introduced, 402-406;
on collaborating with students on media analysis, 406-409;
on cutting rhythms and consciousness, 409-411;
on
The Journey
as process film and media critique, 415-421;
on Stockholm, 413-414;
on Strindberg and the Strindberg project, 412-415
Wavelength,
7, 51-52, 61, 62-66, 67, 69, 73, 141, 147, 163, 167, 240, 342
The Way South,
300-301
Weekend,
339
Wees, Sylvia and William, 137
Weinstock, Jane, 159
Wenders, Wim, 204
WGBH (Boston), 243
White, Mike, 57
White, Neal, 331
The White Rose, 294
Whitman, Robert, 47
Whitman, Walt, 87-88, 292
Whitney Brothers, 15, 110
Whitney Museum of American Art, 139, 142, 156, 185-186, 247, 248
Wieland, Joyce, 56, 59, 60-61, 66, 69, 70, 178, 186
Wilde, Peter, 332
Williams, Cootie, 57
Williams, Soapy, 26
Williams, William Carlos, 87, 292
Wilson, Teddy, 121
Window Water Baby Moving,
329-330, 355
The Wind Variations,
176, 185-187, 197
Wings of Desire,
204
Wiseman, Frederick, 265, 267, 274
Wittgenstein, Ludwig, 75, 282
Wolfe, Thomas, 280
Wolfman Jack, 177
Wollen, Peter, 4, 249, 251, 321-322, 325, 333-344
Woman,
144
Woodstock, 396
Working Girls,
4, 249-250, 251-256, 258-259, 260-264
Wright, Frank Lloyd, 86
Wurlitzer, Rudy, 397
X
X,
18
Xerox, 47
Y
Yates, Ted, 32
Yeats, William Butler, 177
Yellow Submarine,
56
Yianesaka, Kerryi and Yumi, 137
Yomashita, Nabuko, 137
Young, La Monte, 139
Z
Zen, 35, 75, 101, 115, 119, 358-359, 366
Zero de conduite,
19
Ziggy Stardust and the Spiders from Mars,
46
Zinnemann, Fred, 85
Zoetrope, 399
Zorn, John, 318
Zorns Lemma,
141, 246, 288, 308, 309, 342
Zourdoumis, Leo, 395