He reached out so that she could take his hand, then he would draw her closer for a kiss. But instead she laughed and got to her feet, looking around for something to throw over her nakedness. Finding his shirt on the floor, she seized that.
'Spoilsport,' he sighed.
She chuckled and left the room, heading for the kitchen. He followed at once, catching up, putting his arms about her from behind, and nuzzling her hair.
'All right?' he asked softly.
'Of course,' she said brightly. 'Everything's fine.'
He partly withdrew his hands, just as far as her shoulders. 'That's good,' he said quietly.
'Do you know how I make coffee in this kitchen?' she asked with a laugh.
'I'll make it.'
'Lovely. Then we'll go down and see if Piero's awake yet. He and I should be going soon.'
He dropped his hands.
'Whatever you say.'
She turned suddenly. 'There's something you should know. Don't expect too much from me just now. I'm not used to being in the land of the living. I've forgotten how things are done there.'
He frowned, alerted by a new note in her voice, but not understanding it. 'The land of the living? I don't understand.'
'For the last six years I've been in prison.'
Julia had told Vincenzo that kicking the door in had been one of the great healing experiences of life, and it was true. With that one blow she had put her lethargy behind her, and was ready for the task that had brought her here.
Walking home with Piero that morning, she bought a map, and studied it as soon as they were inside.
'Can I help?' he asked.
'I want to go to the island of Murano.'
'Take the waterbus. It's about a twenty-minute journey. I'll show you the exact place. Are you going to look at some of the glass-blowing factories?'
'No, I'm looking for a man. His name is Bruce Haydon. He has relatives there and they'll know where he is now.'
'Is he Italian?'
'No, he's English. He had some Italian family on his mother's side, but he's lived mostly in England.'
She knew he was hoping to hear more, and she was foolish to keep silent. She should simply say that Bruce Haydon had once been her husband; that he had betrayed her vilely and condemned her to hell. But just now she wasn't ready to say the words.
When she'd changed back into her jeans he led her to the San Zaccaria landing stage, and waited with her while the boat arrived. Passengers poured off, more passengers poured on. As she was about to turn away Piero tightened his grip on her arm.
'Come back safely,' he said.
'Yes, I will,' she promised him in a gentle voice.
As the boat drew away from the landing stage she looked back and saw Piero standing where she had left him. He remained motionless, growing smaller until she could no longer see him.
At last the boat reached the landing stage at Murano.
It was a small island, constructed, like Venice, of canals and bridges, famous for its glass-blowing, but without the glamour of the main city.
With the aid of the map she was able to discover a row of houses beside a canal, and began to make her way along, searching for one front door.
Then it was there before her, the front door with a brass plaque proclaiming that here lived Signor and Signora Montressi, the name of Bruce's Italian relatives. Luck was with her.
She rang the bell and waited. But there was no reply.
She told herself she must be patient.
She found a cafe and ordered coffee and sandwiches. From her bag, she took a small photo album in which she kept pictures to show people who might have seen him. It wasn't very up to date. None of the photographs was less than six years old.
The first one was a wedding picture, showing a handsome man, grinning with delight. There was no sign of his bride. Julia had cut her out of the picture.
He had dark hair and eyes, but, although his Italian ancestry was visible, his face was slightly too fleshy for the kind of dramatic looks that Vincenzo had. He lacked Vincenzo's intensity too, parading instead an air of self-satisfaction.
She stopped and gave an exclamation of annoyance at herself. Forget Vincenzo! Comparing every other man with him was futile. For many reasons.
But there was no way to forget Vincenzo. Piero had said, 'He's an all or nothing person. When he gives it's everything.'
After last night she knew that it was true.
But Piero had also said Vincenzo had too many women, 'all meaningless'.
So he was like herself, she thought. Nature had shaped him one way, and hard lessons had shaped him differently.
In that hot, dark night he'd become his true self again, giving generously, endlessly, revealing himself to her with no defences, nothing held back.
And it shamed her that she'd only half responded, revelling in the physical pleasure that he gave so expertly, returning it with every skill at her command, but giving nothing else. Her heart was still safely hoarded in her own control.
She remembered the scene in the kitchen that morning. He'd been tender and affectionate, seeking to evoke the same in her. She'd disappointed him because she was unable to do anything else.
Blurting out that she'd been in prison had been an impulse, instantly regretted. After that she hadn't been able to get away from him fast enough, and he'd sensed it, and let her go, saying little.
She returned to the pictures, trying to concentrate on them and forget Vincenzo.
After the wedding snap came a selection of photographs taken over the next four years, during which the man put on a little weight, but continued to be good-looking and pleased with himself.
'Whatever did I see in you?' she asked the grinning head. 'Well, I paid a heavy price for it.'
He filled the first half of the book. In the second half there was a different set of pictures.
They showed a baby, stalling with the day it was born. Then the child became gradually larger and prettier, with curly blonde hair and shining eyes. And always she was laughing.
Julia slammed the album shut, closing her eyes and fighting back the tears. For a moment she sat there, rigid, aching, while heartbreak tore her apart.
At last the storm passed, and she forced herself to return to reality and behave normally.
'Not much longer,' she promised herself. 'Not much longer.'
The weak moment was behind her.
Her second visit to the house was equally fruitless. It was dark before she returned a third time.
As she turned into the canal-side street she could see the lights in the windows. The door was opened by a pretty young girl.
'Signora Montressi?' Julia asked.
'Oh, no, she and her husband have gone until after Christmas. They're taking a Caribbean cruise. They left three days ago. I'm afraid that's all I know. I only come in to feed the cat. They'll be back in January.'
She almost ran away, needing to be alone to absorb the shock. To have got so close and then have the prize snatched out of reach.
She walked about aimlessly for a long time before catching the boat back across the lagoon. It was late but there were still plenty of travellers, and she stood looking over the rail at the black water. It would be a relief to get home.
Home. How strange that she should think of the palazzo as home. Yet there would be a warm welcome for her there, and what else was home but that?
'Scusi-scusi-'
She moved as someone squeezed past her. At the same moment the boat ploughed into an extra high wave, causing it to lurch. As she grabbed the rail the strap of her bag began to slide down her arm. She twisted, trying to save it, and lost her grip.
As she watched the bag went sailing down into the water, carrying with it her precious album of pictures.
Vincenzo would have liked to get out of the dinner party at the Danieli Hotel, but he had promised and must keep his word. So he did his duty, sat next to an heiress who'd plainly heard of his circumstances, smiled, behaved with charm, concealed his boredom, and forgot her the moment the party was over.
From the hotel it was a short walk home, past San Zaccaria, and across St Mark's. Preoccupied with his thoughts, he'd actually walked past the landing stage before he realised what he'd seen. He turned sharply back.