You are a pathological liar, Travis told me. Like that guy in that movie, remember?
I am not, I said.
But your mom, he said. With your dad? I mean, quote me if I’m wrong, but…you think there was chemistry there?
I think I would know, I said.
Or you just tell yourself, said Travis.
Like, are you a shrink or something, I asked him.
No, but I mean I’m just saying. He blew smoke rings.
Well, I said, you’re full of shit. He shrugged.
You’d know, he said.
Oh slay me, I answered.
We were sitting in the truck outside The Golden Comb’s trailer. Travis took my hand and put it in his lap. Feel that? he asked. Obviously, I said, my hand is on it. It’s not a wooden hand.
You’re a pathological liar, he said, but you’re also very literal. Spooky, he said.
I just don’t like it when you’re suddenly telling me about my own life, I told him.
I’m not, he said, it’s just that your dad always reminds me of that boy, you know? The one with his finger in the dike. Like standing there forever saving the town, like a hero, but kind of not, sort of goofy.
So, I said, you’re telling me that I’m a liar and my dad’s a moron and you’re coming on to me at the same time?
No, I’m not saying that you’re a liar and your dad’s a moron. I’m talking about the human condition.
Oh, I said, well, the human condition. That’s nice. Little Menno boy in a bubble suddenly becomes freaking Balzac or someone. Look at this, Travis, we’re in a fucking field in the middle of nowhere. There is no human condition here.
Okay, said Travis, okay. He told me I needed to relax.
The Golden Comb came out of his trailer and walked over to my side of the truck. What’s up, he asked.
Waiting for my man, I said. He leaned in through my window and smiled. I looked at his hands. He had once had a job at the killing plant and had learned how to catch four chickens in each hand by sticking their legs into the spaces between his fingers. He could dislodge their brains from their brain stems with one quick violent shake of his hand and throw them on the conveyor belt so they landed neatly in a row, all eight of them. He’d always had a crush on Tash.
Looks like the weather’s shaping up, said The Comb. I nodded. Looks like Mr. Green’s back in town, he said.
Excellent, I said, and handed him the money. He took his pick out of his back pocket and jabbed at his blond Afro. Travis rested his head against the steering wheel.
Looks like Mr. Brown may be joining Mr. Gre—
Fuck, man, said Travis. Give her the shit.
You simmer, douche bag, said The Comb. He looked to the left and to the right and then craned his neck for a look over his shoulder.
We’re in a field, I said. How many more people would I have to tell that to, I wondered. Who do you think you’re looking for, I asked him. The FBI? Normally I didn’t sass The Comb, he was our only hope, our Mayo Clinic, but the whole scene was ticking me off.
The Comb spit and tossed a Baggie through the open window and into my lap. Seen your sister yet, he asked.
I’ll let you know, I said.
I’m waiting, he said, and grabbed his crotch.
I’ll let you know, I said again, hoping to sound more agreeable. This sounds so Hollywood, but the truth is this: You don’t annoy The Golden Comb. He was a rare example of a person who lived freely in our town completely outside the structure of the church and who didn’t care and who didn’t leave. He was so far removed from any responsibility or guilt or any of that stuff that he and Eldon, another complete reject, could pretty much do whatever they wanted in their scuzzy little trailer out in the bush. I guess it didn’t hurt that The Comb had managed first to identify an overwhelming need in this community and then, secondly, to single-handedly go about filling it. Menno Simons himself would have had to congratulate the guy for self-preservation. They even shared the same obsession with escaping from the world, only The Comb made a huge amount of money from his.
Being seasick at sea is not the same as being homesick at home. I sat in the vacant lot across from Darnell’s Bakery writing profound things on the sidewalk with my piece of chalk and watching Bert drive his Red Phantom up and down Main Street. He had a jean jacket with the sleeves cut off and he’d taken a Jiffy Marker and written LED ZEPPEL on the back of it and then under that the remaining two letters.
I wished so badly that he had taken the time to measure the letters out and sketch them on with pencil first. I thought to myself that there really were so many simple ways we could make ourselves look less like idiots. I counted the number of times Bert drove past me. Twenty-three times. I suppose that if Bert were looking for me he would have found me by now. The only real conversation Bert and I ever had was an argument and I forget what it was. All I remember about it is Bert saying end of story. End of Story. And how it left me speechless and depressed. But that’s because endings are my weakness and I hate them and mistrust anybody who knows when they occur.
When I was twelve Bert picked me up outside the Sunset and let me drive around some country roads. When I told him I had to go home he asked me why and I said my parents would be worried. He told me he didn’t have any parents. He did have parents but they’d been shot out of town in a cannon. He lived with his grandma. His grandpa lived in a little garden shed in the backyard and had his food brought to him in a margarine container. He’d been thrown out of the church a long time ago for being sick. Although the elders don’t think alcoholism is a disease so it wasn’t presented that way to the congregation.
That’s sad, I said. No parents. And he laughed and said I’ve got something else and then he held up his cigarette in one hand and his bottle of Old Stock in the other hand and said: Mom. And Dad. When he dropped me off my own parents were playing badminton in the front yard. My mom was wearing white canvas Keds that she’d got in the States, and pedal pushers. And my dad was in his suit, of course. They waved to Bert and I told him to hide his mom and dad or I’d never get to go driving with him again. It turns out I never did go driving with him again anyway because he started dating a wild French girl from Marchand. They’re still together. Usually she drives up and down Main Street with him in his Red Phantom. She sits right beside him, practically on top of him, and smokes du Mauriers, one after another, lap after lap, night after night. She’s really hard-looking. She doesn’t smile much. Bert acts goofy a lot and she’ll shove him away by pushing one hand against his chest. She has Fancy Ass jeans with bolts along the sides. Sometimes Bert will park the Phantom in the Tomboy parking lot, under the light, and play music loudly and the two of them will sit on the hood of the car like the kids in Thunder Road.
I once had a dream that Bert and Brass Knuckle Girl (I don’t know where that name came from but her real name was too hard for repressed Teutonic types like us to pronounce and we of course enjoyed distilling individuals down to what we thought was their core essence) were sitting there in the Tomboy spotlight and they started to dance old-style, like Fred and Ginger. Bert said sweetly: Brass Knuckle Girl, will you dance with me? And she said Bert, you know I’d love to. And then Bert took one deep drag off her du Maurier and flicked it, swirling, onto the dark asphalt outside of the spotlight, and they slid off the hood of the car, hand in hand, and waltzed around all over the parking lot and one by one people were coming to watch them and everyone started to cry because they were so beautiful and doomed. After twenty minutes or so of dancing they bowed to the audience, which applauded politely, and then drove off in the Red Phantom, which halfway down Main Street lifted right up off the ground and soared off into the blackness. Since I had that dream I heard through the grapevine that Bert and Brass Knuckle Girl like to have candlelit dinners together on top of silos and that they’ve signed a suicide pact so that one won’t have to live without the other. I wondered if it was signed in blood and where they keep it and how long they’ve agreed to live before dying. If they have a prerequisite number of laps they need to make around Main Street before jetting.