Still, money threatened to be a problem. The thought of a job occurred to him and he went so far as to buy a paper to glance through the classified section. He noted the jobs he thought he might be able to obtain, their hours, pay and type of work, and he promptly rolled up the paper and flipped it out the window. That was the last he thought about jobs.
A day or so later he drifted west to Greenwich Village and wandered around. He met a girl who managed to deploy him into a conversation. She was several years older than he, and a little overweight. She thought Shank interesting. He thought her stupid.
But before night sank into morning he had borrowed ten dollars from her, bought half an ounce of marijuana, taken her back to his room and made hectic love to her. Then she hurried back to the Bronx where she lived with her mother and father. When she returned the next afternoon he threw her out. She tried a second time, so he showed her the knife and explained in a confidential tone if she ever annoyed him again he would stick the knife in her stomach. As he pointed out the risk, his eyes were half-closed and his lips slightly curved. The plump girl tried to laugh, but it emerged as a hiccup.
He never saw her again.
At first Shank missed the Royal Ramblers. He made vague overtures to the neighborhood gang but they were Puerto Ricans, so he made no supreme efforts to work his way in. Besides, he was older than they were.
By the end of the first week New York began to bore him. He took what marijuana he had left, cut it with a sack of Bull Durham, rolled the result and peddled it at half-a-buck a cigarette. This gave him a little more capital, but money remained tight. The upshot was that he went down to the draft board to enlist. He could never determine just why he tried to join the army. In any case, he was rejected because the psychiatrist decided Shank was psychopathic, naturally withholding the information. At the time, the army appealed to Shank, perhaps because he felt a little lonely and out of place. But then he discovered there were others like himself, and he was glad the army had turned him down.
There weren’t that many—of the others. You could walk all over the Village and never notice them, not unless you were one yourself and consequently knew what to look for. They varied in age, appearance and dress, but a boy like Shank knew how to spot them.
They were lost people, bored people, tired people, angry young people, zen people, beat people. They were tagged with more labels than you could shake a stick of pot at, but the people themselves scorned the labels and spent little time worrying about them. Shank himself shrugged at labels. He knew there were two classes of people in the world—the ones he liked and the ones he didn’t.
The ones he didn’t could go in a body to hell, as far as he was concerned. The ones he liked were going to hell, too, but he happened to be going on the same boat they were—and that made the difference. The people he gravitated to smoked marijuana or gobbled benzedrine or drank cough syrup or chewed peyote. They talked with each other, walked with each other, sat with each other and slept with each other. They listened to jazz, deep and grinding hard bop, and they spoke their own language, the inner language of Hip.
There was Lee Revzin, an anemic-looking young man whose hair was forever falling into his eyes, sandy blond hair he neither cut nor combed. Lee wrote poetry, weird stuff Shank found impossible to understand, but he knew the poetry had Soul and if that was Lee’s scene it was okay with him.
There was Judy Obershain of the china-doll face, a small, cute, nervous girl who talked and moved like a Disney cartoon. She had experienced sexual relations with forty-seven men, but although the carnal in its many forms attracted Judy, the idea of pain she was convinced was associated with the loss of virginity was the one prospect that terrified her. Shank took her to his room one night but left her virginity where he found it, practically untouched. He thought she was a little nuts, but if that was her scene it was okay with him. Because she was one of Shank’s people.
And there were many others. The ones who lived in the Village or on the lower East Side. The ones who lived uptown or in Brooklyn or the Bronx or Queens or even Jersey and who came to the Village to meet the rest. The ones who blew in from Chicago or the coast, the ones who left and the ones who came back. People who wrote or painted or who did nothing at all. Negroes who slept with whites in the frantic shift to change the color of their skins; and whites who slept with Negroes for the opposite shift.
And Joe, of course. Joe Milani, Shank’s friend, older than most of the others, who once had been to Korea and to college and who now had no scene at all—who just floated, never wanting anything, never needing anything, just drifting and tasting and touching and seeing and smelling and hearing, drifting around and digging everything, going nowhere and doing nothing. He and Joe lived together now on Saint Marks Place near Avenue A, and the two of them were very tight. Joe was older, seven years older, but his age did not matter. Joe was a wop, but there was a world of difference between Joe and the dago bastards who owned everything in the Village. Joe was a little nuts in some ways, but Shank did not sit in judgment.
That was Joe’s scene, and Shank let it go at that.
The man Shank was expecting sat down next to him. The man wore a white shirt open at the neck and a pair of grey gabardine trousers. The man was nervous.
“Are you Shank?” he said.
Shank nodded.
“Are you holding?”
“I never hold, man.”
The man hesitated. “Phil told me—”
“Phil?”
“Phil Carroway. Short guy with a goatee.”
Shank nodded again, remembering Phil Carroway.
“He said—”
“I never hold,” Shank said. “I’ve got some stuff back at my pad, if you’ve got the time.”
“Where do you live?”
Shank told him.
“I’d like to get some.”
Shank turned and studied the man out of the corner of his eye. Well-dressed, clean-shaven, eager as a sixteen-year-old at a whorehouse for the first time. A Madison Avenue type trying to be hip, looking for a kick and ready to pay for it. Square as they come, but his wallet was full and he would pay good money for a few joints.
Shank stood up. The man hesitated, then rose and stood next to him awkwardly. “Let’s make it,” Shank said. “It’s a long walk.”
“We can take a cab,” the man said. “I’ll pay for it.”
Shank nodded shortly and they walked over to Fifth where the man flagged a taxi. The man held the door for him and Shank hopped in, sinking heavily into the seat.
The square had bread, heavy bread, if he was ready to lay out cab fare just to make a buy, Shank decided. The square was going to be profitable, he decided.
Chapter 3
Shank held the cigarette paper between the thumb and index finger of his left hand. He poured marijuana into the paper from a small brown envelope. When the paper held a sufficient quantity, he rolled it expertly, wetting the gummed edge by a flick of his tongue, then twisting the ends so the marijuana would not dribble out.
Then he took the cigarette once again between the thumb and the index finger of his left hand and examined it thoughtfully. He held it to the light, checking for possible punctures in the paper. Putting it to his lips, Shank drew on it experimentally to make sure it would smoke properly.
Then he tossed it across the room to Joe Milani, who caught it one-handed, studied it momentarily, and dropped it into his pocket.