Quiggin was showing no public indication of the attempts to ingratiate himself with Gypsy suggested by her earlier remarks. On the contrary, he seemed to be spending most of his time talking business or literary gossip of the kind in which he had indulged with Members. On the whole, he restricted himself to the men present, though once or twice he hovered, apparently rather ill at ease, in the vicinity of the model, Mona, in whom Barnby was also showing a certain interest. Gypsy had taken manifest steps to clean herself up for the party. She was wearing a bright, fussy little frock that emphasised her waif-like appearance. When I noticed her at a later stage of the evening’s evolution, sitting on the knee of Howard Craggs, a tall, baldish man, in early middle age, with a voice like a radio announcer’s, rich, oily, and precise in its accents, this sight made me think again of her brush with Widmerpool, and wish for a moment that I knew more of its details. Perhaps some processes of thought-transference afforded at that moment an unexpected dispensation from Gypsy herself of further enlightenment to my curiosity.
Craggs had been making fairly free for a considerable time in a manner that certainly suggested some truth in the aspersions put forward by Barnby. However, this perseverance on his part had apparently promoted no very ardent feeling of sympathy between them, there and then, for she was looking sullen enough. Now she suddenly scrambled out of his lap, straightening her skirt, and pushed her way across the room to where I was sitting on the sofa, talking — as I had been for some time — to a bearded man interested in musical-boxes. This person’s connection with Mr. Deacon was maintained purely and simply through their common interest in the musical-box market, a fact the bearded man kept on explaining: possibly fearing that his reputation might otherwise seem cheap in my eyes. At the arrival of Gypsy, probably supposing that the party was getting too rough for a person of quiet tastes, he rose from his seat, remarking that he must be “finding Gillian and making for Hampstead.” Gypsy took the deserted place. She sat there for a second or two without speaking.
“We don’t much like each other, do we?” she said at length.
I replied, rather lamely, that, even supposing some such mutual hostility to exist between us, there was no good reason why anything of the sort should continue; and it was true that I was conscious, that evening, of finding her notably more engaging than upon earlier meetings, comparatively amicable though some of these had been.
“Have you been seeing much of your friend Widmerpool lately?” she asked.
“I’ve just had a letter from his mother inviting me to dine with them next week.”
She laughed a lot at this news.
“I expect you heard he forked out,” she said.
“I gathered something of the sort.”
“Did he tell you himself?”
“In a manner of speaking.”
“Was he fed up about it?”
“He was, rather.”
She laughed again, though less noisily. I wondered what unthinkable passages had passed between them. It was evident that any interest, emotional or venal, invested by her in Widmerpool was now expended. There was something odious about her that made her, at the same time — I had to face this — an object of desire.
“After all, somebody had to cough up,” she said, rather defensively.
“So I suppose.”
“In the end he went off in a huff.”
This statement seemed explicit enough. There could be little doubt now that she had made a fool of Widmerpool. I felt, at that moment, she was correct in assuming that I did not like her. She was at once aware of this disapproval.
“Why are you so stuck up?” she asked, truculently.
“I’m just made that way.”
“You ought to fight it.”
“I can’t see why.”
As far as I can remember, she went on to speak of the “social revolution,” a subject that occupied a great deal of her conversation and Cragg’s, too, while even Mr. Deacon could not hold his own in such discussions, though representing a wilder and less regimented point of view than the other two. I was relieved of the necessity of expressing my own opinions on this rather large question — rivalling in intensity Lady Anne Stepney’s challenge to the effect that she was herself “on the side of the People” in the French Revolution — by the sudden appearance of Howard Craggs himself in the neighbourhood of the sofa upon which we were sitting; or rather, by then, lying, since for some reason she had put up her feet in such a manner as to require, so it seemed at the time, a change of position on my own part.
“I’m going soon, Gypsy,” said Craggs in his horrible voice, as if speaking lines of recitation for some public performance, an illusion additionally suggested by the name itself. “Should you be requiring a lift?”
“I’m dossing down here,” she said. “But I’ve got one or two things to tell you before you leave.”
“All right, Gypsy, I’ll have one more drink.”
He shambled off. We chatted for a time in a desultory manner — and some sort of an embrace may even have taken place. Soon after that she had said that she must find Craggs and tell him whatever information she wished to pass on. The party was by then drawing to close, or at least changing its venue, with such disastrous consequences for its host. I did not see Mr. Deacon again, after saying good night to him on the pavement: nor Barnby until we met at the cremation.
Most funerals incline, through general atmosphere, to suggest the presence, or at least the more salient characteristics of the deceased; and, in the case of Mr. Deacon, the ceremony’s emphasis was on the disorganised, undisciplined aspect of his character, rather than an echo of the shrewdness and precision that certainly made up the opposite side of his nature. Matters had been arranged by his sister, a small, grey-haired woman, whose appearance hardly at all recalled her brother. There had been some question as to what rites would be appropriate, as Mr. Deacon, latterly agnostic, was believed to have been a Catholic convert for some years as a young man. His sister had ruled out the suggestion of an undenominational service in favour of that of the Church of England. Upon this subject, according to Barnby, she had words with Gypsy Jones; with the result that Gypsy, on anti-religious grounds, had finally refused to attend the funeral. This withdrawal had not worried Mr. Deacon’s sister in the least. Indeed, it may have relieved her, since there was reason to suppose that she suspected, perhaps not unreasonably, the propriety of Gypsy’s connection with the shop. However, Barnby was extremely annoyed.
“Just like the little bitch,” he said.
The weather had turned warmer, almost muggy. About a dozen or fifteen people showed up, most of them belonging to that race of shabby, anonymous mourners who form the bulk of the congregation at all obsequies, whether high or low, rich or poor; almost as if the identical band trooped round unceasingly — like Archie Gilbert to his dances — from interment to interment. Among the leaden-coloured garments of these perpetual attendants upon Death, the lightish suit of a tall young man in spectacles stood out. The face was, for some reason, familiar to me. During the responses his high, quavering voice, repeating the words from the row behind, resounded throughout the little chapel. The sound was churchly, yet not of the Church. Then I remembered that this young man was Max Pilgrim, the “public entertainer”—as Mr. Deacon had called him — with whom the scene had taken place at the end of Mrs. Andriadis’s party. At the close of the service, his willowy figure shuddering slightly as he walked, Pilgrim hurried away. The reasons that had brought him there, however commendable, were only to be conjectured, and could be interpreted according to taste.