She could see it happening all over again through the dark huddle of the trees. Night cloaked the deep woods, and on the slopes of the park, over by the toboggan slide, Fourth of July fireworks were exploding in a shower of bright colours and deep booms. The white oak that had imprisoned the maentwrog was in shreds, and the maentwrog itself was turned to ash. John Ross lay motionless upon the charred earth, damaged and exhausted. Nest faced her father, who approached with hand outstretched and
soothing, persuasive words. You belong to me. You are my blood. You are my life.
And Wraith, come out of the night like an express train exploding free of a mountain tunnel …
She was fourteen when she learned the truth about her father. And her family. And herself. Wraith had stayed as her protector afterward, a shadowy presence in the park, showing himself only occasionally as the next few years passed, but always when the feeders came too close. Now and then she would think that he seemed less substantive than she remembered, less solid when he loomed out of the darkness. But that seemed silly.
However, as she neared her eighteenth birthday, Wraith turned pale and then ethereal and finally disappeared completely. It happened quickly. One day he was just as he had always been, his thick body massive and bristling, his grey and black tiger–stripe facial markings wicked and menacing. and the next he was fading away. Like the ghost he had always seemed, but finally become.
The last time she saw him, she was walking the park at sunset, and he had appeared unexpectedly from the shadows. He was already so insubstantial she could see right through him. She stopped, and he walked right up to her, passing so cease that she felt his rough coat brush against her. She blinked in surprise at the unexpected contact, and when she turned to follow him, he was already gone,
She hadn't seen him since. Neither had Pick. That was almost a year and a half ago.
`Where do you think he's gone:' she asked quietly.
Pick, riding her shoulder in silence, shrugged. `Can't say'
`He was disappearing though, there at the- end, wasn't he?'
`It looked that way, sure enough:
`So maybe he was all used up:
'Maybe'
`Except you told me magic never gets used up. You told me it works like energy; it becomes transformed. So if Wraith was transformed, what was he transformed into?'
`Criminy, Nest!'
`Have you noticed anything different about the park?'
The sylvan tugged at his beard, `No, nothing:
`So where did he go then?'
Pick wheeled on her. '`you know what? It you spent a little more time helping me out around here, maybe you could answer the question far yourself instead of pestering me! Now turn down here and head for the riverbank and stop asking me stuff!'
She did as he asked, still pondering the mystery of Wraith, thinking that maybe because she was grown up and Wraith had served his purpose, he had reverted to whatever form he had occupied before he was created to be her protector. Yes, maybe that was it.
But her doubts lingered.
She reached the riverbank and stopped. The bayou spread out before her, a body of water dammed up behind the levy on which the railroad tracks had been built to carry the freight trains west out of Chicago. Reeds and cattails grew in thick clumps along the edges of the water, and shallow inlets that eroded the riverbank were filmed with stagnation and debris. There was little movement in the water, the swift current of the Rock River absent here.
She looked down at Pick. `Now what?'
He gestured to her right without speaking.
She turned and found herself staring right at the tatterdemalion. She had seen only a handful in her life, and then just for a few seconds each time, but she knew this one for what it was right away. It stood less than a dozen yards away, slight and ephemeral in the pale autumn light. Diaphanous clothing and silky hair trailed from its body and limbs in wispy strands, as if on the verge of being carried off by the wind. The tatterdemalion's features were childlike and haunted. This one was a girl. Her eyes were depthless in dark–ringed sockets and her rosebud mouth pinched against her sunken face. Her skin was the colour and texture of parchment. She might have been a runaway who had not eaten in days and was still terrified of what she had left behind. She had that look. But tatterdemalions were nothing of the sort. They weren't really children at all, let alone runaways. They weren't even human.
Are you Nest Freemark?' this one asked in her soft, lilting childlike voice.
`I am; Nest answered, risking a quick glance down at Pick. The sylvan was mired in the deepest frown she had ever seen on him and was hunched forward on her shoulder in a combative stance. She had a sudden, inescapable premonition he was trying to protect her.
`My name is Ariel; said the tatterdemalion. `I have a message for you from the Lady'
Nest's throat went dry. She knew who the Lady was. The Lady was the Voice of the Word.
'I have been sent to tell you of John Ross,' Ariel said.
Of course. John Ross. She had thought of him earlier that morning for the first rime in weeks. She pictured him anew, enigmatic and resourceful, a mix of light and dark, gone from Hopewell five years earlier in the wake of her father's destruction, gone out of her life. Maybe she had inadvertently wished him back into it. Maybe that was why the mention of him seemed somehow inevitable.
`John Ross,' she repeated, as if the words would make of his memory something more substantial.
Ariel stood motionless in a mix of shadow and sunlight, as if pinned like a butterfly to a board. When she spoke, her voice was reed–thin and faintly musical, filled with the sound of the wind rising off trees heavy with new leaves.
`He has fallen from grace; she said to Nest Freemark, and the dark ayes bore into her. `Listen, and I will tell you what has become of him.'
CHAPTER 4
As with almost everything since John Ross had become a Knight of the Word, his disintegration began with a dream.
His dreams were always of the future, a future grim and horrific, one where the balance of magic had shifted so dramatically that civilisation was on the verge of extinction. The Void had gained ascendancy over the Word, good had lost the eternal struggle against evil, and humanity had become a pathetic shadow of the brilliant ideal it had once approached. Men were reduced to hunters and hunted, the former led by demons and driven by feeders, the latter banded together in fortress cities and scattered outposts in a landscape fallen into ruin and neglect. Once–men and their prey, they were born of the same flesh, but changed by the separate and divisive moral codes they had embraced and by the indelible patterns of their lives. It had taken more than a decade, but in the end governments had toppled, nations had collapsed, armies had broken into pieces, and peoples world–wide had reverted to a savagery that had not been in evidence since well before the birth of Christ.
The dreams were given to John Ross for a purpose. It was the mission of a Knight of the Word to change the course of history. The dreams were a reminder of what the future would be like if he failed. The dreams were also a means of discovering pivotal events that might be altered by the Knight on waking. John Ross had learned something of the dreams over time. The dreams always revealed events that would occur, usually within a matter of months. The events were always instigated by men and women who had fallen under the sway of the demons who served the Void. And the men and women who would perpetrate the monstrous acts that would alter in varying, cumulative ways the direction in which humanity drifted could always be tracked down.