It was a photograph of a girl of about twelve in a white dress. She had blond hair with a wreath in it and she looked forward out of light eyes that were bland and composed. “Who is this child?” Mrs. McIntyre asked.
“She his cousin,” the boy said in a high voice.
“Well what are you doing with it?” she asked.
“She going to mah me,” he said in an even higher voice.
“Marry you!” she shrieked.
“I pays half to get her over here,” he said. “I pays him three dollar a week. She bigger now. She his cousin. She don’t care who she mah she so glad to get away from there.” The high voice seemed to shoot up like a nervous jet of sound and then fall flat as he watched her face. Her eyes were the color of blue granite when the glare falls on it, but she was not looking at him. She was looking down the road where the distant sound of the tractor could be heard.
“I don’t reckon she goin to come nohow,” the boy murmured.
“I’ll see that you get every cent of your money back,” she said in a toneless voice and turned and walked off, holding the photograph bent in two. There was nothing about her small stiff figure to indicate that she was shaken.
As soon as she got in the house, she lay down on her bed and shut her eyes and pressed her hand over her heart as if she were trying to keep it in place. Her mouth opened and she made two or three dry little sounds. Then after a minute she sat up and said aloud, “They’re all the same. It’s always been like this,” and she fell back flat again. “Twenty years of being beaten and done in and they even robbed his grave!” and remembering that, she began to cry quietly, wiping her eyes every now and then with the hem of her smock.
What she had thought of was the angel over the Judge’s grave. This had been a naked granite cherub that the old man had seen in the city one day in a tombstone store window. He had been taken with it at once, partly because its face reminded him of his wife and partly because he wanted a genuine work of art over his grave. He had come home with it sitting on the green plush train seat beside him. Mrs. McIntyre had never noticed the resemblance to herself. She had always thought it hideous but when the Herrins stole it off the old man’s grave, she was shocked and outraged. Mrs. Herrin had thought it very pretty and had walked to the graveyard frequently to see it, and when the Herrins left the angel left with them, all but its toes, for the ax old man Herrin had used to break it off with had struck slightly too high. Mrs. McIntyre had never been able to afford to have it replaced.
When she had cried all she could, she got up and went into the back hall, a closet-like space that was dark and quiet as a chapel and sat down on the edge of the Judge’s black mechanical chair with her elbow on his desk. This was a giant roll-top piece of furniture pocked with pigeon holes full of dusty papers. Old bankbooks and ledgers were stacked in the half-open drawers and there was a small safe, empty but locked, set like a tabernacle in the center of it. She had left this part of the house unchanged since the old man’s time. It was a kind of memorial to him, sacred because he had conducted his business here. With the slightest tilt one way or the other, the chair gave a rusty skeletal groan that sounded something like him when he had complained of his poverty. It had been his first principle to talk as if he were the poorest man in the world and she followed it, not only because he had but because it was true. When she sat with her intense constricted face turned toward the empty safe, she knew there was nobody poorer in the world than she was.
She sat motionless at the desk for ten or fifteen minutes and then as if she had gained some strength, she got up and got in her car and drove to the cornfield.
The road ran through a shadowy pine thicket and ended on top of a hill that rolled fan-wise down and up again in a broad expanse of tasseled green. Mr. Guizac was cutting from the outside of the field in a circular path to the center where the graveyard was all but hidden by the corn, and she could see him on the high far side of the slope, mounted on the tractor with the cutter and wagon behind him. From time to time, he had to get off the tractor and climb in the wagon to spread the silage because the Negro had not arrived. She watched impatiently, standing in front of her black coupe with her arms folded under her smock, while he progressed slowly around the rim of the field, gradually getting close enough for her to wave to him to get down. He stopped the machine and jumped off and came running forward, wiping his red jaw with a piece of grease rag.
“I want to talk to you,” she said and beckoned him to the edge of the thicket where it was shady. He took off the cap and followed her, smiling, but his smile faded when she turned and faced him. Her eyebrows, thin and fierce as a spider’s leg, had drawn together ominously and the deep vertical pit had plunged down from under the red bangs into the bridge of her nose. She removed the bent picture from her pocket and handed it to him silently. Then she stepped back and said, “Mr. Guizac! You would bring this poor innocent child over here and try to marry her to a half-witted thieving black stinking niggerl What kind of a monster are you!”
He took the photograph with a slowly returning smile. “My cousin,” he said. “She twelve here. First Communion. Six-ten now.”
Monster! she said to herself and looked at him as if she were seeing him for the first time. His forehead and skull were white where they had been protected by his cap but the rest of his face was red and bristled with short yellow hairs. His eyes were like two bright nails behind his gold-rimmed spectacles that had been mended over the nose with haywire. His whole face looked as if it might have been patched together out of several others. “Mr. Guizac,” she said, beginning slowly and then speaking faster until she ended breathless in the middle of a word, “that nigger cannot have a white wife from Europe. You can’t talk to a nigger that way. You’ll excite him and besides it can’t be done. Maybe it can be done in Poland but it can’t be done here and you’ll have to stop. It’s all foolishness. That nigger don’t have a grain of sense and you’ll excite…”
“She in camp three year,” he said.
“Your cousin,” she said in a positive voice, “cannot come over here and marry one of my Negroes.”
“She six-ten year,” he said. “From Poland. Mamma die, pappa die. She wait in camp. Three camp.” He pulled a wallet from his pocket and fingered through it and took out another picture of the same girl, a few years older, dressed in something dark and shapeless. She was standing against a wall with a short woman who apparently had no teeth. “She mamma,” he said, pointing to the woman. “She die in two camp.”
“Mr. Guizac,” Mrs. McIntyre said, pushing the picture back at him, “I will not have my niggers upset. I cannot run this place without my niggers. I can run it without you but not without them and if you mention this girl to Sulk again, you won’t have a job with me. Do you understand?”
His face showed no comprehension. He seemed to be piecing all these words together in his mind to make a thought.
Mrs. McIntyre remembered Mrs. Shortley’s words: “He understands everything, he only pretends he don’t so as to do exactly as he pleases,” and her face regained the look of shocked wrath she had begun with. “I cannot understand how a man who calls himself a Christian,” she said, “could bring a poor innocent girl over here and marry her to something like that. I cannot understand it. I cannot!” and she shook her head and looked into the distance with a pained blue gaze.
After a second he shrugged and let his arms drop as if he were tired. “She no care black,” he said. “She in camp three year.”
Mrs. McIntyre felt a peculiar weakness behind her knees. “Mr. Guizac,” she said, “I don’t want to have, to speak to you about this again. If I do, you’ll have to find another place yourself, Do you understand?”