interviewed, 110-138;
introduced, 109-110;
on Canyon Cinema beginnings, 113-118;
on cultural homogenization, 115, 125, 131;
on the disintegration of the avant-garde film scene, 137-138;
on poverty as inspiration, 112-113, 119, 125-126, 127, 136
Baillie, Lorie, 113, 119
Baillie, Wind, 123, 137
Baker, Tom, 171, 209-210, 211, 216, 218, 219
Baky, Josef V., 81
Ballet Méchanique,
25, 319
Balzac, 179
Bang!,
17, 24
Banionis, Donatas, 105
Baraka, Imamu (LeRoi Jones), 87
Bard College, 136
Barr, Bert, 242
Barrie, Diana, 196, 207
Barthes, Roland, 75
Bartlett, Adam, 328
Bartlett, Scott, 117, 328, 331
Baskir, Lawrence, 385
Bates, Norman, 223
Baudrillard, Jean, 75
Bauermeister, Mary, 40-41
Baxter, Joel, 87
BBC, 402-403
Beard, Peter, 98, 99
The Beatles, 56, 150
Beauty and the Beast
(Cocteau), 85, 144
Beck, Julian, 93
Becket, Marvin, 111
Bed-In,
9, 142, 150-151
Beethoven, Ludvig van, 318
Behind the Green Door,
257-258
Belcher, Jeff, 112
Belgian Film Archive, 162
Bell, Rhonda, 246
La Belle Irlandais,
189
Belson, Jordan, 15, 86, 87, 114
Bembenek, Lawrencia, 223, 242, 247-248
Benning, James, 4, 5, 6, 51;
bibliography, 438-439;
filmography, 425;
interviewed, 223-248;
introduced, 220-223;
on collaborating with Bette Gordon, 225-229;
on film and politics, 231;
on financing films, 248;
on structural film, 237-240
Benning, Sadie, 235, 244
Berlin Film Festival, 40, 391-392
Berlin: Symphony of a Great City,
378
Berman, David, 38
Berry, Graham, 395
The Big Picture,
181
Billboard for Former Formalists,
237
Bill Moyers' Journal,