“Getting on in life now, sir,” he said, in answer to some remark made by the Prince. “Got to make way for younger men.”
“Nonsense, Sir Gavin, nonsense.”
Prince Theodoric insisted on coming to the door to say a final good-bye. A number of other guests, with Sir Magnus, followed to the place in the courtyard where the cars were waiting. Among this crowd of people I suddenly noticed Jean had reappeared.
“Bob is returning next month,” she said, when I approached her. “Come to dinner, or something. Where do you live?”
I told her my address, feeling at the same time that dinner with the Duports was not exactly the answer to my problem. I suddenly began to wonder whether or not I liked her at all. It now seemed to me that there was something awkward and irritating about the manner in which she had suggested this invitation. At the same time she reminded me of some picture. Was it Rubens and Le Chapeau de Faille: his second wife or her sister? There was that same suggestion, though only for an instant, of shyness and submission. Perhaps it was the painter’s first wife that Jean resembled, though slighter in build. After all, they were aunt and niece. Jean’s grey-blue eyes were slanting and perhaps not so large as theirs. Some trivial remarks passed between us, and we said good-bye.
Turning from this interlude, I noticed a somewhat peculiar scene taking place, in which Widmerpool was playing a leading part. This was in process of enactment in front of the steps. He must have completed his business with Sir Magnus and decided to slip quietly away, because he was sitting in an ancient Morris which now resolutely refused to start. Probably on account of age, and hard use suffered in the past, the engine of this vehicle would roar for a second or two, when the car would give a series of jerks; and then, after fearful, thunderous shaking, the noise would die down and cease altogether. Widmerpool, red in the face, could be seen through the thick grime of the almost opaque windscreen, now pressing the self-starter, now accelerating, now shifting the gears. The car seemed hopelessly immobilised. Sir Magnus, the ground crunching under his tread, stepped heavily across towards the spot.
“Is anything wrong?” he asked, mildly.
The question was no doubt intended as purely rhetorical, because it must have been clear to anyone, even of far less practical grasp of such matters than Sir Magnus, that something was very wrong indeed. However, obeying that law that requires most people to minimise to a superior a misfortune which, to an inferior, they would magnify, Widmerpool thrust his head through the open window of the car, and, smiling reverentially, gave an assurance that all was well.
“It’s quite all right, sir, quite all right,” he said. “She’ll fire in a moment. I think I left her too long in the sun.”
For a time, while we all watched, the starter screeched again without taking effect; the sound was decreasing and this time it stopped finally. It was clear that the battery had run out.
“We’ll give you a push,” said Pardoe. “Come on, boys.”
Several of the men went over to help, and Widmerpool, m his two-seater, was trundled, like Juggernaut, round and round the open space. At first these efforts were fruitless, but suddenly the engine began to hum, this sound occurring at a moment when, facing a wall, the car was so placed to make immediate progress forward impossible. Widmerpool therefore applied the brake, “warming up” for several seconds. I could see, when once more he advanced his head through the window, that he was greatly agitated. He shouted to Sir Magnus: “I must apologise for this, sir, I really must. It is too bad.”
Sir Magnus inclined his head indulgently. He evidently retained his excellent humour. It was then, just as the Walpole-Wilson party were settled in their two cars, that the accident happened. My attention had been momentarily distracted from the scene in which Widmerpool was playing the main role by manoeuvres on the part of Sir Gavin to steer Rosie Manasch, this time successfully, into the seat beside him; with the unforeseen result that Miss Janet Walpole-Wilson, as if by irresistible instinct, immediately seated herself in the back of the same car. While these dispositions were taking place, Widmerpool, making up his mind to move, must have released the brake and pressed the accelerator too hard. Perhaps he was unaware that his gear was still in “reverse.” Whatever the reason, the Morris suddenly shot backward with terrific force for so small a body, running precipitately into one of the stone urns where it stood, crowned with geraniums, at the corner of the sunken lawn. For a moment it looked as if Widmerpool and his car would follow the flower-pot and its heavy base, as they crashed down on to the grass, striking against each other with so much force that portions of decorative moulding broke from off the urn. Either the impact, or some sudden, and quite unexpected, re-establishment of control on Widmerpool’s part, prevented his own wholesale descent on to the lower levels of the lawn. The engine of the Morris stopped again, giving as it did so a kind of wail like the departure of an unhappy spirit, and, much dented at the rear, the car rolled forward a yard or two, coming to rest at an angle, not far from the edge of the parapet.
Before this incident was at an end, the Walpole-Wilson chauffeur had already begun to move off, and, looking back, the last I saw of the actors was a glimpse of the absolutely impassive face of Sir Magnus, as he strode with easy steps once more across the gravel to where Widmerpool was climbing out of his car. The sun was still hot. Its rays caught the sweat glistening on Widmerpool’s features, and flashed on his spectacles, from which, as from a mirror, the light was reflected. There was just time to see him snatch these glasses from his nose as he groped for a handkerchief. We passed under the arch, reaching the portcullis, and crossing the causeway over the moat, before anyone spoke. Once more the car entered the lanes and byways of that romantic countryside.
“That was a near one,” said Pardoe.
“Ought we to have stopped?” asked Lady Walpole-Wilson, anxiously.
“I wonder who it was,” she continued a moment later.
“Why, didn’t you see?” said Eleanor. “It was Mr. Widmerpool. He arrived at Stourwater some time after luncheon. Is he staying there, do you think?”
This information threw her mother into one of her not uncommon states of confusion, though whether the nervous attack with which Lady Walpole-Wilson was now visited could be attributed to some version, no doubt by that time hopelessly garbled, having come to her ears regarding Barbara and the sugar incident, it was not possible to say. More probably she merely looked upon Widmerpool and his mother as creators of a social problem with which she was consciously unwilling to contend. Possibly she had hoped that, in subsequent summers, the Widmerpools would find somewhere else in England to rent a cottage; or, at least, that after a single invitation to dinner the whole matter of Widmerpool’s existence might be forgotten once and for all. Certainly she would not wish, over and above such strands as already existed, to be additionally linked to his mother. That was certain. Nor could there be any doubt that she would not greatly care for the idea of Widmerpool himself being in love with her niece. At the same time, nothing could be more positive than the supposition that Lady Walpole-Wilson would, if necessary, have shown the Widmerpools, mother and son, all the kindness and consideration that their presence in the locality — regarded, of course, in relation to his father’s former agricultural connection with her brother-in-law — might, in the circumstances, justly demand.
“Oh, I hardly think Mr. Widmerpool would be staying at Stourwater,” she said; adding almost immediately: “Though I don’t in the least know why I should declare that. Anyway … he seemed to be driving away from the castle when we last saw him.”