Eleanor had traced the disgusting smell to a half eaten cat on the floor of what had been the kitchen. It nestled on terracotta tiles with coarse tufts of grass pushing between them. The lower half of the cat’s furry face was missing. As Eleanor knelt down, its eye sockets blinked and she tumbled backwards as a cloud of blowflies rose up around her. The carcass buzzed like a gigantic bee. A doctor’s daughter, she had meticulously examined the stiff matted body, poking into the dried fur with a stick, quite free of emotion. The floor was encrusted with oyster shells and tiny bones, coke tins, beer bottles, jagged bits of coloured plastic, cigarette ends and suspicious gobbets of tissue – several generations of rubbish that formed clues to lives long dead or now lived elsewhere.
Honeysuckle and goose grass grew up one wall forcing the remains of a window frame further from the brick. A low wall was all that was left of a row of workman’s cottages opposite the mill. Eleanor had run along the top, leaping over gaps for windows and doors. The cottage furthest from the sea, in the shelter of the granary wall, had survived. It was a Hansel and Gretel house with its little windows and low doorway. Someone, perhaps Bobby Charlton, had been in the front room. There were squashed triangular milk cartons and leathery banana skins all over the floor. The staircase was missing, so there was no way up. She heard skittering and scurrying as she crept inside. The glass had long gone from the windows. She thought of the house as a skull, a vacant home gaping out at the countryside. During that summer Eleanor had begun weeding, pulling at the stalks that thrust through cracks in the sun-baked flagstones. Her efforts at restoration were slow and haphazard. One evening she had picked out the prettiest weeds. Mrs Jackson had said that nothing was a weed if you liked it. It all depended where it grew. As Eleanor hopped and jumped along irregular railway sleepers in the track that used to run up to the Seaford and London line, she had paused to add scabious and red clover to a sweaty bunch of nodding dandelions and daisies to present to her Mum.
She had planted seeds at the back of the Mill House in a bit of soil she had cleared, unaware that a hundred years earlier a portly widower had taken as much pride in dahlias growing in the same spot. The next time she visited the ruins, Eleanor hurried to see if the seeds had sprouted and was greeted by a tangle of red and orange nasturtiums. She had never grown anything before and was ecstatic, but she had to keep quiet about it because she wasn’t meant to be there. Until Alice she had never shown anyone.
The tiny garden was her secret.
When Alice had seen the long thin mound with its straggling nasturtiums she had shuddered dramatically and pronounced it was like a grave. There was, she had crowed, absolutely no point in having flowers in the middle of rubbish. Also she had done nasturtiums at school. Whatever that meant.
Eleanor preferred the Tide Mills to anywhere because it was full of places to hide and make dens. She was never alone. As she sat on the worn front step of the cottage or trailed along the old railway line, she saw the shadows of what, until the extension of Newhaven harbour at the end of the nineteenth century, had been a thriving community of several hundred people.
Eleanor would hear the clanging bell warning of a train and then a fantastic silver locomotive would steam by, sneezing and puffing, with a handsome name like Alexander the Great or The Flying Horseman. There would be Summer Holiday trains, hammock racks bundled with suitcases and a rainbow jumble of beach things smelling of warm, soft plastic. The train would stop at the halt, with ‘Bongville’ painted in uneven sloping letters on a large concrete sign, breaking the country silence with a clattering of doors and bundling of cases, as the ticket barrier framed a parade of faces sporting a deathly London pallor.
Eleanor seldom reflected that she invented the most exciting bits of her life. The whimsical world in her head was real, the life she lived a dull perseverance in comparison. When Alice had insisted she was lying, Eleanor hadn’t understood.
Eleanor had in fact rarely been on a train. In June 1968, Doctor Ramsay drove his family down to Sussex in his brand new racing green Rover, which Alice had said made her feel sick when he had brought them home from the swings the second time they played together.
Until that June, when everything changed, the Ramsays had spent every holiday at the White House, a three-storey detached house fronted by a sweeping circular drive that was reached by entering through two huge wrought iron gates. The house had been built by Eleanor’s great-great-grandfather with money her mother said he got through slavery, just as Mark’s father, Judge Henry Ramsay, whose scary portrait hung in the chilly dining room at the White House, had made his money through hanging people. That made her Dad go on about how James Ramsay was rich because of his share in the Tide Mills and investment in Newhaven harbour and that Henry (he always referred to his father by his first name) had wanted to create a better world through the rule of law. The children would sigh and exchange looks because the history lesson about James Ramsay and the stained-glass-lamb-window in the church was coming next. To make the story friendly, Doctor Ramsay’s youngest daughter pictured James Ramsay as a white woolly lamb with her cat Crawford’s fluffy front paws.
This year seagulls had splattered the outside walls of the only remaining cottage at the Tide Mills with gashes of berry-red and scattered fluffy feathers on the rubbled floor, which had also made Alice feel sick. Fat pigeons jostled and clattered in the larder of the cottage, their wistful voices amplified in the enclosed space. Gorse and blackberry bushes, nettles and dandelions made it hard to walk along the pathways between the buildings. Lichen and moss had moved like a tide over the worn stone, which peeped out like bone through tissue in places where the ground dipped away. Once, ferreting in the undergrowth, Eleanor had discovered an iron key as big as her hand and, easing and tugging at it with a patience no one knew she possessed, had got it out from between the stones without disturbing the tiled floor of the Mill Owner’s hallway. It fitted the rusted lock of the outhouse door, but would not turn. She put it in her Box of Secrets.
The Box of Secrets came from South Africa, and was an unwanted present to her mother. The cedarwood was always warm and smelled of Saturday mornings perched on her Mum’s bed listening to snippets from Vogue or Nova and examining pictures of beautiful women. This image greeted Eleanor as she slipped the gold catch and opened the lid, and cheered her whatever her mood.
The secrets included three train tickets found in the waste paper basket in her father’s study, an ivory compact still with traces of rouge that had been given to her by an actress friend of her parents. A Victorian Bun penny, two farthings and the sixpence from the Tide Mills were wrapped in tissue paper and kept in a soft leather bag with a drawstring. Tucked in next to this was a silver case shaped like a plump cushion. It was lined with a nest of red velvet on which rested a tuft of grey fur from her rabbit, killed and mostly eaten up by a neighbour’s cat when Eleanor was seven. She had snipped off the fur from the leftovers. After this Eleanor promised herself never to mind things again.
Eleanor acquired her most cherished treasure a few days before meeting Alice. The brand new penknife had a sharp blade, and a fan of gleaming tools. She had stolen it from the gun shop where they had gone to buy a new riding hat for Gina. Eleanor had not known she was going to take the knife. Her hand whipped out when the man went to get more hats from the stock room. Once she held it, cold and heavy, she could not put it back. No one was looking as she slipped it into her pocket. Eleanor believed that the knife made her capable of anything.