"Cinema Histories/Cinema Practices II," 73-74
Cinema 16, 30, 77, 82, 86, 88
Cinema vérité, 78, 93, 175, 180, 182-183, 265-266, 274-275
Cinematheque, the, (New York City), 8, 61, 62, 77, 83, 178, 182
Cinématheque Française, 17, 267
"City symphony," 378-379
Cixous, Hélène, 336, 373
Clare, John, 190
Clarke, Shirley, 62, 86
Clayton, Buck, 57
Cleaver, Eldridge, 325, 350
Cloche, Maurice, 383
Club Med, 56
Cocteau, Jean, 125, 144, 156
Cohan, Bob, 160
Cohl, Emile, 15, 17
Coleman, Ornette, 58
Colin Curd about to Play,
54-55, 56
Collective for Living Cinema, 73, 161, 162, 169, 174, 305, 348-349
Collins, Warren, 57
Columbia University, 406-409
Conceptual art, 65-66, 139-140, 144-156, 170, 310
Concern for the City,
379
"Cone" films, 5, 9, 157-158, 160-163, 164-166, 167
Cone of Variable Volume,
157, 162, 166
"Confessions of a Feminist Porn Watcher," 250
Conical Solid,
157, 162, 166
Conner, Bruce, 117
Conrad, Tony, 78, 163, 192, 240
Cool Hands, Warm Heart,
283-284, 287, 289, 290
Coolidge, Martha, 265, 269
Cooper, Karen, 174
Coppola, Francis Ford, 10, 399
Courbet, Gustave, 189
Cowan, Bob, 60, 62
Page 452
Cox, Tony, 146
Creative Film Foundation, 32
"Creative geography," 228
Crews, Harry, 180
La Crime du Monsieur Lange,
339
Crimes of Passion,
255
"Critical cinema," defined, 1-3
Critical Inquiry,
76
Critical Mass,
309
Crosby, Bing, 144
Cubatao, 394
Cubism, 18, 20, 57
Culloden
(book), 402
Culloden
(film), 402-403, 404
Cummings, Blondell, 346
cummings, e.e., 126
Cunningham, Merce, 139
Cup/Saucer/Two Dancers/Radio,
79-80
Curtis,David, 163
D
Dadaism, 18, 140
Dali, Salvador, 102, 338, 343