. 1961. 16mm; 17 minutes; black and white; sound (Institute of Amateur Cinematographers).
Culloden
. 1961. 35mm; 75 minutes; black and white; sound (FACETS, Films Incorporated; New Cinema, 75 Homer Ave., #1, Toronto, Ont., M8Z 4X5 Canada; University of California, Extension Media Center, 2223 Fulton St., Berkeley, CA 94720; University of Michigan, Media Resources Center, 416 Fourth St., Ann Arbor, MI 48109).
Page 435
The War Game
. 1965. 35mm; 47 minutes; black and white; sound (EmGee, 6924 Canby Ave., Suite 103, Reseda, CA 91335; FACETS, Films Incorporated; University of Illinois, Film Center, 1325 South Oak St., Champaign, IL 61820; New Cinema; Syracuse University, Film Rental Center, 1455 East Colvin St., Syracuse, NY 13210; University of Michigan).
Privilege
. 1967. 35mm; 103 minutes; color; sound (Swank, Twyman).
Gladiatorena
("The Gladiators"). 1969. 35mm; 105 minutes; color; sound (New Cinema, New Line).
Punishment Park
. 1971. 35mm; 88 minutes; color; sound (Joseph A. Gomez, Dept. of English, Box 8105, North Carolina State University, Raleigh, NC 27695).
Edvard Munch
. 1974. 35mm; 210 minutes (original TV version)/167 minutes (16mm U.S.A. release version); color; sound (New Yorker; Norsk Rikstringkasting, NRK television, Norway; Sveriges Radio AV Productions, SR2 television, Sweden).
70-Talets Manniskor
("The Seventies People"). 1975. 35 mm; 127 minutes; color; sound.
Fallan
("The Trap"). 1975. Video; 65 minutes; color; sound (Gomez).
Aftenlandet
("Evening Land"). 1977. 35mm; 110 minutes; color; sound.
The Journey
. 1987. 16mm; 873 minutes; color; sound (CC, DEK, 394 Euclid Ave., Toronto, Ont., M6G 2S9 Canada; FACETS).
Page 437
Bibliography
General References
The first volume of
A Critical Cinema
includes a listing of selected general references. The following listing is an addendum to it. When a book is listed in the General References section of
A Critical Cinema 2,
a shortened citation is used if that book is cited in one of the individual filmmaker bibliographies that follow.
Beauvais, Yann, and Miles McKane, eds.
Mot: dites, image
. A catalogue for a show of films that use visual text, Musée National D'Art Moderne, Paris, Oct. 19Nov. 13, 1988. Paris: Scratch/Musée National D'Art Moderne, 1988.
Brakhage, Stan.
Film at Wit's End
. Kingston, N.Y.: Documentext/McPherson & Co., 1989.
Elder, R. Bruce.
Image and Identity: Reflections on Canadian Film and Culture
. Waterloo, Ontario: Wilfred Laurier University Press, 1989.
Erens, Patricia, ed.
Issues in Feminist Film Criticism
. Bloomington/Indianapolis: Indiana University Press, 1990.
Film-makers' Cooperative Catalogue,
no. 7. New York: Film-makers' Cooperative, 1989.
Fischer, Lucy.
Shot/Countershot: Film Tradition and Women's Cinema
. Princeton, N.J.: Princeton University Press, 1989.
Gidal, Peter.
Materialist Film
. London/New York: Routledge, 1989.
Hoberman, J.
Vulgar Modernism: Writing on Movies and Other Media
. Philadelphia: Temple University Press, 1991.
International Experimental Film Congress
. A catalogue for a conference in Toronto, May 28June 4, 1989. Toronto: Art Gallery of Ontario, 1989.
Page 438
James, David.
Allegories of Cinema: American Film in the Sixties
. Princeton, N.J.: Princeton University Press, 1989.
Katz, John Stuart, ed.
Autobiography: Film/Video/Photography
. A catalogue for a show at the Art Gallery of Ontario, Nov. 1Dec. 7, 1978. Toronto: Art Gallery of Ontario, 1978.
Kuenzli, Rudolf E.
Dada and Surrealist Film
. New York: Willis Locker & Owens, 1987.
MacDonald, Scott. "Putting All Your Eggs in One Basket: A Survey of Single Shot Film."
Afterimage
(U.S.A.) 16, no. 8 (March 1989): 1016.
. "Text as Image in Some Recent North American Avant-Garde Films."
Afterimage
(U.S.A.) 13, no. 8 (March 1986): 920.
Mellencamp, Patricia.
Indiscretions: Avant-Garde Film, Video and Feminism
. Bloomington/Indianapolis: Indiana University Press, 1990.
Pines, Jim, and Paul Willemen.
Questions of Third Cinema
. London: British Film Institute, 1989.