Cloistered as he had been, Francis had become unaccustomed to the ways of the outside world, to its harsh habits and curt attitudes. He found his heart deeply troubled by the robber’s mockery. He thought of Brother Jeris’ gentler mockery of earlier years. Maybe Brother Jeris had been right.
His head hung low in his hood as he traveled slowly on.
At least there was the original relic. At least.
11
The hour had come. Brother Francis, in his simple monk’s habit, had never felt less important than at that moment, as he knelt in the majestic basilica before the beginning of the ceremony. The stately movements, the vivid swirls of color, the sounds which accompanied the ceremonious preparations for ceremony, already seemed liturgical in spirit, makingit difficult to bear in mind that nothing of importance was happening yet. Bishops, monsignori, cardinals, priests, and various lay-functionaries in elegant, antiquated dress moved to and fro in the great church, but their comings and goings were graceful clockwork which never paused, stumbled, or changed its mind to rush in the other direction. A sampetrius entered the basilica; so grandly was he attired that Francis at first mistook the cathedral workman for a prelate. The sampetrius carried a footstool. He carried it with such casual pomp that the monk, if he had not been kneeling, might have genuflected as the object drifted by. The sampetrius dropped to one knee before the high altar, then crossed to the papal throne where he substituted the new footstool for one which seemed to have a loose leg; thereupon, he departed by the same route as he had come. Brother Francis marveled at the studied elegance of movement that accompanied even the trivial. No one hurried. No one minced or fumbled. No motion occurred which did not quietly contribute to the dignity and overpowering beauty of this ancient place, even as the motionless statues and paintings contributed to it. Even the whisper of one’s breathing seemed to echo faintly from distant apses.
Terribilis est locus iste: hic domus Dei est, et porta caeli; terrible indeed, House of God, Gate of Heaven!
Some of the statues were alive, he observed after a time. A suit of armor stood against the wall a few yards to his left. Its mailed fist held the staff of a gleaming battle-ax. Not even the plume of its helmet had stirred during the time Brother Francis had been kneeling there. A dozen identical suits of armor stood at intervals along the walls. Only after seeing a horsefly crawl through the visor of the “statue” on his left did he suspect that the warlike husk contained an occupant. His eye could detect no motion, but the armor emitted a few metallic creaks while it harbored the horsefly. These, then, must he the papal guard, so renowned in knightly battle: the small private army of God’s First Vicar.
A captain of the guard was making a stately tour of his men. For the first time, the statue moved. It lifted its visor in salute. The captain thoughtfully paused and used his kerchief to brush the horsefly from the forehead of the expressionless face inside the helmet before passing on. The statue lowered its visor and resumed its immobility.
The stately decor of the basilica was briefly marred by the entrance of pilgrim throngs. The throngs were well organized and efficiently ushered, but they were patently strangers to this place. Most of them seemed to tread on tiptoe to their stations, cautious to create no sound and as little movement as possible, unlike the sampetrii and New Roman clergy who made sound and motion eloquent. Here and there among the pilgrims someone stifled a cough or stumbled.
Suddenly the basilica became warlike, as the guard was strengthened. A new troop of mailed statues tramped into the sanctuary itself, dropped to one knee, and tilted their pike-staffs, saluting the altar before taking their posts. Two of them stood flanking the papal throne. A third fell to his knees at the throne’s right hand; he remained kneeling there with the sword of Peter lying across his upraised palms. The tableau became motionless again, except for occasional dancing of flame among the altar candles.
Upon the hallowed silence burst a sudden peal of trumpets.
The sound’s intensity mounted until the throbbing Ta-ra Ta-ra-raa could be felt upon one’s face and grew painful to the ears. The voice of the trumpets was not musical but annunciatory. The first notes began in mid-scale, then climbed slowly in pitch, intensity, and urgency, until the monk’s scalp crawled, and there seemed to be nothing at all in the basilica but the explosion of the tubas.
Then, dead silence — followed by the cry of a tenor:
FIRST CANTOR: “Appropinquat agnis pastor et ovibus pascendis.”
SECOND CANTOR: “Genua nunc flectantur omnia.”
FIRST CANTOR : “Jussit olim Jesus Petrum pascere gregem Domini.”
SECOND CANTOR: “Ecce Petrus Pontifex Maximus.”
FIRST CANTOR: “Gaudeat igitur populus Christi, et gratias agat Domino.”
SECOND CANTOR: “Nam docebimur a Spiritu sancto.”
CHOIR: “Alleluia, alleluia—”
The crowd arose and then knelt in a slow wave that followed the movement of the chair containing the frail old man in white who gestured his blessings to the people as the gold, black, purple, and red procession moved him slowly toward the throne. Breath kept choking up in the throat of the small monk from a distant abbey in a distant desert. It was impossible to see everything that was happening, so overwhelming was the tide of music and motion, drowning one’s senses and sweeping the mind along willy-nilly toward that which was soon to come.
The ceremony was brief. Its intensity would have become unendurable had it been longer. A monsignor — Malfreddo Aguerra, the Saint’s advocate himself, Brother Francis observed — approached the throne and knelt. After a brief silence, he voiced his plea in plain chant.
“Sancte pater, ab Sapientia summa petimus ut ille Beatus Leibowitz cujus miracula mirati sunt multi…”
The request called upon Leo to enlighten his people by solemn definition concerning the pious belief that the Beatus Leibowitz was indeed a saint, worthy of the dulia of the Church as well as the veneration of the faithful.
“Gratissima Nobis causa, fili,” the voice of the old man in white sang in response, explaining that his own heart’s desire was to announce by solemn proclamation that the blessed Martyr was among the saints, but also that it was by divine guidance alone, sub ducatu sancti Spititus, that he might comply with Aguerra’s request. He asked all to pray for that guidance.
Again the thunder of the choir filled the basilica with the Litany of the Saints: “Father-of-Heaven, God, have mercy on us. Son, Repurchaser-of-the-World, God, have mercy on us. Ghost-Most-Holy, God, have mercy on us. O Sacred Three-foldhood, God-One-and-Only, miserere nobis! Holy Mary, pray for us. Sancta Dei Genitrix, ora pro nobis. Sancta Virgo virginum, ora pro nobis…” The thunder of the litany continued. Francis looked up at a painting of the Blessed Leibowitz, newly unveiled. The fresco was of heroic proportions. It portrayed the trial of the Beatus before the mob, but the face was not wryly smiling as it smiled in Fingo’s work. It was, however, majestic, Francis thought, and in keeping with the rest of the basilica.
“Omnes sancti Martyres, orate pro nobis…”
When the litany was finished, again Monsignor Malfreddo Aguerra made his plea to the Pope, asking that the name of Isaac Edward Leibowitz be formally enrolled in the Calendar of Saints. Again the guiding Spirit was invoked, as the Pope chanted the Veni, Creator Spiritus.
And yet a third time Malfreddo Aguerra pleaded for the proclamation.