McElwee, Dr. Ross, 10, 272-274
McElwee, Ross, 6, 10;
bibliography, 441;
filmography, 428-429;
interviewed, 267-282;
introduced, 265-267;
on being a Southern filmmaker, 279-280;
on filming the !Kung with John Marshall, 269-271;
on first person vs. detached cinéma vérité, 274-275;
on Southern race relations, 268-272, 273-274, 276-277;
on "Southern womanhood," 278
"The Machine As Seen at the End of the Mechanical Age," 18
Maciunas, George, 79, 140, 150, 155
McLaren, Norman, 36, 61
Macmillan Films, 117
McNulty, John, 160
A Madman's Defense,
413
Magazine Mouth,
206
Magnelli, Alberto, 18
"Male gaze," the, 71-72, 183-184, 249, 257-258, 261-262; 287, 321-322, 338-339
A Man and His Dog Out for Air,
16, 21, 36
Mangolte, Babette, 159
Manhattan Transfer,
221
Mannoni, Maud, 335-336
Manupelli, George, 136, 173
The Man Who Envied Women,
344, 345, 351
The Man With the Movie Camera,
378-379
Marinetti, Filippo Tommaso, 404
Markopoulos, Gregory, 78, 87, 92, 96
Marshall, John, 269-271, 356
Martin, John, 55
Marx, Karl, 368
Mary Boone Gallery, 166
Massachusetts College of Art, 208, 213, 215, 216
Mass for the Dakota Sioux,
109-110, 118, 124-125
Match,
140, 141, 145
Matisse, Henri, 55
Maughan, Dr. Thomas, 333
Maya Deren Award, 137
Maysles Brothers, 265
Mead, Margaret, 289
Mekas, Adolfas, 78, 79, 80-82, 83, 84, 89, 92-93, 94-95, 156
Mekas, Jonas, 5, 6, 7-8, 11, 16, 28, 62, 66, 114, 116, 145, 151, 156, 171, 178, 207, 210, 284;
bibliography, 441-442;
filmography, 429;
interviewed, 80-108;
introduced, 77-80;
on beginning over in the United States, 81-87, 89-91;
on his poetry, 83, 87, 88, 104;
on home movies, 99;
on returning to Lithuania, 103-104
Méliès, Georges, 197
Menefee, Emery, 114
Menken, Marie, 31, 78, 91, 114, 379
Merleau-Ponty, Maurice, 75
Meshes of the Afternoon,
223-224, 319