‘I thought that was what I was paying you for,’ Costain said.
‘If he breaks your arm,’ Kiley said, ‘take it out of my salary.’
Kiley had been checking out the Stage. Cat on a Hot Tin Roof was already on the road, this week Leicester, next week Richmond. Close enough to make a trip into the centre of London for its star a distinct possibility. He sat in the Haymarket bar and waited for the matinee performance to finish. Thirty minutes after the curtain came down, Virginia Pride was sitting in her robe in her dressing room, most of the make-up removed from her face, a cigarette between her lips. Close up, she didn’t look young any more, but she still looked good.
‘You’re from the Mail’ she said, crossing her legs.
Kiley leaned back against the door as it closed behind him. ‘I lied.’
She studied him then, taking him in. ‘Should I call the management? Have you thrown out?’ Her voice was still smeared with the southern accent she’d used in the play.
‘Probably not.’
‘You’re not some crazy fan?’
Kiley shook his head.
‘No, I suppose you’re not.’ She took one last drag at her cigarette. ‘Just as long as you’re here, there’s a bottle of wine in that excuse for a fridge. Why don’t you grab a couple of those glasses, pour us both a drink? Then you can tell me what you really want.’
The wine was a little sweet for Kiley’s taste and not quite cold enough.
‘Are you planning to see Dianne Adams while she’s in town?’ Kiley said.
‘Oh, shit!’ A little of the wine spilled on Virginia’s robe. ‘Did Keith send you?’
‘I think I’m batting for the other side.’
‘You think?’
‘He threatened her before.’
‘That’s just his way.’
‘His way sometimes extends to hit and run.’
‘That’s bullshit!’
‘Is it?’
Virginia swung her legs around and faced the mirror; dabbed cream on to some cotton wool and wiped the residue of make-up from around her eyes.
‘Keith,’ Kiley said. ‘You let him know about the card and the champagne.’
‘Maybe.’
‘Just like you let him know about you and Dianne…’
Virginia laughed, low and loud. ‘It keeps him on his toes.’
‘Then shall we say it’s served its purpose this time? You’ll keep away? Unless you want her to get hurt, that is?’
She looked at him in the mirror. ‘No,’ she said. ‘I don’t want that.’
His phone rang almost as soon as he stepped through the door. Costain.
‘Why don’t you get yourself a mobile, for fuck’s sake? I’ve been trying to get hold of you the best part of an hour.’
‘What happened?’
‘Keith Payne came to the club, walked right in off the street in the middle of rehearsals. Couple of his minders with him. One of the staff tried to stop them and got thumped for his trouble. Wanted to talk to Dianne, that’s what he said. Talk to her on her own.’
Kiley waited, fearing the worst.
‘Your pal, Becker, all of a sudden he’s got the balls of a brass monkey. Told Payne to come back that evening, pay his money along with all the other punters. Miss Adams was an artiste and right now she was working.’ Costain couldn’t quite disguise his admiration. ‘I doubt anyone’s spoken to Keith Payne like that in twenty years. Not and lived to tell the tale.’
‘He didn’t do anything?’
‘Someone from the club had called the police. Payne obviously didn’t think it was worth the hassle. Turned around and left. But you should have seen the expression on his face.’
Kiley thought he could hazard a guess.
Later that evening he phoned Virginia Pride at the theatre. ‘Your husband, I need to see him.’
The house was forty minutes north of London, nestled in the Hertfordshire countryside, the day warm enough for Payne to be on a lounger near the pool. A gofer brought them both a cold beer.
‘Hear that,’ Payne said. ‘Fuckin’ birdsong. Amazing.’
Kiley could hear birds sometimes, above the noise of traffic from the Holloway Road. He kept it to himself.
‘Ginny says you went to see her.’
‘Dianne Adams, I wanted to make sure there wouldn’t be any trouble.’
‘If that dyke comes sniffin’ round…’
‘She won’t.’
‘That business with her and Ginny, a soddin’ aberration. All it was. Over and done. And then Ginny, all of a sudden she’s sending fuckin’ champagne and fuck knows what.’
‘You want to know what I think?’ Kiley said.
A flicker of Payne’s pale blue eyes gave permission.
‘I think she does it to put a hair up your arse.’
Payne gave it a moment’s thought and laughed. ‘You could be right.’
‘And Becker, he was just sounding off. Trying to look big.’
‘People don’t talk to me like that. Nobody talks to me like that. Especially a tosser like him.’
‘Sticks and stones. Besides, like you say, who is he? Becker? He’s nothing.’
Swift to his feet for a big man, Payne held out his hand. ‘You’re right.’
‘You won’t hold a grudge?’
Payne’s grip was firm. ‘You’ve got my word.’
The remainder of Dianne Adams’ engagement passed off without incident. Virginia Pride stayed away. By the final weekend it was standing room only and, spurred on by the crowd and the band, Adams’ voice seemed to find new dynamics, new depth.
Of course, Becker told her about the bracelet during one of those languorous times when they lay in her hotel bed, feeling the lust slowly ebb away. He even offered it to her as a present, half-hoping she would refuse, which she did. ‘It’s beautiful,’ she said. ‘And it’s a beautiful thought. But it’s your good-luck charm. You don’t want to lose it now.’
On the last night at Ronnie’s, she thanked him profusely on stage for his playing and presented him with a charm in the shape of a saxophone. ‘A little something to remember me by.’
‘You know,’ she said, outside on the pavement later, ‘next month we’ve got this tour, Italy, Switzerland. You should come with us.’
‘I’d like that,’ Becker said.
‘I’ll call you,’ she said, and kissed him on the mouth.
She never did.
Costain thanked Kiley for a job well done and with part of his fee Kiley acquired an expensive mobile phone and waited for that also to ring.
Three weeks later, as Derek Becker was walking through Soho after a gig in Dean Street, gone one a.m., a car pulled up alongside him and three men got out. Quiet and quick. They grabbed Becker and dragged him into an alley and beat him with gloved hands and booted feet. Then they threw him back against the wall and two of them held out his arms at the wrist, fingers spread, while the third drew a pair of pliers from the pocket of his combat pants. One of them stuffed a strip of towelling into his mouth to stifle the screams.
Becker’s instrument case had already fallen open to the ground, and as they left, one of the men trod almost nonchalantly on the bell of the saxophone before booting it hard away. A second man picked up the case and hurled it into the darkness at the alley’s end, the bracelet, complete with its newly attached charm, sailing unseen into the deepest corner, carrying with it all of Becker’s new-found luck.
It was several days before Kiley heard what had happened and went to see Becker in his flat in Walthamstow, bringing a couple of paperbacks and a bottle of single malt.
‘Gonna have to turn the pages for me, Jack. Read them as well.’
His hands were still bandaged and his left eye still swollen closed.
‘I’m sorry,’ Kiley said and opened the Scotch.
‘You know what, Jack?’ Becker said, after the first sip. ‘Next time, don’t do me no favours, right?’
ASYLUM
The van had picked them up a little after six, the driver cursing the engine which had stubbornly refused to start; fourteen of them cramped into the back of an ailing Ford as it rattled and lurched along narrow roads, zip-up jackets, boots, jeans, the interior thick with cigarette smoke. Outside, light leaked across the Fens. Jolted against one another, the men sat, mostly silent, heads down, a few staring out absently across the fields. Field after field the same. When anyone did speak it was in heavily accented English, Romanian, Serbo-Croatian, Albanian. There were lights in the isolated farms, the small villages they passed through, children turning in their beds and waking slowly to the half-remembered lines they would sing at Harvest Festival. Thanks for plenty. Hymns of praise. The air was cold.