But the owner of the smudgy face and the wide-open eyes evidently was afraid that she ought not to have been caught looking at pupils of importance. She dodged out of sight like a jack-in-the-box and scurried back into the kitchen, disappearing so suddenly that if she had not been such a poor little forlorn thing, Sara would have laughed in spite of herself[87]. That very evening, as Sara was sitting in the midst of a group of listeners in a corner of the schoolroom telling one of her stories, the very same figure timidly entered the room, carrying a coal box much too heavy for her, and knelt down upon the hearth rug to replenish the fire and sweep up the ashes.
She was cleaner than she had been when she peeped through the area railings, but she looked just as frightened. She was evidently afraid to look at the children or seem to be listening. She put on pieces of coal cautiously with her fingers so that she might make no disturbing noise, and she swept about the fire irons very softly. But Sara saw in two minutes that she was deeply interested in what was going on, and that she was doing her work slowly in the hope of catching a word here and there. And realizing this, she raised her voice and spoke more clearly.
“The Mermaids swam softly about in the crystal-green water, and dragged after them a fishing-net woven of deep-sea pearls,” she said. “The Princess sat on the white rock and watched them.”
It was a wonderful story about a princess who was loved by a Prince Merman, and went to live with him in shining caves under the sea.
The small drudge before the grate swept the hearth once and then swept it again. Having done it twice, she did it three times; and, as she was doing it the third time, the sound of the story so lured her to listen that she fell under the spell[88] and actually forgot that she had no right to listen at all, and also forgot everything else. She sat down upon her heels as she knelt on the hearth rug, and the brush hung idly in her fingers. The voice of the storyteller went on and drew her with it into winding grottos under the sea, glowing with soft, clear blue light, and paved with pure golden sands. Strange sea flowers and grasses waved about her, and far away faint singing and music echoed.
The hearth brush fell from the work-roughened hand, and Lavinia Herbert looked round.
“That girl has been listening,” she said.
The culprit snatched up her brush, and scrambled to her feet. She caught at the coal box and simply scuttled out of the room like a frightened rabbit.
Sara felt rather hot-tempered.[89]
“I knew she was listening,” she said. “Why shouldn’t she?”
Lavinia tossed her head with great elegance.
“Well,” she remarked, “I do not know whether your mamma would like you to tell stories to servant girls, but I know MY mamma wouldn’t like ME to do it.”
“My mamma!” said Sara, looking odd. “I don’t believe she would mind in the least. She knows that stories belong to everybody.”
“I thought,” retorted Lavinia, in severe recollection[90], “that your mamma was dead. How can she know things?”
“Do you think she DOESN’T know things?” said Sara, in her stern little voice. Sometimes she had a rather stern little voice.
“Sara’s mamma knows everything,” piped in Lottie. “So does my mamma – ’cept[91] Sara is my mamma at Miss Minchin’s – my other one knows everything. The streets are shining, and there are fields and fields of lilies, and everybody gathers them. Sara tells me when she puts me to bed.”
“You wicked thing[92],” said Lavinia, turning on Sara; “making fairy stories about heaven.”
“There are much more splendid stories in Revelation[93],” returned Sara. “Just look and see! How do you know mine are fairy stories? But I can tell you” – with a fine bit of unheavenly temper – “you will never find out whether they are or not if you’re not kinder to people than you are now. Come along, Lottie.” And she marched out of the room, rather hoping that she might see the little servant again somewhere, but she found no trace of her when she got into the hall.
“Who is that little girl who makes the fires?” she asked Mariette that night.
Mariette broke forth into a flow of description.
Ah, indeed, Mademoiselle Sara might well ask. She was a forlorn little thing who had just taken the place of scullery maid – though, as to being scullery maid, she was everything else besides. She blacked boots and grates, and carried heavy coal-scuttles up and down stairs, and scrubbed floors and cleaned windows, and was ordered about by everybody. She was fourteen years old, but was so stunted in growth that she looked about twelve. In truth, Mariette was sorry for her. She was so timid that if one chanced to speak to her it appeared as if her poor, frightened eyes would jump out of her head.
“What is her name?” asked Sara, who had sat by the table, with her chin on her hands, as she listened absorbedly to the recital[94].
Her name was Becky. Mariette heard everyone below-stairs calling, “Becky, do this,” and “Becky, do that,” every five minutes in the day.
Sara sat and looked into the fire, reflecting on Becky[95] for some time after Mariette left her. She made up a story of which Becky was the ill-used heroine.[96] She thought she looked as if she had never had quite enough to eat. Her very eyes were hungry. She hoped she should see her again, but though she caught sight of her carrying things up or down stairs on several occasions, she always seemed in such a hurry and so afraid of being seen that it was impossible to speak to her.
But a few weeks later, on another foggy afternoon, when she entered her sitting room she found herself confronting a rather pathetic picture. In her own special and pet easy-chair before the bright fire, Becky – with a coal smudge on her nose and several on her apron, with her poor little cap hanging half off her head, and an empty coal box on the floor near her – sat fast asleep, tired out beyond even the endurance of her hard-working young body[97]. She had been sent up to put the bedrooms in order for the evening. There were a great many of them, and she had been running about all day. Sara’s rooms she had saved until the last. They were not like the other rooms, which were plain and bare. Ordinary pupils were expected to be satisfied with mere necessaries. Sara’s comfortable sitting room seemed a bower of luxury to the scullery maid, though it was, in fact, merely a nice, bright little room. But there were pictures and books in it, and curious things from India; there was a sofa and the low, soft chair; Emily sat in a chair of her own, with the air of a presiding goddess[98], and there was always a glowing fire and a polished grate. Becky saved it until the end of her afternoon’s work, because it rested her to go into it, and she always hoped to snatch a few minutes to sit down in the soft chair and look about her, and think about the wonderful good fortune of the child who owned such surroundings and who went out on the cold days in beautiful hats and coats one tried to catch a glimpse of through the area railing.
On this afternoon, when she had sat down, the sensation of relief to her short, aching legs had been so wonderful and delightful that it had seemed to soothe her whole body[99], and the glow of warmth and comfort from the fire had crept over her like a spell, until, as she looked at the red coals, a tired, slow smile stole over her smudged face, her head nodded forward without her being aware of it, her eyes drooped, and she fell fast asleep. She had really been only about ten minutes in the room when Sara entered, but she was in as deep a sleep as if she had been, like the Sleeping Beauty, slumbering for a hundred years. But she did not look – poor Becky – like a Sleeping Beauty at all. She looked only like an ugly, stunted, worn-out little scullery drudge.
87
if she had not been such a poor little forlorn thing, Sara would have laughed in spite of herself – если бы она не была столь бедным, заброшенным существом, Сара, сама того не желая, посмеялась бы над ней
88
the sound of the story so lured her to listen that she fell under the spell – сказка так заворожила ее, что, очарованная ею…
96
She made up a story of which Becky was the ill-used heroine. – Она придумала историю, где Бекки была героиней, которую все обижали.
97
tired out beyond even the endurance of her hard-working young body – измученная, несмотря на выносливость молодости, непосильным трудом
99
the sensation of relief to her short, aching legs had been so wonderful and delightful that it had seemed to soothe her whole body – отдых для ее коротких, ноющих от усталости ног заставил расслабиться все ее тело