Recently he had fallen in love with a volume of poems, The Lost Geography, by Linda Dewit, who lived in Vermont according to the biographical note on the back of the book. He liked her dark lyricism, which reminded him of Kent Philips's paintings. How strange this coincidence was. That man painted landscapes in Montana, whereas the old poet wrote about people and things in New England, but their works seemed to have some kindred spirit. Perhaps the dark luminosity had stemmed not from without but from within, from the depths of their souls. Nan also believed that the beauty of Dewit's poetry might be due to the always present awareness of mortality in the speaker's mind, even when she celebrated nature and life. Her lines were elegant, supple, honest, and always intelligent, for example, "Imagine, in a northern dusk / even a breeze brings you extra light," and "I hate the erosion of your affection / and will stop wearing smiles." Nan was fascinated and pored over Linda Dewit's poems whenever he was free. He even hand-copied the pieces he liked most.
One day he was surprised to receive a letter from Bao Yuan. His friend had written on the inside of a card bearing a pair of swans in rippling water:
August 26, 1997
Dear Nan,
By the time you read this letter I'm already on my way back to China. Life in America is too difficult for me, and I am reluctant to have my wife live here. She is the youngest child of her family and might not be able to endure the loneliness or survive the struggle we would have to wage if I stayed. Besides, her parents wouldn't let her live far away from home. Also, they are obssessed with their granddaughter, my baby girl. Now that I am a U.S. citizen, I can travel back and forth, so I made up my mind to settle down in our homeland. I'm sure I will miss the Blue Ridge Mountains, but I plan to stay and work on the mountain for three or four months a year. That's to say, from now on I will live as a world citizen. When I come back, I'll let you know beforehand. Meanwhile, may your business and writing both flourish.
As ever,
Bao
To Nan, Bao had been a remarkable success, so the letter threw him deep into thought. What had made Bao retreat to China? Hadn't he already bought a building lot for his future home in Cobb County? Why had he changed his plan all of a sudden? He seemed to have given up too easily. Clever, that man was too clever.
Nan couldn't picture Bao's actual situation, but he was sure that the reasons his friend mentioned in the letter might not be the real ones. He suspected that Bao must have suffered a setback in his art. Perhaps his agent, Ian Bernstein, had lost interest and confidence in him after the debacle of Bao's Shanghai series. In retrospect, Nan could see that this had been bound to happen, since Bao rushed too much and fell prey to moneygrubbing instead of aspiring to a higher order of artistic achievement. Even in this capitalist land a true artist ought to spurn the temptation of money. Indeed, China was probably more suitable for a man like Bao. Nan thought of writing back, but his friend had given no return address. Bao must have left in a hurry.
Later Nan heard that Frank, the lawyer, had sold the piece of land on which Bao's studio sat to a developer, which all of a sudden rendered his teacher homeless in this country.
16
ONCE in a while Nan would call Dick using phone cards he had bought at the World Bookstore; calls within the United States were only three cents a minute, and they didn't show up on the phone bill, so Pingping couldn't complain or suspect that Dick might mislead Nan into something shady or even take him away from her. In the fall Dick invited Nan to visit him, saying that if Nan liked the Iowa Writers' Workshop, he would try to get a scholarship for him, provided Nan worked hard on his poetry and came up with some strong writing samples with which Dick could convince his colleagues of his talent. Despite his distrust of such workshops, Nan was intrigued and eager to see his friend. Pingping wasn't happy about the idea and said to him, "You just came back from China two months ago. You can't leave this place to me again."
"Only this once, please. I won't do it again, I promise."
"No."
"Please let me go and see what the writers' workshop is like." "I've said no."
That topic came up every day, and a week later Pingping caved. They asked Shubo to stand in for Nan and he agreed readily. Shubo was unemployed again because the marble quarry had shut down. Mr. Mu, the backup chef, had left for Alabama to work for his nephew who had just opened a restaurant in Mobile. Though Shubo couldn't cook as well as Nan, Pingping could give him a hand in the kitchen if need be. Nan promised his wife he would be away for just five days at most.
There was another motivation he hadn't revealed to Pingping, namely that he planned to visit Beina on this trip. He knew this was crazy and that the woman might not be pleased to see him, but he couldn't help himself, as if a supernatural force possessed him, driving him toward her. To his mind, even if she wasn't happy about his reappearance, the sight of his first love in this land might rekindle the intense passion he needed for writing poetry, for which he wouldn't mind exposing himself to new wounds.
He knew he was acting like a reckless, love-crazed youth, but despite his uneasiness, he couldn't wait to see her-as if his sanity depended on such a meeting. He was going to drive the hatchback he had bought secondhand the previous winter after his old Ford's clutch had gone. This reliable Dodge should make the trip enjoyable and less tiring.
He set out before daybreak on Monday, September 22, and drove northwest along I-75 and then switched to I-24. He enjoyed driving through the mountains and forests in Tennessee, but Kentucky was a bit too flat to him, although the cruise was smooth and pleasant, there being little traffic. Now and then a shower blurred the view of farmsteads-the corn, soybean, and tobacco fields, some of which had just been cut, were a dappled brown. At some places kudzu had engulfed abandoned farmhouses, shacks, and barns. Nan disliked this kind of lush vegetation because it suggested there were snakes and animals lurking in it. He often missed the forests in the North, which had a sparse undergrowth. Toward evening, a fog began gathering and even obscured the road signs along the way, so he got off I-57 and checked into the Thrifty Inn at Mt. Vernon, Illinois. The motel was in a three-story brick building, its rooms having wide windows. A plump woman at the front desk gave Nan a clean, comfortable room on the top floor, which was five dollars cheaper than those below. Nan cooked himself noodle soup for dinner and ate it directly from the pot, with a jar of kimchee, while watching a CNN interview with a blue-helmeted general of the U.S. peacekeeping force in Bosnia. After a hot shower, he went to bed and slept nine hours on end.
He didn't make breakfast the next morning and just ate two chocolate cookies and drank a large mug of coffee provided by the motel in its lobby around the clock. He set off rather late, after eight, because there were only about four hundred miles left.
It was a fine day and the farmland was dark, loamy, and boundless. The land was so flat that even the sky seemed lower than the day before. At one place a swarm of windmills was scattered among prairie grass like a flock of giant birds in flight. Nan especially enjoyed seeing the corn and soybean fields, in some of which combines were rolling, often accompanied by trucks. He was amazed to see cascades of the kernels pour into the backs of the trucks directly so that the farmers wouldn't have to do threshing and winnowing afterward. He had seen harvesters of a less advanced type back in the northeast of China, but they had all been owned by the state farms, each of which consisted of at least five hundred people. In contrast, here every individual family used such a machine.