Damned If You Don't
. 1987. 16mm; 42 minutes; black and white; sound (CC, CFDC, FMC; Frameline, 347 Dolores St., #205, San Francisco, CA 94110; Friedrich, LFC, MoMA, WMM).
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Sink or Swim
. 1990. 16mm; 48 minutes; black and white; sound (CC, CFDC, Drift, Friedrich, LFC, MoMA, WMM).
First Comes Love
. 1991. 16mm; 22 minutes; black and white; sound (CC, CFDC, Drift, Friedrich, LFC, WMM).
Anthony McCall
Landscape for Fire
. 1972. 16mm; 7 minutes; color; silent (McCall, 11 Jay St., New York, NY 10013).
ABCD
. 1973. 16mm; 30 minutes; color; silent.
Line Describing a Cone
. 1973. 16mm; 30 minutes; black and white; silent (CC, LFC, McCall).
Conical Solid
. 1974. 16mm; 10 minutes; black and white; silent (LFC, McCall).
Cone of Variable Volume
. 1974. 16mm; 10 minutes; black and white; silent (McCall).
Partial Cone
. 1974. 16mm; 15 minutes; black and white; silent (McCall).
Long Film for Four Projectors
. 1974. 16mm (4-projector environment); 360 minutes; black and white; silent (McCall).
Four Projected Movements
. 1975. 16mm; 75 minutes; black and white; silent (McCall).
Long Film for Ambient Light
. 1975. Installation; continuous.
Letters IVI
. 197576. Super-8mm; 3 minutes, each letter; color; sound.
Ear
. 1976. Super-8mm; 3 minutes; color; sound.
Carnage
(directed by Ken Burns; cinematography by McCall). 1976. Super-8mm; 90 minutes; color; sound.
Argument
(co-made with Andrew Tyndall). 1978. 16mm; 75 minutes; color; sound (McCall).
Sigmund Freud's Dora
(co-made with Claire Pajaczkowska, Andrew Tyndall, Jane Weinstock). 1979. 16mm; 40 minutes; color; sound (BFI, McCall).
Ross McElwee
20,000 Missing Persons
. 1974. 16mm; 30 minutes; color; sound.
68 Albany Street
. 1976. 16mm; 24 minutes; color; sound.
Energy War
(directed by D. A. Pennebaker, Pat Powell, Chris Hegedus; some cinematography by McElwee). 1977. 16mm; 300 minutes; color; sound (Pennebaker, 56 West 45th St., New York, NY 10036).
Charleen
. 1978. 16mm; 59 minutes; color; sound (Artificial Eye, 211 Camden High St., London NW1 7BT, U.K.; FR).
N!ai: Portrait of a !Kung Woman
(directed by John Marshall; some cinematography by McElwee). 1978. 16mm; 60 minutes; color; sound (1980).
Space Coast
(co-made with Michel Negroponte). 1979. 16mm; 90 minutes; color; sound (Artificial Eye, FR).
Resident Exile
(co-made with Alex Anthony, Michel Negroponte). 1981. 16mm; 30 minutes; color; sound (Artificial Eye, FR).
Backyard
. 1984. 16mm; 40 minutes; color; sound (Artificial Eye, FR).
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Sherman's March
. 1986. 16mm; 155 minutes; color; sound (Artificial Eye, FR).
Something to Do with the Wall
(co-made with Marilyn Levine). 1990. 16mm; 88 minutes; color; sound (Artificial Eye, FR).
Jonas Mekas
Guns of the Trees
. 1961. 35mm; 75 minutes; black and white; sound (FMC).
Film Magazine of the Arts
. 1963. 16mm; 20 minutes; color; sound (FMC).
The Brig
. 1964. 68 minutes; black and white; sound (CC, CFDC, FMC).
Award Presentation to Andy Warhol
. 1964. 16mm; 12 minutes; black and white; sound (FMC).
Report from Millbrook
. 1966. 16mm; 12 minutes; color; sound (CFDC, FMC).
Walden
. 1969. 16mm; 177 minutes; color; sound (FMC).
Hare Krishna
. 1966. 16mm; 4 minutes; color; sound (CFDC, FMC).