Introduction to Humanities
. 1972. 16mm; 5 minutes; black and white; sound (CC).
Near the Big Chakra
. 1972. 16mm; 17 minutes; color; silent (CC).
Animals Running
. 1974. 16mm; 23 minutes; black and white; sound (CC).
The Struggle of the Meat
. 1974. 16mm; 4 minutes; color; sound (CC).
Michael Snow
A to Z
. 1956. 16mm; 4 minutes; black and white; silent (CFDC, FMC).
New York Eye and Ear Control
. 1964. 16mm; 34 minutes; black and white; sound (CFDC, FMC).
Short Shave
. 1965. 16mm; 4 minutes; black and white; sound (FMC).
Wavelength
. 1967. 16mm; 45 minutes; color; sound (BFI, CC, CFDC, FACETS, FMC, MoMA).
Standard Time
. 1967. 16mm; 8 minutes; color; sound (CFDC, FMC, LFC).
[
«
](
Back and Forth
). 1969. 16mm; 52 minutes; color; sound (CC, CFDC, FMC, LFC, MoMA).
Dripping Water
(co-made with Joyce Wieland). 1969. 16mm; 10 1/2 minutes; black and white; sound (CFDC, FMC).
One Second in Montreal
. 1969. 16mm; 26 minutes (17 minutes, if projected at sound speed); black and white; silent (CC, CFDC, FMC, LFC, MoMA).
Side Seat Paintings Slides Sound Film
. 1970. 16mm; 20 minutes; color; sound (CFDC, FMC, LFC).
La Région Centrale
. 1971. 16mm; 190 minutes; color; sound (CC, CFDC, FMC, LFC, MoMA).
Two Sides to Every Story
. 1974. 16mm film installation, using two 8-minute loops
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projected on opposite sides of the same screen, simultaneously; color; sound (owned by the National Art Gallery of Canada).
"
Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen
. 1974. 16mm; 267 minutes; color; sound (CFDC, FMC).
Breakfast
(a.k.a. "Table Top Dolly"). 1972. 1976. 16mm; 15 minutes; color; sound (CC, CFDC, FMC, LFC, MoMA).
Presents
. 1980. 16mm; 98 minutes; color; sound (CC, CFDC, FMC, LFC).
So Is This
. 1982. 16mm; 47 1/2 minutes; color; silent (CC, CFDC, FMC, LFC).
Seated Figures
. 1988. 16mm; 40 minutes; color; sound (CFDC, FMC).
See You Later/Au Revoir
. 1990. 16mm; 18 minutes; color; sound (CC, CFDC, FMC).
To Lavoisier, Who Died in the Reign of Terror
. 1991. 16mm; 53 minutes; color; sound (CFDC, FMC).
Trinh T. Minh-ha
San Francisco
. 1980. Super-8mm; 12 minutes; color; silent.
Calligraphy
. 1981. Super-8mm; 10 minutes; color; silent.
The Wedding
. 1982. Super-8mm; 15 minutes; color; silent.
Reassemblage
. 1982. 16mm; 40 minutes; color; sound (Circles; Idera, 2524 Cypress St., Vancouver, BC V6J 3N2, Canada; MoMA, Third World Newsreel, 335 West 38th St., 5th Fl., New York, NY 10018; WMM).
Naked SpacesLiving Is Round
. 1985. 16mm; 135 minutes; color; sound (Circles, Idera, MoMA, WMM).
Surname Viêt Given Name Nam
. 1989. 16mm; 108 minutes; color; sound (Circles, Idera, MoMA, WMM).
Shoot for the Contents
. 1991. 16mm; 101 minutes; color; sound (WWM).
Peter Watkins
A complete Watkins filmography is included in James Michael Welsh,
Peter Watkins: A Guide to References and Resources
(Boston: G. K. Hall, 1986), pp. 4563. It is all-inclusive through 1977.
The Web
. 1956. 8mm; c. 20 minutes; black and white; sound (Institute of Amateur Cinematographers, 63 Woodfield Lane, Ashstead, Surrey, KT21 2BT, U.K.).
The Field of Red
. 1958. 16mm; ? minutes; black and white; sound (lost).
The Diary of an Unknown Soldier
. 1959. 16mm; 20 minutes; black and white; Sound.
The Forgotten Faces