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I consulted my notebook. “Half a pound of sea salt, six unmatched candles—preferably ones that have been burned before—juniper berries, a mandrake root, and some raven’s feathers.” It sounded like I was getting ready for a supernatural Girl Scout Jamboree.

“Oh.” He considered. “There’s sea salt in the kitchen, and about a dozen candles in the earthquake preparedness kit.” Most California fae keep earthquake kits. Immortality’s not that useful when the earth opens up and swallows you whole.

“Really? That helps.”

“Hold on . . .” Elliot pinched the bridge of his nose. “Do they need to be feathers from a real raven, or will skin-shifter feathers do?”

I paused. Selkies are the most common breed of skin-shifter, but there are others, including the Raven-men and Raven-maids. “I can’t tell the difference,” I said, finally, “so they should work.”

“Our last receptionist was a Raven- maid, and she left a lot of feathers in her desk. They should be in the storage closet in front.”

I looked at him quizzically, but it was Quentin who asked, “Do you people ever throw anything away?”

Elliot shrugged. “Not really.”

“That’s everything but the juniper berries and the mandrake root,” I said. “Is there an herbal specialty shop or a New Age supply store near here?”

“I didn’t see one,” Quentin said.

Elliot looked at us for a moment, expression unreadable, and then turned to the door. “Come with me.” Quentin and I followed, exchanging a bemused look.

We walked through a series of short hallways, stopping at a row of dark, closed offices. The nearest was marked with a small brass nameplate reading “Y. Hyouden.” I glanced at Elliot. “This is Yui’s office,” I said. “We couldn’t find it earlier. We were looking.”

“It’s hard to get here if you don’t know the way,” he said, pressing his palm against the door. “She liked her privacy.”

“Jan mentioned that. She said you could lead me here.”

“And I have,” he said, voice soft.

“Why are we here?” Quentin asked. “I mean, other than the hunting for clues part.”

“Because she always said she could stock an occult store out of her desk.” Elliot closed his hand into a fist, leaving it against the door. “She was so smart . . . but she couldn’t stop whatever it was that took her away.” His voice was full of raw, angry longing.

I blinked, startled. I shouldn’t have been: in any community as insular as ALH, some ties would be bound to run deeper than “coworkers.” “Elliot?” I said. “Are you all right?”

“We were going to be married this fall,” he said, like I hadn’t spoken. “We were waiting for the leaves to turn. She wanted . . . she wanted to be married when the world was on fire.”

The blows just keep coming. “I’m sorry.” The words weren’t enough. Words are never enough.

“It doesn’t matter. She’s gone, and you’re going to find out who took her from me.” He shrugged and opened the door, motioning us inside. I studied him, and then nodded, walking into the room. Quentin followed a few steps behind me, and Elliot brought up the rear, turning on the lights as he came.

Quentin stopped as the lights came on, eyes widening. “Neat . . .”

The office wasneat, in an eclectic sort of way. It was decorated in a mix of “modern electronics” and “traditional Japanese,” with red walls and soft lighting. The computer was on a raised platform surrounded by cushions, and a more standard drafting desk with deep, wide drawers was centered on one wall. Framed prints occupied three of the four walls; the fourth was dominated by a corkboard covered in glossy photographs.

“Toby, look,” said Quentin, pointing toward the photo at the center of the display. It was the largest picture there, obviously situated in a place of honor, surrounded by smaller, more careless snapshots.

“I see it,” I said, glancing toward Elliot. The picture showed him with Yui, dressed in summer clothes, smiling at the camera. He had one arm around her waist. Both of them were shining with that perfect, fragile happiness strong men have died trying to achieve; a happiness that was gone now. I think it must be worse to find it and lose it again than never to find it at all. Elliot walked over to stand in front of the picture, eyes filling with quiet tears. If it were up to me, I’d have let him do his mourning in peace. Unfortunately, the Luidaeg’s instructions were precise, and we were on a time limit. “Elliot . . .”

“Check the desk,” he said, not taking his eyes away from the photograph.

I doknow how to take a hint. I walked over to the desk and opened the left- hand drawers. Quentin followed, doing the same on the right. Peering inside, I let out a long, low whistle. “Wow.”

Yui wasn’t exaggerating when she said she could stock an occult supply store with the contents of her office. The drawers were packed with jars, bottles, and packets of herbs, wedged alongside bundles of feathers, dried flowers, and stranger things—all the necessities of life. I started to rummage. “Quentin, find the juniper berries.”

“What will they look like?”

“Dark purple pebbles. Sort of leathery.”

“Got it.”

The mandrake was in the second drawer I checked. I slid it into my pocket, shuddering as I felt the power leaking through its white silk covering. It had been gathered properly, wrested from the ground beneath a full moon; that was the only explanation for the way it was radiating strength. The preparation meant that it would work better, and more reliably . . . but I still didn’t like it. Mandrakes are used for the creation of doubles and Doppelgangers. They’re tools for people darker and creepier than I’ve ever wanted to be, but the Luidaeg had made it clear that there were no substitutions allowed.

I was just glad Yui’s mandrake was an infant, barely six inches long; I could never have handled a three foot long adult. It would have been too much for me and might have seized control of the casting. Letting a mandrake root take control of a blood magic ritual is a quick and easy way to die. Quick and easy; not painless.

“I’ve got the juniper berries,” Quentin said, holding up a glass jar.

“And I’ve got the mandrake. Elliot?”

“What?” he asked, finally looking away from the picture.

“You said you had feathers?” I continued to look through the drawers as I spoke, taking note of their contents. Many Kitsune are herbal alchemists, using plants and minerals to strengthen their magic. Some of the things Yui had were powerful, like the mandrake, but none of it was suspicious; it was just a Kitsune’s tool kit, designed to let her work her magic with as little effort as possible.

“Yes—I’ll send them with April after I’ve checked with Jan and arranged for the flowers. What are you doing?”

“Checking the office,” I said, and closed the desk drawers, moving to the drafting table. Elliot stared at me, dismayed. I sighed. “We’ve searched the offices of all the other victims, Elliot. I’m sorry about Yui, I really am, but we still need to do our jobs.”

“I . . . understand,” he said slowly, and leaned against the wall, tugging his beard. “Please, continue.”

“We’ll be as quick as we can,” I promised, and pointed to the prints on the walls. Quentin nodded, moving to start taking them down and checking the backs for hidden papers. I concentrated first on the drafting table, then on the computer and the cushions on the floor around it, turning things over and looking beneath them, hoping for another find like Barbara’s office, and half-dreading it at the same time—I did notwant to be the one to tell Elliot that his fiancée had sold them out.

Fortunately for my sanity, I didn’t have to. We searched for twenty minutes and found nothing but a stack of half-completed projects, some technical manuals, and a book of handwritten sonnets that we surrendered to Elliot without thinking twice. Eventually, we admitted defeat, and I moved toward the door.

“There’s nothing here. Quentin, come on.”

“Can you find your way back without me?” Elliot asked. I could hear the promise of tears in his voice.