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‘Say Paul, blast you.’

‘I am sorry, Paul,’ she said in English. ‘You speak too quickly.’

He switched to Bayani. ‘Do you remember Shah Shan—the first time he came to this house?’

‘Yes, lord,’ she answered in Bayani. ‘I remember the first visit of Shah Shan. He was very thin, very hungry.’

Paul took another drink. ‘He had bright, searching eyes. He had the gift of greatness … I am sad that he will come no more.’

‘Lord,’ said Mylai Tui simply, ‘I rejoice, having seen the visage of a god upon the face of a man.’

‘The god is now dead,’ said Paul grimly.

‘No, lord, the man is now dead. The god lives. So it has always been. So it will always be.’

‘World without end,’ he mocked, raising the calabash to his lips. For some time, now, his relationship with Mylai Tui had been strained. Thinking back, he decided that it had begun to show signs of strain when Shah Shan started to come regularly for his English lessons. Until that time, Paul Marlowe, native of Earth had done his best—despite lapses—to become Poul Mer Lo of Baya Nor. He had been very reliant on Mylai Tui and had tried to draw close to her and understand her way of looking at things.

But then Shah Shan with his quick mind and natural curiosity had met him on his own ground and, learning not only the language but the ways of the land on the other side of the sky, had encouraged Paul to remember with some pride that he was a twenty-first century European. Shah Shan had learned F.nglisb far faster and much more fluendy than Mylai Tui. By skilfully stimulating his teacher, he had precipitated Paul into journeying back through space and time to his own world. Shah Shan had a flair for grasping intuitively. With remarkably few words, Paul could create a scene for him— whether in a London street or on a rocket launching pad or on an East Anglian farm—that was both vivid and immediate. Under a joint spell of perception, they could together travel far and recreate much, while Mylai Tui was left hopelessly behind—lost in a welter of complex and meaningless words.

It was then Paul had discovered that, despite her discipline and training as a noia in the Temple of Gaiety, she was inclined to be jealous and possessive. She wanted the stranger for herself. At first her possessiveness amused him. Then it began to annoy him.

Oddly enough, Mylai Tui had displayed another aspect of her strange temper for the first time a few days before Enka Ne—or Shah Shan—was due to die. It had been caused by the incident Paul had witnessed on the morning he had walked along the Canal of Life to sit down and stare idly at the toilers in the kappa fields.

Although he had promised the woman who had given birth to her baby on the other side of the mound where he was sitting that would ‘unsee what he had seen’, he had taken the promise literally only insofar as not mentioning the place or the time to anyone. He would not betray her, but neither would he attempt in the literal sense to unsee what he had seen. It was, perhaps, his most important discovery in Baya Nor.

Mylai Tui had three fingers and a thumb on each hand. Everyone else he had met had three fingers and a thumb on each hand. And, because of the command of Enka Ne at their first meeting, he himself now conformed, having had each of his little fingers struck off.

Consequently, he had assumed that three fingers was normal —biologically normal. But what if that were not entirely so? The woman on the other side of the mound had given birth to a baby with three fingers on one hand and four fingers on the other. How many more women in Baya Nor bore children with four fingers and a thumb on one of their hands? And, carrying the thought further, how many women bore children with four fingers and a thumb on each of their hands?

That day, after returning home, he had asked Mylai Tui to let him see her hands. It was then he realized that he had never looked at them closely—really closely—before. He inspected them, cursing his rudimentary knowledge of anatomy and bemoaning the fact that he did not have a magnifying glass.

Then he discovered that the bone bump on the side of her left hand was perhaps a little longer and more uneven than the bump on the side of her right hand. He took her left hand again, staring at it intently. Surely, there was the faintest mark of a scar?

‘Mylai Tui, did you ever have four fingers on this hand?’ he had asked abruptly.

She had snatched the hand away from him as if he had offered her a deadly insult. And she had stood there, shaking and trembling and staring at him with eyes wide with horror.

At first, he thought she had misunderstood him. ‘I ask only if you ever had four fingers on this hand,’ he had repeated.

‘Defiler!’ she screamed. ‘Outlander! Beast! Savage!’

Then she had fled from the house.

He was completely baffled. Time passed, night came, and he thought that perhaps she had gone for good. She did not return until shortly before dawn of the following day. Then she came back and woke him up peremptorily. She was carrying a long thin korshl—the Whip of Correction that was used on petty criminals.

‘Oruri has condescended to give guidance,’ she said tonelessly. ‘I have offended my lord. The offence cannot remain. Grace me with one blow of the korshl for each of the fingers on my hands.’

He was dumbfounded. ‘Mylai Tui, I cannot do this thing.’

‘That is my punishment,’ she said, ‘according to the wisdom of Oruri. Six blows from my lord—or I must leave this house where I have been shamed for ever.’

He saw that she meant it. He did not wish to lose her. Still not understanding, he took the korshl.

‘Lay heavy, lord,’ said Mylai Tui, presenting her back. ‘Oruri frowns upon a light penance.’

He struck, but apparently he did not strike hard enough. For his kindness which, said Mylai Tui, she did not deserve, Oruri would graciously award her two extra blows.

Early in the morning and still heavy with sleep, Paul Marlowe found himself participating in a waking nightmare. Mylai Tui was clearly not to be satisfied until the blood ran down her back. Eventually, in desperation he did in fact draw blood. The sight of it dropping down to make small thin rivulets on her legs, seemed to give Mylai Tui considerable satisfaction.

When the prescribed punishment was over, she fainted. Since that time he had not dared to refer to her fingers again.

Now, as he sat on the verandah step, sipping his kappa spirit, he became suddenly filled with a great and impersonal sadness—not only for himself and Shah Shan and Mylai Tui, but for all living things on all possible worlds scattered throughout the black starlit vault of space. He was sad because of the very predicament of living. Because every living creature—like the guyanis, the brilliantly coloured butterfly that he had seen killed by a leathery bird when he travelled with Enka Ne along the Canal of Life—was doomed to journey from darkness to darkness, with only a brief burst of sunlight and pain between the two long aspects of eternity. The guyanis had died, then the bird who had killed it was struck down by a warrior, then the warrior himself died at the command of Enka Ne. Now Enka Ne was dead and another Enka Ne was alive. And doubdess many more guyanis butterflies had been torn to pieces by toothed beaks. And doubtless many more warriors had gone to the bosom of Oruri.

Multiply these things by a billion billion, square the number and square it again. The resulting figure would still not be big enough to tally all the tragedies, great and small, taking place throughout the universe during one billion billionth part of a second.

Yes, thought Paul, living was indeed a sad situation—only slightly less sad than dying…