79
First Comes Love,
283, 288
Fischinger, Oskar, 15, 19, 24, 110
Fish, Janet, 203-204
Fisher, Morgan, 340
Fist Fight,
16, 28, 37, 38-39, 40-41, 47
Fitzgerald, Ella, 121
Flaherty Film Seminar, 79, 300
Flaherty, Robert, 81, 275, 356
Flaming Creatures,
179
Fleischer Brothers, 62
Fleming, Ann Marie, 207
Fleming, Michelle, 207
The Flicker,
163, 192
The Flower Thief,
178
Fluxfilm Program,
140, 145
Fluxus, 9, 140, 145-146, 153-154
Fluxus Codex,
154-155
Fly
(film), 142-143, 153-154, 155
Fly
(record), 142
Foery, Ray, 137
Fog Line,
410
Ford, John, 379
Foreman, Richard, 62
The Forgotten Faces,
402
Form Phases IV,
15, 18, 21, 23
Form Phases I,
15, 17, 18, 19, 20, 21
Form Phases III,
15
Form Phases II,
15, 17, 21
Foucault, Michel, 75
Four Projected Movements,
9, 157, 163
Four to Five,
60
Frampton, Hollis, 3, 52, 58-59, 64, 66, 70, 74, 79, 141, 178, 179, 237-238, 240, 246-247, 288, 292, 306, 308, 309, 310, 342
Frankenstein
(Living Theater), 107
Frederick Douglass Institute of African American Studies (University of Rochester), 349
Freedom,
155
Free Radicals,
36-38
Freud, Sigmund, 9, 158, 159, 334-335, 341, 342, 346
Fricke, Ron, 386-388
Friedrich, Lore, 11, 284-285, 293-298, 301
Friedrich, Paul, 287-288, 296, 308, 310-316
Friedrich, Su, 4, 11, 74, 176, 207;
bibliography, 440-441;
filmography, 427-428;
interviewed, 289-318;
introduced, 283-289;
on dreams, 290-292;
on her father and patriarchy, 310-314;
on film plea-sure, 295-296, 297-298, 298-299, 316-317;
on the personal in film, 308-310;
on sex, 301-303, 307-308
Friend Fleeing,
116
A Frog on the Swing,
17
Fugi,
17, 46-47