Several telephone calls later a police team laid claim to the two vehicles. The one that had been into the shop back in January had since been thoroughly cleaned; the one that had been in on the day Samantha Donaldson had disappeared had not been and gave forth several very nice latent prints of Andrew Lewis, from places one would not normally expect an engine mechanic to lay his hand, places where a man might brace himself, say, when lifting an awkward weight from the back. More materially there were several hairs, which proved later to make as close to a match with hairs from Samantha Donaldson's head as modern forensic science could judge, and finally a small snag of blue knitting wool that was microscopically identical to the remainder of the ball in the knitting basket of Samantha's grandmother.
The postal van, the apartment, the Lewis/Dodson/Andrews tie, the rough partial print on Samantha's neck—Hawkin had a case that was air-tight.
All he lacked was Lewis himself.
Lee's dinner that Friday was the closest she ever came to failure, and it first amazed and then amused Kate to see Lee bothered out of all proportion. Kate didn't show her feelings, though, and dutifully protested as the tight-lipped cook scraped the fallen souffle into the garbage and reassured her that carrot soup, chewy multigrain rolls, a cold marinated vegetable salad, and raspberry-walnut torte were quite enough to keep them from starvation. Normally Lee would have shrugged and served the souffle flat, but it seemed as if the uneasy peace between Lee and Al Hawkin allowed for no sign of weakness.
However, several glasses of an excellent Pinot Noir smoothed things over, and by the end of the meal even Lee had relaxed. She shooed them off to the fireplace with a tray of coffee while she did a preliminary cleanup, and Kate put some sticks together and produced a merry blaze that added to the gemütlichkeit.
Hawkin sat with Vaun at opposite ends of the long linen-covered sofa and propped his feet up on a stool with the attitude of a man resting from a heavy burden. He perched his cup and saucer on his stomach and closed his eyes. Vaun pulled one leg up under her and considered him, head tipped to one side. Kate drank her coffee and wondered what the artist's eyes were seeing, the effects of late hours and human ugliness that his job had carved into his face, the bone sheathed in muscle, the skull beneath the skin. She looked from him to her, and abruptly, disconcertingly, she knew that Vaun was looking at this man Hawkin not as an artist, but as a woman, with interest. The thought so surprised her that she put her cup down with a rattle and broke the tableau. Hawkin opened his eyes and looked at her, and she had the uncomfortable feeling that he had followed her thoughts, impossible as it might be. Vaun uncurled to lean forward and fill her cup from the carafe on the table, and paused to look questioningly at Hawkin, who held out his cup to her. She poured, looked the same question at Kate, who shook her head, and they all settled back as Lee came in and took the chair between Vaun and Kate.
Twenty minutes of light conversation followed, Hawkin's entertaining story of a rock star and his current and equally famous lady friend who found themselves tumbling out the front door of the poshest hotel in town, stark naked and screaming obscenities to the amusement of passersby and the horror of the management. Hawkin told a good story. Even Vaun laughed and showed a faint flush of color in her cheeks, though whether it was from the wine or from Hawkin's story, or from his presence, Kate could not be sure.
As the laughter of his audience faded, before there could be any anticipation of what he was going to say, Hawkin put down his cup and turned to Vaun.
"It's decision time," he said, and before they could tense up, continued, "let me go over what we've got, first," and he told them of the week's findings. Kate had heard it before and had passed on abridged versions, but Hawkin laid it out in a clear series of interrelated steps, ending with Dan Whittier's garage. He waited for a moment to let it all settle in and then sat forward, elbows on knees, and studied his palms and interlinked fingers as he continued.
"When we made this plan for a publicized outing, we had almost nothing on Lewis, and the purpose of drawing him to Vaun was as much to incriminate him as it was actually to lay hands on him. That situation has changed. It will take several days for the full lab results, but I think that mail truck will provide enough evidence to nail him.
"How, then, do we take him? He could be in Mexico, but I don't think so. I think he's in the Bay Area. If we took the place apart, plastered the newspapers and the notice boards with the drawings, we'd probably find him. I'd like to do it that way. There's a very good chance we'd have him in two or three days."
"And the other chance?" Vaun smiled, but he was not looking at her.
"The other chance is that we miss him or that he's already out of the area and will go to ground when he hears there's a manhunt out for him. Which leaves you in an extremely difficult position." Now he looked at her, with a sad, lopsided smile. Kate had told him that Vaun intended to paint no more, and it had hurt him, she knew him well enough now to see, although he had said nothing. "You could probably afford to hire a bodyguard, but I don't imagine you'd care for that much, not for any length of time."
"No."
"Now, I wouldn't normally ask someone else's advice on this kind of thing, but in this case I need your cooperation, and I want to know how you feel about it. Do we continue with the idea of a trap, or do we drop it and hunt him down?"
Vaun did not hesitate.
"I would like to go on with it."
"Somehow I thought you would." He grinned at her, then became brisk. "Right, tomorrow you three go out and wander around, pose for a couple of pictures and answer some questions from our pet reporter, come back here in the afternoon. Meanwhile, Trujillo or one of his people will bring that gorgeous car of yours up from Tyler's and leave it down the street with its cover on. Sunday there's a nice article and photograph of Vaun, and in the article two pointer arrows for Lewis to follow: first, that you're staying in the Russian Hill area with a couple of friends, and second, that you'll be meeting with reporters at an unspecified place on Tuesday morning. That will give Lewis two options, either to wander around the neighborhood with several hundred others, all of whom hope to catch a glimpse of you, until he recognizes the shape of your car, or to call the paper to find out where you'll be meeting with the reporters on Tuesday morning. We'll set up a trace on any such call, and if we don't get lucky, we'll wait for him to show his head Tuesday morning. If none of the three brings him to us, on Wednesday we'll go after him. What's wrong?"
"Nothing's wrong," said Vaun, "it sounds fine. It's just… it's so difficult to tie all this together with Andy."
"He's a bastard, Vaun," said Hawkin in a hard voice. "He's a monster inside a man's body, a creature who thinks nothing of strangling cats and dogs and little girls and sending other people to prison and into madness, so long as he has his revenge."
"Oh, God, I know, I know. You have to stop him—we have to stop him. You have to remember, though, he was my first lover, and to a part of me he'll always be that. For heaven's sake, Al, don't look so worried. I won't go all sentimental on you. I'll do what needs doing."
"Are you sure? It's not too late to back out."
"I am sure."
He studied her face for some hint of the future, and sighed.
"All right. I just need a word from you to get the machinery moving. Where do you want to go tomorrow?"