The killer limps into the connecting hallway between the two rooms of his apartment. His bedroom is in front, closest to the street. The kitchen is in back, and there is a tiny bathroom off the hall. The low-slung, shoe box-shaped apartment is built beneath the high side of Mother’s one-and-a-half-story house on South Saint Patrick Street.
The killer’s hip hurts, but the pain in his right knee is worse. He barely slept last night.
That fool and his Lucky Dog cart. The killer had barely taken two steps when he smashed into the cart. The pain wasn’t that bad at first, but by the time he reached Canal Street, he was hobbling.
In the medicine cabinet above the bathroom sink, he finds an old bottle of aspirin. He pops four into his mouth and gulps them down with two handfuls of water from the tap. As he closes the medicine cabinet, he stares at his reflection in the mirror and wonders about the hot-dog vendor.
How good of a look at me did he get?
Even if the Lucky Dog man couldn’t describe him, staying to watch the fire had been a mistake. Had he walked away, as he intended, the cop would not have noticed him. Which means he would not have had to run. Had he not run, he would not have slammed into the hot-dog cart.
No more mistakes, he promises himself.
He leaves the bathroom and limps into his bedroom. On the far side is a sliding glass door, the only entrance to his apartment. He pulls open the door and steps outside. The pain in his knee grows as he lurches to the end of the short driveway and stoops to pick up Mother’s newspaper. As he turns back, he shoots a glance at the concrete steps leading to the veranda that stretches across the front of Mother’s house, a house to which he-her only child-does not have a key.
He hurries back inside his apartment.
Sitting on the edge of his bed, he opens the newspaper and scans the headlines. There is nothing about the fire. At first, he is outraged. Then he realizes the fire was probably after the newspaper’s deadline.
The killer grabs the TV remote and switches on the television. He flips to Channel 15, which plays continuous rebroadcasts of the latest WWL-TV newscast. The fire is the lead story. The gray-haired male anchor, whose solemn face is buried beneath a thick layer of makeup, calls it the Inferno in the French Quarter.
“A six-alarm fire, which investigators are calling intentionally set, began about midnight last night in the French Quarter and killed as many as sixty people, according to fire and police officials.
“Witnesses say that within seconds, fire engulfed the Red Door Lounge on the top floor of a three-story building at the corner of Chartres and Iberville Streets. Patrons at the popular gay and lesbian nightspot who tried to escape the blaze found the fire exit chained shut, which made escape nearly impossible. About twenty people did manage to get out of the burning building by flinging themselves from windows or squeezing through the partially blocked fire exit.
“WWL’s Jim Hitchcock is on the scene. Jim, what can you tell us?”
The screen cuts to a reporter on the street, who prattles on about the devastating death toll and how shocked everyone is in the tight-knit French Quarter community, especially its gay and lesbian members.
It turns the killer’s stomach to see such fawning respect given to those abominations.
The camera shot widens and shifts slightly, showing the reporter on the right of the screen.
The killer is shocked to see that standing beside the reporter is the hot-dog vendor, his Lucky Dog cart visible in the background.
The news anchor’s voice cuts in. “In a WWL exclusive, reporter Jim Hitchcock is talking to a man who may have seen who started the fire at the Red Door Lounge, a fire that killed at least sixty people. Jim
…”
“Thanks, Bob,” the reporter says into the camera. “I’m here on Iberville Street at the scene of this deadly six-alarm fire with Frank Smith, a Lucky Dog vendor who works in the French Quarter and who says he saw a man running from the scene of the fire moments after it started.”
The reporter then turns to the man standing beside him in his distinctive red-and-white-striped shirt. “Mr. Smith, tell us what happened.”
Smith, if that is his real name, long-haired and tattooed, looks like an old biker. He swallows hard, then says, “I was pushing my cart up the street when I heard all the commotion-fire trucks, police sirens, lots of yelling and stuff. Then this guy came running from that direction and ran smack into my cart.”
“Can you describe the man you saw?” the reporter asks.
“I didn’t get too good a look at him, other than he was a white guy… Caucasian, I mean, probably in his thirties.”
“Have you told the police what you saw?” the reporter asks.
The hot-dog man shakes his head. “They haven’t asked me anything yet.”
The “ LIVE ” graphic in the top left corner of the screen means nothing, the killer knows, because what he is watching is a repeat of the 6:00 AM broadcast.
On the screen, the reporter turns back to the camera. “And there you have it, Bob, a devastating and deadly fire, the situation so chaotic that even this eyewitness hasn’t been able to tell investigators what he saw.”
The anchor thanks the reporter and they exchange some somber yet meaningless chitchat about the fire. Then, on cue, the anchor’s expression gives way to a smile as he transitions to a story about kids beating the dog days of summer at a nearby water park.
The killer thinks about what the hot-dog vendor said: I didn’t get too good a look at him, other than he was a white guy… Caucasian, I mean, probably in his thirties.
If that’s the best the Lucky Dog man can do, the killer knows he has nothing to worry about. As he heads to the shower, he thinks about the promise he made to the newspaper.
… a killing rampage the likes of which this city has never seen.
“What did you say?” Murphy asked.
“I think I saw who set the bar on fire,” the Lucky Dog man said again.
Murphy stared at him for several seconds. The hot-dog vendor got fidgety. He looked down and kicked the toe of a worn-out black sneaker into the sidewalk. Below the short sleeves of his red-and-white-striped shirt, both forearms were covered with tattoos.
“What’s your name?”
“Frank,” the man said.
“Frank what?”
“Smith.”
Murphy shook his head. “Try again.”
“Frank Jensen.”
“If I find out you’re lying I’ll put you in jail.”
The man raised his right hand like he was swearing in court. “Frank Jensen, that’s my real name, sir.”
“All right, Mr. Jensen, what did you see?”
“I’m pretty sure I seen the guy who started the fire.”
“Be specific.”
“Okay,” Jensen said. He pointed toward the corner of Iberville and Royal, where his Lucky Dog cart was parked on the sidewalk. “I was pushing my sled up from Canal, on my way over to Bourbon. Midnight till about four is usually my busiest time, what with all the drunks leaving the bars.”
Murphy made a hurry-up motion with his hand. He wasn’t interested in the ins and outs of the hot-dog-vending business.
Jensen gave a nod of understanding. “So as I’m coming up Royal, I seen a guy standing behind the edge of the building, kind of peeking around the corner. Then right before I get to Iberville, dude spins around and starts to jet off, but he runs into my cart and knocks me ass over teakettle.”
“When was this?”
Jensen held up his left hand. His fingernails were stained with mustard. “I don’t wear a watch.”
“Give me your best guess,” Murphy said.
The hot-dog vendor shrugged. “Probably midnight, maybe a little before.”
“Was the guy actually running, or did he just turn around and bump into you?”
“No, he was running, like he was trying to get away.”
“Was the building already burning?”
“Oh, yes, sir. I could see the flames over the rooftops.”
“Could he have been running to get away from the fire?” Murphy asked.