The affair had cost Brother Francis seven Lenten vigils among the wolves, however, and he never fully trusted the subject as safe. Whenever he mentioned it, he would dream that night of wolves and of Arkos; in the dream, Arkos kept flinging meat to the wolves, and the meat was Francis.
The monk found, however, that he might continue his project without being molested, except by Brother Jeris who continued to tease. Francis began the actual illumination of the lambskin. The intricacies of scrollwork and the excruciating delicacy of the gold-inlay work would, because of the brevity of his spare-project time, make it a labor of many years; but in a dark sea of centuries wherein nothing seemed to flow, a lifetime was only brief eddy, even for the man who livedit. there was a tedium of repeated days and repeated seasons; then there were aches and pains, finally Extreme Unction, and a moment of blackness at the end — or at the beginning, rather. For then the small shivering soul who had endured the tedium, endured it badly or well, would find itself in a place of light, find itself absorbed in the burning gaze of infinitely compassionate eyes as it stood before the Just One. And then the King would say: “Come,” or the King would say: “Go,” and only for that moment had the tedium of years existed. It would be hard to believe differently during such an age as Francis knew.
Brother Sarl finished the fifth page of his mathematical restoration, collapsed over his desk, and died a few hours later. Never mind. His notes were intact. Someone, after a century or two, would come along and find them interesting, would perhaps complete his work. Meanwhile, prayers ascended for the soul of Sarl.
Then there was Brother Fingo and his woodcarving. He had been returned to the carpentry shop a year or two ago and was permitted occasionally to chisel and scrape at his half-finished image of the Martyr. Like Francis, Fingo had only an hour now and then to work at his chosen task; the woodcarving progressed at a rate that was almost imperceptible unless one looked at the carving only after intervals of several months. Francis saw it too frequently to notice the growth. He found himself charmed by Fingo’s easy-going exuberance, even while realizing that Fingo had adopted his affable manner to compensate for his ugliness, and he liked to spend idle minutes, whenever he could find them, watching Fingo work.
The carpentry shop was rich with the odors of pine, cedar, spruce shavings, and human sweat. Wood was not easy to obtain at the abbey. Except for fig trees and a couple of cottonwoods in the immediate vicinity of the water hole, the region was treeless. It was a three-day ride to the nearest stand of scrub that passed for timber, and the woodgatherers often were gone from the abbey for a week at a time before they came back with a few donkeyloads of branches for making pegs, spokes, and an occasional chair leg. Sometimes they dragged back a log or two for replacing a rotting beam, But with such a limited wood supply, carpenters were necessarily woodcarvers and sculptors as well.
Sometimes, while watching Fingo carve, Francis would sit on a bench in the corner of the workshop and sketch, trying to visualize details of the carving which were, as yet, only roughly hewed in the wood. The vague outlines of the face were there, but still masked by splinters and chisel-marks. With his sketches, Brother Francis tried to anticipate the features before they emerged from the grain. Fingo glanced at his sketches and laughed. But as the work progressed, Francis could not escape the feeling that the face of the carving was smiling a vaguely familiar smile. He sketched it thus, and the feeling of familiarity increased. Still, he could not place the face, or recall who had smiled so wryly.
“Not bad, really Not bad at all,” said Fingo of his sketches.
The copyist shrugged. “I can’t get over the feeling that I’ve seen him before.”
“Not around here, Brother. Not in my time.”
Francis fell ill during Advent, and several months had passed before he visited the workshop again.
“The face is nearly finished, Francisco,” said the woodcarver. “How do you like it now?”
“I know him!” Francis gasped, staring at the merry-but-sad wrinkled eyes, the hint of a wry smile at the corners of the mouth — somehow almost too familiar.
“You do? Who is it then?” wondered Fingo.
“It’s — well, I’m not sure. I think I know him. But—”
Fingo laughed. “You’re just recognizing your own sketches,” he offered in explanation.
Francis was not so certain. Still, he could not quite place the face.
Hmm-hnnn! the wry smile seemed to say.
The abbot found the smile irritating, however. While he allowed the work to be completed, he declared that be would never permit it to be used for the purpose originally planned — as an image to be placed in the church if the canonization of the Beatus were ever accomplished. Many years later, when the whole figure was completed, Arkos caused it to be set up in the corridor of the guesthouse, but later transferred it to his study after it had shocked a visitor from New Rome.
Slowly, painfully, Brother Francis was making the lambskin a blaze of beauty. Word of his project spread beyond the copyroom, and the monks often gathered around his table to watch the work and murmur admiration. “Inspiration,” someone whispered. “There’s evidence enough. It could have been the Beatus he met out there—”
“I don’t see why you don’t spend your time on something useful,” grumbled Brother Jeris, whose sarcastic wit had been exhausted by several years of patient answers from Brother Francis. The skeptic had been using his own free-project time for making and decorating oilskin shades for the lamps in the church, thereby winning the attention of the abbot, who soon placed him in charge of the perennials. As the account ledgers soon began to testify, Brother Jeris’ promotion was justified.
Brother Horner, the old master copyist, fell ill. Within weeks, it became apparent that the well-loved monk was on his deathbed. A Mass of Burial was chanted early in Advent. The remains of the saintly old master-copyist were committed to the earth of their origin. While the community expressed its grief in prayer, Arkos quietly appointed Brother Jeris as master of the copyroom.
On the day after his appointment, Brother Jeris informed Brother Francis that be considered it appropriate for him to put away the things of a child and start doing a man’s work. Obediently, the monk wrapped his precious project in parchment, protected it with heavy boards, shelved it, and began making oilskin lampshades in his spare time. He murmured no protest, but contented himself with realizing that someday the soul of dear Brother Jeris would depart by the same road as the soul of Brother Horner, to begin that life for which this world was but a staging ground — might begin it at a rather early age, judging by the extent to which he fretted, fumed, and drove himself; and afterward, God willing, Francis might be allowed to complete his beloved document.
Providence, however, took an earlier hand in the matter, without summoning the soul of Brother Jeris to its Maker. During the summer which followed his appointment as master, a prothonotary apostolic and his retinue of clerks came by way of a donkey train to the abbey from New Rome; he introduced himself as Monsignor Malfreddo Aguerra, the postulator for the Beatus Leibowitz in the canonization procedure. With him were several Dominicans. He had come to observe the reopening of the shelter and the exploration of “Sealed Environment.” Also, to investigate such evidence as the abbey could produce that might have a bearing on the case, including — to the abbot’s dismay — reports of an alleged apparition of the Beatus which had, so travelers said, come to one Francis Gerard of Utah, AOL.