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It did not strike me as high adventure. It did not really strike me as anything at all. I was distinctly disappointed. I began to wish that Joe would haul on the sash cord tied to my ankle and get me out. Of course I could have walked off in the mist to see if it was different anywhere else, but I had an innate conviction that I'd better stay where I was. At that point I was very calm, Charles. Extremely calm. But as minute after minute passed by and absolutely nothing happened, I began to sweat slightly.

I endured it as long as I could, and then I bent down and picked up the sash cord tied to my leg. I waggled it, as a signal to Joe to pull me out of wherever I was, if anywhere. He did not respond. I pulled on the cord, to stretch it taut so Joe would recognize that it was time for him to do something practical.

It didn't get taut. Because here, my dear Charles, I was faced with a small error of judgment on my own part. But it was an error over which I shall rejoice forever. It was an inspired fuzzy-mindedness which brought about the rest. When Joe and I were preparing for me to vanish in a puce-colored mist, Charles, Joe had prepared to fasten the sash cord to my belt. It was not an especially sound idea, but I bless him for it. At the time, though, I'd protested. I'd cut off a length of sash cord to tie to my ankle. To my ankle I tied it. Firmly. This, I considered, was my lifeline. This was the cord I thought I'd seen Joe tie to a steam-radiator. But he'd tied the other cord instead—and somehow I did not notice. It was an error on my part, and a singularly happy one.

But not at the moment. I hauled on the cord from my ankle instead of the one fastened—I didn't know how inadequately—to my belt. The rope from my ankle was fastened only there. The other end came unresistingly as I pulled. The cut-off place came into the brownish-purple mist with me. And when I saw it, I knew a moment of such anguish as I would not wish even on you, my erstwhile rival and great-etc. Every hair on my head stood on end and cracked like a whiplash. My eyes bugged out. I was in a place that can only be described as nowhere. I wanted to get out. But I'd pulled into the hole with me what I thought was my only link to a world of schoolteachers, alcoholic cats and—Joe.

I felt a pure, hysterical aversion to the end of that cord. I hadn't meant to pull it to where Joe couldn't yank it back. I had. I had a frenzied impulse to return it to him. So I threw that cord hysterically away from me, into the puce-colored mist

And it tickled you on the back of your neck.

This is the crucial moment, Charles. When you and Laki and Stan and Hari and of course Ginny stand in your cellar rumpus room, everybody will have read this narrative. But you, Charles, will be savagely determined to prove it sheer nonsense. And your friends have often displayed what you consider peculiar ideas of humor. When you have pointed out the conspicuous absence of anybody from an earlier age in the room, and are pointing out triumphantly to them that this story is all eyewash and that your great-great-etc.-grandfather is not going to visit you that morning from fourteen centuries previous. When you have done all that, Charles, the rope will tickle the back of your neck.

You will whirl. You will see an unfamiliar type of cordage in mid-air. You will suspect Hari and Stan of a practical joke. Your face will turn purple and you will yank at the rope, while you howl that it is all blank-blank foolishness.

And at that moment I will fall on your head out of the thin air above you, and wind up sitting on your stomach as you flop on the floor. Nearly the only gratitude I feel toward you, Charles, is for breaking my fall in that way. I might have bumped myself in a six-foot fall for which I was—will be—unprepared. Doubtless this would be an appropriate place to speculate on why, when I pulled a piece of sash cord from the twentieth century and heaved it from me in horror, it should tickle your neck in the thirty-fourth century. But I admit candidly that I haven't any ideas on the subject. Professor Hadley's inadvertent time-transporter worked that way. I'm going to let it go at that.

I sat up and gazed blankly at you. You thought I was a practical joker, hired or persuaded to play a part. You panted at me. And I was a bit embarrassed. You weren't Joe, whom I'd hoped would pull me out of nowhere. You were a stranger to me then. You were a red-faced, rather foolish-looking stranger, drawing in your breath to swear.

So I said politely, "Doctor Livingstone, I presume?"

To you this was further evidence of a put-up job. You heaved up mightily, gasping. I got off your stomach and tried to help you up with proper courtesy. But you swung wildly, connected, and I went banging into the wall. Then, your great-great-etc.-grandmother tells me indignantly, you grabbed a chair and prepared to commit mayhem on me. Hardly the way to treat a distinguished progenitor, Charles, let me tell you.

This was the first moment when your great-and-so-on-grandmother felt really certain you were not the gentle soul she had hoped. Moreover, knowing that I was destined to woo and win her, she forestalled any hindrance to her tender dreamings by swinging on you with a hartlegame bat from the rumpus-room equipment nearby. And when you collapsed, she, with the fine competence of which small and beautiful women are capable in emergencies, discovered a piece of sash cord fastened to my belt in the back, untied it, and deftly knotted it to a piece of furniture for later reference.

Here, perhaps, my letter to you could end. The other events in your rumpus-room, your time, your historical period, followed an absolutely inevitable pattern.

Laki screamed piercingly. Your father heard, and came rushing with a first-aid kit. He arrived to view Ginny—bless her—standing embattled above me with the hartlegame bat in her hand and blood in her eye. You were collapsed on the floor.

Your father gasped: "Wha—what—"

And Ginny said in a level and determined tone, "He's Charles's fifty-second-great-grandfather, sir, and Charles hit him. It wasn't respectful—so I clobbered him."

The word "clobbered" is not in thirty-fourth century common speech. Ginny had learned it from the reading of this missive to you. She had not known what it meant, but when the emergency arrived she not only knew what to do, but had the word for it. Your great-great-great-etc.-ancestress is a remarkable woman, Charles! She has brains, determination, intuition, clarity of thought, and she is deliciously cuddlesome besides. Even after having been married to her for a considerable time, I like her very, very much!

"What's that?" demanded your father dazedly. "Great-great—"

Hari and Stan tried to explain, together. I opened my eyes and saw Ginny. My last previous view had been of a hamlike fist gaining momentum before my nose. Ginny was a welcome change. I sat up, staring at her. My mouth dropped open.

I heard myself saying earnestly: "Look, angel! It's not true there's no marrying in Heaven, is it? With you around that would be a dirty trick."

And Ginny kissed me. It was quite proper. She had read this letter, and she knew that she was going to marry me—knew it in fact the instant she saw me—and even that nearly two years later I would still be bragging about it. In fact, I would be—I am—gloating over it in a quite unseemly manner. So her engagement to you, Charles, was automatically terminated by my arrival. In its place an arrangement of much longer standing matured. And while I do not believe in long engagements as a rule, Ginny's and mine of some fourteen centuries' duration has worked out all right.