouldn’t be up to L’Etape’s tariff.
*
She listened while he went through his cameras, giving the manufacturers’ names, and details about flash and exposure. Nine he had apparently, a few of them very old and better than any on the market now. His book about London had been commissioned and would run to almost a thousand pages.
‘Gosh!’ she murmured. Halfway through her third gin and tonic, she felt pleasantly warm, happy enough to be here, although she knew by now that none of this was any good. ‘Heavens, you’ll be busy!’ she said. His world was very different from hers, she added, knowing she must not go on about hers, that it would be tedious to mention all sorts of things. Why should anyone be interested in her rejection more than twenty years ago of someone she had loved? Why should anyone be interested in knowing that she had done so, it seemed now, for no good reason beyond the shadow of doubt there’d been? A stranger would not see the face that she still saw, or hear the voice she heard; or understand why, afterwards, she had wanted no one else; or hear what, afterwards, had seemed to be a truth – that doubt played tricks in love’s confusion. And who could expect a stranger to want to hear about the circumstances of a mother’s lingering illness and the mercy of her death in a suburban house? You put it all together and it made a life; you lived in its aftermath, but that, too, was best kept back. She smiled at her companion through these reflections, for there was no reason not to.
‘I was wondering about L’Etape,’ he said.
Imagining this to be another camera, she shook her head, and he said that L’Etape was a restaurant. It was difficult then, difficult to say that perhaps they should not begin something that could not be continued, which his manner suggested had been his conclusion also. They were not each other’s kind: what at first had seemed to be a possibility hadn’t seemed so after three-quarters of an hour, as so often was the way. So much was right: she would have liked to say so; she would have liked to say that she’d enjoyed their encounter and hoped he’d shared that with her. Her glass was nowhere near empty, nor was his; there was no hurry.
‘But then I’d best get back,’ she said. ‘If you don’t mind.’
She wondered if in his life, too, there had been a mistake that threw a shadow, if that was why he was looking around for someone to fill a gap he had never become used to. She smiled in case her moment of curiosity showed, covering it safely over.
‘It was just a thought,’ he said. X’Etape.’
*
The interval curtain came down at an emotional moment. There was applause, and then the first chattering voices reached the bar, which filled up quickly. The noise of broken conversation spread in the quiet it had disturbed, until the Tannoy announcement warned that three minutes only remained, then two, and one.
‘I’m afraid we shut up shop now,’ the elderly barman said and the plump barmaid hurried about, collecting the glasses and pushing the chairs against one wall so that the cleaners could get at the floor when they came in the morning. ‘Sorry about that,’ the barman apologized.
Jeffrey considered making a fuss, insisting on another drink, since the place after all was a public bar. He imagined waking up at two or three in the morning and finding himself depressed because of the way the evening had gone. He would remember then the stern features of Sir Henry Havelock in Trafalgar Square and the two girls giggling because he’d said something out loud. He would remember the Out of order sign in the Gents. She should have been more explicit about the driving on that bloody form instead of wasting his time.
He thought of picking up a glass and throwing it at the upside-down bottles behind the bar, someone’s leftover slice of lemon flying through the air, glass splintering into the ashtrays and the ice-bucket, all that extra for them to clear up afterwards. He thought of walking away without another word, leaving the woman to make her peace with the pair behind the bar. Ridiculous they were, ridiculous not to have an aspirin somewhere.
*
‘It was brilliant, your theatre-bar idea,’ she said as they passed through the foyer. The audience’s laughter reached them, a single ripple, quietening at once. The box office was closed, a board propped up against its ornate brass bars. Outside, the posters for the play they hadn’t seen wildly proclaimed its virtues.
‘Well,’ he said, though without finality; uncertain, as in other ways he had seemed to be.
Yet surely she hadn’t been mistaken; surely he must have known also, and as soon as she had. She imagined him with one of his many cameras, skulking about the little streets of Hoxton. There was no reason why a photographer shouldn’t have an artistic temperament, which would account for his nerviness or whatever it was.
‘I don’t suppose,’ he said, ‘you’d have an aspirin?’
He had a toothache. She searched her handbag, for she sometimes had paracetamol.
‘I’m sorry,’ she said, still rummaging.
‘It doesn’t matter.’
‘It’s bad?’