Deep among the plum and apple trees where the Judge couldn’t hear the incessant squall of children, and – before she died when her eldest child, Mark, was nine – the high pitched call of Rosamund his wife, he would work into the night. At last with reluctance, he had presented the doll’s house to two catarrhly bemused children whom he had expected to be semaphorically appreciative of his gift. His son’s reaction particularly enraged him. Mark walked around the butcher’s block on which the house was placed, his hands behind his back, the nonchalant pose actually a desperate demonstration that he recognised its significance. At last Mark had gleefully pointed out the clue. There was always a clue. The Judge didn’t approve of unfettered generosity so every present he gave them was a test. In each of the two playroom windows in the big house there were six bars giving the long wide room the oppressive air of a prison cell. But in the doll’s house playroom windows there was none.
Mark Ramsay never forgot the look of contemplative fury his father gave him for revealing his mistake. The Judge had not imagined the playroom with bars on the windows because he had avoided the room once his parents had made the gardener install them, thus making them pointless for the rest of his childhood as he was the only surviving child. Now his own son had unmasked his father’s apparent labour of love as a labour of atonement. Although only ten years old, Mark Ramsay knew utterly that an irrevocable severance had taken place. From that moment, until his own death, he was the Judge’s greatest champion. His defence reached evangelical fervour in the face of Isabel’s scorn.
Mark and Virginia could only play with the house under the Judge’s supervision; they did so with the highly tuned attention of bomb disposal experts. Soon they dreaded the sight of it standing on its grisly plinth in the playroom like a body on a slab.
Judge Ramsay had constructed each storey separately to slot into the frame of the house like a shelf into a fridge. He spent days reproducing the fretted stonework that hung like a web between octagonal pillars to recreate the geometric shadow on the wall of the actual house. The Ionic pillars supporting the pediment of the front porch were particularly hard to get right, and took him months. The front and back were effectively large doors, and he saw that his first idea of using hardboard was impractical, for it would quickly deteriorate with constant opening. In the end he chose pine, with fascias of oak where dark paint wouldn’t do. He became skilful on a lathe despite a discouraging start, which included severing an Ionic column in half along with the top of the middle finger of his left hand. One obituary incorrectly attributed this injury to a letter bomb sent by a relative of a man who had been hanged. Thus did myth become truth.
The Judge was most proud of the priest hole that ran from the minute study on the second floor to emerge behind a wood panel on the landing. It was operated by pushing a knob in the centre of a Tudor rose to the right of the mantelpiece exactly like its real counterpart. It comprised a tiny chamber behind the study wall with a narrow airless passage leading away from the study along to the landing. It had been particularly complex to construct, but after several weeks the Judge had achieved it. He didn’t tell Mark and Virginia. This well-kept secret was his big test. He hadn’t known of the existence of the priest hole until finding the plans. He would reward whoever discovered his clue.
If one of them did, they never confessed.
Until his son exposed his error of the windows without bars, the Judge had considered the plasterwork his one failure. Time was lost as he wrestled with tiny renditions of the intricate mouldings for the ceilings on the ground floor. Eventually he relented and commissioned a craftsman. He told no one that the work was not his own, but was given away by an obsessive commitment to administrative order. He had filed the invoice and Eleanor found it after his death. This was proof to her that Henry Ramsay wasn’t the great man Mark insisted he was. The Judge had lied. Isabel’s dislike of the Judge dated from before she met him, in jealous response to Mark’s uncritical devotion to ‘Henry’, which seemed far stronger than for herself. She rationalised her emotions into principle and on their visits to Charbury she would rashly engage the Judge in fierce arguments about capital punishment until Mark ushered her away. However, Mark assured Isabel she had misjudged the Judge. Mark explained to his family that the invoice had been the Judge’s clue.
Judge Ramsay left the White House and its replica to his son on his death. The Judge had used the White House as a country retreat for weekends and holidays. It was after the sudden death of his wife that he began work on the doll’s house. He told himself he was granting Rosamund her dying wish that he take good care of the children, but he knew he was building the house for his own reasons. Had she known of this promise, his daughter would not have considered it fulfilled.
Virginia Ramsay was astonished that her brother had forgotten the stolid meals round the dining table, the compulsory evening recitals of poems, the tiptoed silence that enabled the Judge to work in his study and his fury if one of them mentioned their dead mother. Once she was old enough to leave home, Virginia shunned all opportunities to return to the White House and only came back when she was old and could be sure that everything would be different.
Mark exorcised his father by whipping up a hectic family life involving dizzying sessions of charades, Scrabble, Monopoly, and Racing Demon, and long striding walks along the coast towards Brighton or up into the South Downs. He hated it when Isabel had a headache and the children had to be quiet, sneaking around like prisoners, careful not to slam doors, for then his childhood returned as if it had never gone away.
Mark Ramsay did not impose his father’s numbing laws of ‘playing with the house’ on his own children. Perhaps he unconsciously hoped it would disintegrate through hours of hectic attention. It did not. The outside grew as weathered as the original, paint peeled and the plasterwork under the eaves chipped and powdered, as each child made it their own.
At first Eleanor could only touch the house under Gina’s stern direction, occasionally being ordered to move a doll or a chair. She was never allowed to do any of the dolls’ voices, because Gina said she got them wrong. Now Gina, like her Aunt Ginny before her, thought the doll’s house stupid, and spent most of her time at the stables, or sticking horse posters up around her room and reading books in which horses featured heavily. Eleanor was frightened of horses, a secret only Gina knew, but had so far not made use of. So only a few months before meeting Alice, Eleanor became sole custodian of the doll’s house. She had taken possession with a flourish, installing her Matchbox cars in the bedrooms and initially interring the dolls in a shoebox, although she did later exhume them and give them minor parts.
The furniture had been copied from furniture still in the big house. The long green velvet sofa and rickety rocking chair were identical to ones in the living room. Only the table and chairs in the kitchen were from a shop, the originals lost or broken, even the tiny plates and cups were exact versions of the crockery piled in teetering towers in the church-like wooden unit in the kitchen.