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respectable that they’ve gone further in than the flesh, and taken

hold of the ego proper. You couldn’t rest, even here. The war-cry

would follow you.”

“You don’t waste words, Wyllis, but you never miss fire. I talk more

than you do, without saying half so much. You must have learned the

art of silence from these taciturn Norwegians. I think I like silent

men.”

“Naturally,” said Wyllis, “since you have decided to marry the most

brilliant talker you know.”

Both were silent for a time, listening to the sighing of the hot

wind through the parched morning-glory vines. Margaret spoke first.

“Tell me, Wyllis, were many of the Norwegians you used to know as

interesting as Eric Hermannson?”

“Who, Siegfried? Well, no. He used to be the flower of the Norwegian

youth in my day, and he’s rather an exception, even now. He has

retrograded, though. The bonds of the soil have tightened on him, I

fancy.”

“Siegfried? Come, that’s rather good, Wyllis. He looks like a

dragon-slayer. What is it that makes him so different from the

others? I can talk to him; he seems quite like a human being.”

“Well,” said Wyllis, meditatively, “I don’t read Bourget as much as

my cultured sister, and I’m not so well up in analysis, but I fancy

it’s because one keeps cherishing a perfectly unwarranted suspicion

that under that big, hulking anatomy of his, he may conceal a soul

somewhere. Nicht wahr?”

“Something like that,” said Margaret, thoughtfully, “except that

it’s more than a suspicion, and it isn’t groundless. He has one, and

he makes it known, somehow, without speaking.”

“I always have my doubts about loquacious souls,” Wyllis remarked,

with the unbelieving smile that had grown habitual with him.

Margaret went on, not heeding the interruption. “I knew it from the

first, when he told me about the suicide of his cousin, the

Bernstein boy. That kind of blunt pathos can’t be summoned at will

in anybody. The earlier novelists rose to it, sometimes,

unconsciously. But last night when I sang for him I was doubly sure.

Oh, I haven’t told you about that yet! Better light your pipe again.

You see, he stumbled in on me in the dark when I was pumping away at

that old parlor organ to please Mrs. Lockhart. It’s her household

fetish and I’ve forgotten how many pounds of butter she made and

sold to buy it. Well, Eric stumbled in, and in some inarticulate

manner made me understand that he wanted me to sing for him. I sang

just the old things, of course. It’s queer to sing familiar things

here at the world’s end. It makes one think how the hearts of men

have carried them around the world, into the wastes of Iceland and

the jungles of Africa and the islands of the Pacific. I think if one

lived here long enough one would quite forget how to be trivial, and

would read only the great books that we never get time to read in

the world, and would remember only the great music, and the things

that are really worth while would stand out clearly against that

horizon over there. And of course I played the intermezzo from

‘Cavalleria Rusticana’ for him; it goes rather better on an organ

than most things do. He shuffled his feet and twisted his big hands

up into knots and blurted out that he didn’t know there was any

music like that in the world. Why, there were tears in his voice,

Wyllis! Yes, like Rossetti, I heard his tears. Then it dawned upon

me that it was probably the first good music he had ever heard in

all his life. Think of it, to care for music as he does and never to

hear it, never to know that it exists on earth! To long for it as we

long for other perfect experiences that never come. I can’t tell you

what music means to that man. I never saw any one so susceptible to

it. It gave him speech, he became alive. When I had finished the

intermezzo, he began telling me about a little crippled brother who

died and whom he loved and used to carry everywhere in his arms. He

did not wait for encouragement. He took up the story and told it

slowly, as if to himself, just sort of rose up and told his own woe

to answer Mascagni’s. It overcame me.”

“Poor devil,” said Wyllis, looking at her with mysterious eyes, “and

so you’ve given him a new woe. Now he’ll go on wanting Grieg and

Schubert the rest of his days and never getting them. That’s a

girl’s philanthropy for you!”

Jerry Lockhart came out of the house screwing his chin over the

unusual luxury of a stiff white collar, which his wife insisted upon

as a necessary article of toilet while Miss Elliot was at the house.

Jerry sat down on the step and smiled his broad, red smile at

Margaret.

“Well, I’ve got the music for your dance, Miss Elliot. Olaf Oleson

will bring his accordion and Mollie will play the organ, when she

isn’t lookin’ after the grub, and a little chap from Frenchtown will

bring his fiddle—though the French don’t mix with the Norwegians

much.”

“Delightful! Mr. Lockhart, that dance will be the feature of our

trip, and it’s so nice of you to get it up for us. We’ll see the

Norwegians in character at last,” cried Margaret, cordially.

“See here, Lockhart, I’ll settle with you for backing her in this

scheme,” said Wyllis, sitting up and knocking the ashes out of his pipe.

“She’s done crazy things enough on this trip, but to talk of dancing

all night with a gang of half-mad Norwegians and taking the carriage

at four to catch the six o’clock train out of Riverton—well, it’s

tommy-rot, that’s what it is!”

“Wyllis, I leave it to your sovereign power of reason to decide

whether it isn’t easier to stay up all night than to get up at three

in the morning. To get up at three, think what that means! No, sir,

I prefer to keep my vigil and then get into a sleeper.”

“But what do you want with the Norwegians? I thought you were tired

of dancing.”

“So I am, with some people. But I want to see a Norwegian dance, and

I intend to. Come, Wyllis, you know how seldom it is that one really

wants to do anything nowadays. I wonder when I have really wanted to

go to a party before. It will be something to remember next month at

Newport, when we have to and don’t want to. Remember your own theory

that contrast is about the only thing that makes life endurable.

This is my party and Mr. Lockhart’s; your whole duty to-morrow night

will consist in being nice to the Norwegian girls. I’ll warrant you

were adept enough at it once. And you’d better be very nice indeed,

for if there are many such young valkyrs as Eric’s sister among

them, they would simply tie you up in a knot if they suspected you

were guying them.”

Wyllis groaned and sank back into the hammock to consider his fate,

while his sister went on.

“And the guests, Mr. Lockhart, did they accept?”

Lockhart took out his knife and began sharpening it on the sole of

his plowshoe.

“Well, I guess we’ll have a couple dozen. You see it’s pretty hard

to get a crowd together here any more. Most of ‘em have gone over to

the Free Gospellers, and they’d rather put their feet in the fire

than shake ‘em to a fiddle.”

Margaret made a gesture of impatience.

“Those Free Gospellers have just cast an evil spell over this

country, haven’t they?”

“Well,” said Lockhart, cautiously, “I don’t just like to pass

judgment on any Christian sect, but if you’re to know the chosen by