It occurred to him that he was lucky this time that they had found Mrs. Connin who would take you away for the day instead of an ordinary sitter who only sat where you lived or went to the park. You found out more when you left where you lived. He had found out already this morning that he had been made by a carpenter named Jesus Christ. Before he had thought it had been a doctor named Sladewall, a fat man with a yellow mustache who gave him shots and thought his name was Herbert, but this must have been a joke. They joked a lot where he lived. If he had thought about it before, he would have thought Jesus Christ was a word like “oh” or “damm” or “God,” or maybe somebody who had cheated them out of something sometime. When he had asked Mrs. Connin who the man in the sheet in the picture over her bed was, she had looked at him a while with her mouth open. Then she had said, “That’s Jesus,” and she had kept on looking at him.
In a few minutes she had got up and got a book out of the other room. “See here,” she said, turning over the cover, “this belonged to my great grandmamma. I wouldn’t part with it for nothing on earth.” She ran her finger under some brown writing on a spotted page. “Emma Stevens Oakley, 1832,” she said. “Ain’t that something to have? And every word of it the gospel truth.” She turned the next page and read him the name: “The Life of Jesus Christ for Readers Under Twelve.” Then she read him the book.
It was a small book, pale brown on the outside with gold edges and a smell like old putty. It was full of pictures, one of the carpenter driving a crowd of pigs out of a man. They were real pigs, gray and sour-looking, and Mrs. Connin said Jesus had driven them all out of this one man. When she finished reading, she let him sit on the floor and look at the pictures again.
Just before they left for the healing, he had managed to get the book inside his innerlining without her seeing him. Now it made his coat hang down a little farther on one side than the other. His mind was dreamy and serene as they walked along and when they turned off the highway onto a long red clay road winding between banks of honeysuckle, he began to make wild leaps and pull forward on her hand as if he wanted to dash off and snatch the sun which was rolling away ahead of them now.
They walked on the dirt road for a while and then they crossed a field stippled with purple weeds and entered the shadows of a wood where the ground was covered with thick pine needles. He had never been in woods before and he walked carefully, looking from side to side as if he were entering a strange country. They moved along a bridle path that twisted downhill through crackling red leaves, and once, catching at a branch to keep himself from slipping, he looked into two frozen green-gold eyes enclosed in the darkness of a tree hole. At the bottom of the hill, the woods opened suddenly onto a pasture dotted here and there with black and white cows and sloping down, tier after tier, to a broad orange stream where the reflection of the sun was set like a diamond.
There were people standing on the near bank in a group, singing. Long tables were set up behind them and a few cars and trucks were parked in a road that came up by the river. They crossed the pasture, hurrying, because Mrs. Connin, using her hand for a shed over her eyes, saw the preacher already standing out in the water. She dropped her basket on one of the tables and pushed the three boys in front of her into the knot of people so that they wouldn’t linger by the food. She kept Bevel by the hand and eased her way up to the front.
The preacher was standing about ten feet out in the stream where the water came up to his knees. He was a tall youth in khaki trousers that he had rolled up higher than the water. He had on a blue shirt and a red scarf around his neck but no hat and his light-colored hair was cut in sideburns that curved into the hollows of his cheeks. His face was all bone and red light reflected from the river. He looked as if he might have been nineteen years old. He was singing in a high twangy voice, above the singing on the bank, and he kept his hands behind him and his head tilted back.
He ended the hymn on a high note and stood silent, looking down at the water and shifting his feet in it. Then he looked up at the people on the bank. They stood close together, waiting; their faces were solemn but expectant and every eye was on him. He shifted his feet again.
“Maybe I know why you come,” he said in the twangy voice, “maybe I don’t.
“If you ain’t come for Jesus, you ain’t come for me. If you just come to see can you leave your pain in the river, you ain’t come for Jesus. You can’t leave your pain in the river,” he said. “I never told nobody that.” He stopped and looked down at his knees.
“I seen you cure a woman oncet!” a sudden high voice shouted from the hump of people. “Seen that woman git up and walk out straight where she had limped in!”
The preacher lifted one foot and then the other. He seemed almost but not quite to smile. “You might as well go home if that’s what you come for,” he said.
Then he lifted his head and arms and shouted, “Listen to what I got to say, you people! There ain’t but one river and that’s the River of Life, made out of Jesus’ Blood. That’s the river you have to lay your pain in, in the River of Faith, in the River of Life, in the River of Love, in the rich red river of Jesus’ Blood, you people!”
His voice grew soft and musical. “All the rivers come from that one River and go back to it like it was the ocean sea and if you believe, you can lay your pain in that River and get rid of it because that’s the River that was made to carry sin. It’s a River full of pain itself, pain itself, moving toward the Kingdom of Christ, to be washed away, slow, you people, slow as this here old red water river round my feet.
“Listen,” he sang, “I read in Mark about an unclean man, I read in Luke about a blind man, I read in John about a dead man! Oh you people hear! The same blood that makes this River red, made that leper clean, made that blind man stare, made that dead man leap! You people with trouble,” he cried, “lay it in that River of Blood, lay it in that River of Pain, and watch it move away toward the Kingdom of Christ.”
While he preached, Bevel’s eyes followed drowsily the slow circles of two silent birds revolving high in the air. Across the river there was a low red and gold grove of sassafras with hills of dark blue trees behind it and an occasional pine jutting over the skyline. Behind, in the distance, the city rose like a cluster of warts on the side of the mountain. The birds revolved downward and dropped lightly in the top of the highest pine and sat hunch-shouldered as if they were supporting the sky.
“If it’s this River of Life you want to lay your pain in, then come up,” the preacher said, “and lay your sorrow here. But don’t be thinking this is the last of it because this old red river don’t end here. This old red suffering stream goes on, you people, slow to the Kingdom of Christ. This old red river is good to Baptize in, good to lay your faith in, good to lay your pain in, but it ain’t this muddy water here that saves you. I been all up and down this river this week,” he said. “Tuesday I was in Fortune Lake, next day in Ideal, Friday me and my wife drove to Lulawillow to see a sick man there. Them people didn’t see no healing,” he said and his face burned redder for a second. “I never said they would.”
While he was talking a fluttering figure had begun to move forward with a kind of butterfly movement—an old woman with flapping arms whose head wobbled as if it might fall off any second. She managed to lower herself at the edge of the bank and let her arms churn in the water. Then she bent farther and pushed her face down in it and raised herself up finally, streaming wet; and still flapping, she turned a time or two in a blind circle until someone reached out and pulled her back into the group.