He heard footsteps.
His muscles went tense. He leaned out of the alleyway, his eyes keen and aware. He saw a woman, her hair bound up in a babushka, her coat cheap cloth, her shoes worn. A pocketbook hanging from one arm. But what could there possibly be in the pocketbook—maybe a hot two dollars in change?
He let her pass and went on waiting.
Maybe he had picked the wrong place. What did he know about Cleveland? Shank felt doubts assail him. Maybe nobody ever walked around that street at night. Maybe people walked other streets. Maybe people did not walk at all in Cleveland at night. Maybe they all took cabs. Maybe they went to bed when the sun went down. Maybe—
More footsteps.
He peered out, cautiously. No good. Two kids, teenagers. Fifteen, sixteen years old. Punk kids, lousy little two-bit punk kids walking home.
Shank retreated into the alley, acting on instinct. And they, halting at the alley, turned into it. One of the punks took something from the pocket of his black leather jacket. A cigarette? A match flared. One drew on the cigarette, then passed it to the other. A waft of smoke found its way to Shank’s nostrils. Pot. For the everloving motherjumping love of Jesus Christ, the little punks had to pick his alley to blow pot in. A whole city to turn on in and they had to pick his alley! He raised the gun in his hand. He aimed carefully, holding the taller of the two kids in his sight. His finger was tense on the trigger. Kill ‘em. Blow their punk heads off—the desire raced through him. He lowered the gun, trembling slightly. He waited, impatiently, while they finished the joint and discarded the roach in the alley. Then he waited until they walked away. He took up his former position and hoped somebody would come in a hurry. He couldn’t wait much longer. Hurry up, hurry up, come on, damn you to hell, come on. He cursed softly and listened to silence. He heard an automobile horn blocks away on another street. He waited and time crawled at an incredibly slow pace. He stared at the cop’s gun. A complex machine, he nodded to himself. You aimed it, you squeezed the trigger. That drew the hammer back and released it. The hammer slammed the end of the cartridge and detonated the powder charge. The force of the explosion propelled the bullet, the slug of lead, through the chamber and out of the muzzle of the gun into whatever object at which the gun had been aimed. A complex mechanism. Not like the knife, no mechanism at all. The knife was simply a sharpened steel blade you stabbed directly into a person. The knife was an extension of your arm, a kind of long, sharp hand. He stared at the gun. He put his nose to the barrel and smelled. The cop had cared for his gun. It had been oiled recently. It had a good machine-oil smell to it. And it hadn’t been fired in a long time. There was no cordite smell. Shank waited. Then footsteps. Again he leaned forward slowly, carefully. He saw the person approaching. Not a woman with a babushka. Not a pair of punk kids. A man. The man was about fifty. He had gray hair and he wore wire-rimmed glasses. He was slender, medium height. He could have been either a small storekeeper or an accountant. He was the one. When he passed the alley, Shank was behind him. Before the man took two more steps, the gun was in the small of his back.
“Stop,” Shank said, very quietly. The man stopped in his tracks. “Now turn.” Shank calmly issued the directions. “Now into the alley. That’s the ticket. Keep walking. That’s right. Now stop, and don’t turn around.”
The man seemed unafraid. “You’re making a mistake,” he said. Shank told him to shut up. “Your wallet,” he said. “No tricks. Just take the wallet out and toss it over your shoulder.” The man’s hand dipped gracefully into his inside jacket pocket. The hand came out with a wallet. “Toss it over here. Nice and easy. No tricks.” The wallet arched in the air. Shank caught it in his left hand. His right hand held the gun. The wallet was expensive pigskin worn smooth by years of use. He flipped it open. Not too much money. But enough.
“I don’t begrudge you the money,” the man said now. “But you’re making a mistake. Embarking on a career of crime. Stop now, son. Before it’s too late. You sound like a young fellow. You have a full life ahead of you.”
“You know it all,” Shank said.
“A full life,” the man said. His voice was, if anything, too calm. “A man like me, I’m over the hill. I am what I am. I can’t change myself. But you can be whatever you want to be, son. Don’t be a criminal. It’s no life for a young man like yourself. No life at all. Running and hiding. Bad.” The gun was warmer now. The steel was not so cold. Shank’s hands had warmed the metal. “A wonderful thing to be young,” the man said. “Oh, these are bad times. No question about it. But a young fellow like you could find work. A good job. Chance for advancement. Not like me. Old man like me lands in a rut and stays in it. No choice for me. I’m over the hill. I’m at the end of my rope.” You don’t know how true that is, Shank thought. How very true indeed.
“A fellow like you—”
That was all the old man said. Because Shank’s finger tightened on the trigger and the gun was a living creature, alive and leaping in his hand. The first bullet entered the small of the man’s back and he crumpled to the ground, all bent and twisted. The gun jumped. Shank lowered it and fired again. The second and third bullets smashed into the man’s head and made a mess out of it. The fourth and fifth and sixth bullets made holes between the man’s waist and back. There was a moment when time stopped, when the world was suspended in the middle of the air. Like killing the cop, Shank remembered. All that power and all that emptiness. The tremendous noise of the gun—six noises grouped into one—all that power and all that emptiness.
God!
The worn pigskin wallet fitted into Shank’s pocket. The gun—empty now, and useless—fell clattering to the ground. For a shadow of time, Shank stood poised in the alleyway, listening to the potent silence, waiting for something undefined. Then he ran. He raced out of the alley to the street, turned down the street and headed west as fast as he could go. He ran at top speed for three blocks without stopping, expecting the high-pitched squeal of police sirens, the whine of a bullet, the voice of a cop shouting, Stop or I shoot, stop or I shoot, the bullets whistling and hitting, piercing skin and flesh and bone. Still there was nothing but silence. So Shank halted for a moment, finally, and then began walking more slowly, forcing himself to stay cool, calm and cool, cool and collected. He stopped by a mailbox and removed the money from the wallet. Enough to get them to Chicago and not much more. The man had not been rich. An old man, a poor old man. Dead. The man had talked about youth. His whole life ahead of him. The future. Oh, the old man was wrong. Dead wrong. Run, Shank thought. Run, run, run. And you ran as fast as you could and you didn’t get anywhere. The most you ever got to was the one pretty minute of power, the gun smoking and a man all broken and bloody and dead. And then you had to run some more, and God in heaven there was never a place to hide, never a pillow to rest your head on, never a hiding place, hiding place, place to rest. God!
Shank walked to the bus station. Because there was no time to return to the hotel for Anita and Joe, no time at all. Soon the dead man would be found in the alley. Maybe ten minutes of grace remained—maybe an hour, a day. The cops would run down Shank. They could trace the gun, trace it to the dead cop with the hole in his chest, trace it to Shank and Joe and Anita. Cleveland was far too small. Too small to hide in, too small to stay in.
Run.
Run!
He ducked in a phone booth in the Greyhound station, dropped a dime in the slot. The man in the alley was dead. His wallet was in a mailbox. His money was in Shank’s pocket. Run, damn you. Run like hell and where do you hide? Where? He dialed the number of the hotel. The desk clerk answered, his voice thin, whiny.