Then there was Erich. And Dash. And Edith. All good stories to tell. To make it easier for myself, my first draft was written exactly as I remembered things, using their real names and using my own. The plan was to write about a person with absolutely no conscience, someone who would use anyone to get ahead, an operator on the very highest level. And then, when my first draft was written, I would get down to the real work. Change the names, of course, and draw much wider distinctions between myself and the characters’ real-life counterparts. Also, I had decided that my protagonist would not be an aspiring writer but an actor. Erich and Dash would be great men of the theatre, Edith an ingénue. I had a lovely idea for a section where I and my Dash recreations would spend a night at the home of Laurence Olivier and Joan Plowright, where Olivier, wily old fox that he was, would be the only person who had ever seen through me. I was certain that Gore would appreciate the comparison with perhaps the most handsome and talented actor ever to appear on screen. I had written several drafts of that section and it was my favourite by far because I’d always thought that, if Gore had simply taken the time to get to know me, then we might have got along. It was a shame, I thought, that he was no longer alive to read it.
That day had also been a Saturday, and Daniel had been in a grouchy mood all morning, which I put down to the fact that he was thirteen and was entering puberty. He’d been quite annoying of late and I was starting to dread the two or three years that lay ahead.
I’d gone out that afternoon to the Storī offices to catch up on some work and then, not relishing the idea of returning home to a moody teenager, had gone to the Angelika for a screening of Midnight in Paris. It had left me in a good mood, and when I got off the subway on my way home, I stopped at a local take-away and picked up some food. His favourite restaurant, I might add, not mine.
When I returned home, however, I was surprised to realize that the apartment was empty. It was designed in such a way that Daniel’s bedroom was at one end, near the front door, while mine, and my office, was at the other, the two wings separated by a communal living space and kitchen. I opened the door to his room, but he wasn’t there and, as he wasn’t lying on the sofa reading or watching television, I assumed that he’d gone out. Perhaps one of his friends had called around and they’d gone to the movies or to wherever boys his age went when there were no adults around to tell them no. I generally didn’t ask too many questions. Daniel, after all, was quite responsible and, because of that, I was content to allow him his freedom.
It was only after I put the food in the refrigerator for reheating later and returned to the living room that I heard noises coming from the other end of the apartment. Daniel rarely went down there so I was immediately surprised and a little anxious. I walked down the corridor, opened the door to my office and, to my surprise, discovered my son sitting at my computer. I don’t think I’d ever seen him there before, as he knew that he was expressly forbidden from using it.
‘What are you doing?’ I asked.
He didn’t reply, nor did he turn around. His attention was entirely fixed on the screen before him and only when I repeated my question did he slowly turn to look at me. His expression was one I had never seen on his face before, a mixture of disillusionment, fear and hatred.
‘I’ve told you before, Daniel,’ I said, slightly disconcerted by this, and I could hear in my voice that I did not sound as stern as I had hoped. ‘My office is out of bounds at all times and no exceptions. You have your own computer. Use it.’
‘It’s broken,’ he said, and his tone was rather flat, as if he could barely bring himself to respond to me. ‘I dropped it earlier and it’s not working.’
‘Then we’ll get it fixed,’ I said. ‘Or we can get you a new one on Monday. But don’t use mine, all right? That’s my work computer. I don’t like people messing with it.’
He stared at me for a long time and, despite the fact that he was only thirteen, I couldn’t help but feel that I was the child in this situation.
‘Was Edith my mother?’ he asked finally, and I hesitated, like a chess player calculating a few steps ahead, wondering how he would respond to any reply of mine, and what I would say to him then, and how he would react to that. I turned my attention to the screen before him. A Word document was open but I couldn’t make out which one.
‘Where did you hear that name?’ I asked, and it crossed my mind that I had never talked to him about my marriage. There seemed no reason to, after all, for Edith was already dead before I even met the Italian chambermaid. All Daniel had ever known was he and I, and there had seemed little point in dragging up the past.
‘I read your book,’ he said. ‘The first section, anyway. Everything you’ve written about your life.’
His voice came in quick gasps; he was obviously upset, and he reached for the Ventolin inhaler on the desk before him and took a quick puff to decongest his lungs.
‘Edith wasn’t your mother,’ I said.
‘But you were married to her. It says so here.’ He pointed in the direction of the open file.
‘She was my wife, yes, but she wasn’t your mother. She died a few years before you were born. She had nothing to do with you at all.’
‘It says here that you killed her,’ he said, his voice filling with emotion, tears starting to fall down his face, and he took another quick puff from his inhaler. His words were coming in staccato rhythm, the syllables broken up between gasps.
‘It’s just a novel, Daniel,’ I said, moving towards him. ‘It’s not the truth. You know the difference between fiction and real life, right?’
‘But you use your name,’ he insisted, raising his voice now. ‘It’s all Maurice this and Maurice that. And you talk about Two Germans. And I looked up Edith Camberley on the Internet and it says that she wrote a book too. And this Erich person,’ he continued. ‘I read that file too. And another man.’ He swallowed, looking half embarrassed and half horrified. ‘Did you have sex with men? Are you gay?’
‘What do you know about sex?’ I asked, trying to laugh it off.
‘You’ve written that you killed her,’ he said, turning and sliding his finger along the top of the mouse, dragging the screen back to the part where I described our year in Norwich, when I had felt like Edith’s eunuch. ‘It says that you pushed her down the stairs.’
‘Don’t be ridiculous,’ I said, trying to keep control of my temper. I could see that he was getting more upset now too. His breath was growing even shorter in his throat and I knew from experience that when he got so worked up he needed more and more of his Ventolin. ‘She lost her footing, that’s all. And she fell. It was an accident.’
‘You write that you pushed her. She found out that you’d copied her book and sold it as your own and—’
‘It’s a novel, Daniel,’ I insisted. ‘Nothing more. For Christ’s sake!’
‘It’s not!’ he cried, and the tears were rolling down his face now, his words difficult to understand. ‘I’ve read all of it. I’ve read everything you’ve written here. You didn’t even write any of your own books. You stole them all!’
‘That’s not true,’ I said, starting to feel panicked now, for I’d never seen him so upset, nor had I ever found myself so close to discovery. ‘I wrote every word.’
‘But they weren’t your ideas! You’re a liar!’
‘I’m not,’ I told him. ‘Look, you shouldn’t even be in here. You’ve broken into my private computer and—’