“So what you’re saying is, my life isn’t worth a hundred quid to you. That’s nice, after what happened to Jen. I wouldn’t have thought you had enough daughters to spare.”
“Jess, that’s not fair.”
The front door slammed somewhere between the “not” and the “fair”, and Crichton and I were left staring at each other.
“I handled that badly,” he said, “didn’t I?”
I shrugged. “She was extorting money with menaces. Either you give her as much as she wants every time she asks for it, or she storms out. And I can see that might be a little… you know. Disconcerting. Given the family history.”
“I’ll give her as much as she wants, every time she asks for it,” he said. “Please go and find her.”
I left the house two hundred and fifty pounds richer; Jess was waiting for me at the end of the drive.
“I’ll bet you got double what we were asking for,” she said. “Always works, when you mention Jen.”
Jess
You won’t believe this—I don’t think I do now—but in my head, what happened to Jen had fuck all to do with New Year’s Eve. I could tell, from talking to the others and reading the papers, that no one else saw it that way, though. They were like, Ooooh, I get it: your sister disappeared, so you want to jump off a building. But it isn’t like that. I’m sure it must have been an ingredient, sort of thing, but it wasn’t the whole recipe. Say I’m a spaghetti Bolognese, well I reckon Jen is the tomatoes. Maybe the onions. Or even just the garlic. But she’s not the meat or the pasta.
Everyone reacts to something like that in different ways, don’t they? Some people would start support groups and all that; I know they would, because Mum and Dad are always trying to introduce me to some fucking group or another, mostly because the group was set up by someone who ended up getting a CSE or whatever off of the Queen. And some people would sit down, turn the TV on and watch for the next twenty years. Me, I just started messing around. Or rather, messing around became more like a full-time job, whereas previously it had been a hobby: some messing around had already been done before Jen went. I’ll be honest about that.
Before I go on, I’ll answer the questions that everyone always asks, just so’s you don’t sit there wondering and not concentrating on what I’m saying. No, I don’t know where she is. Yes, I think she’s alive. Why I think she’s alive: because that whole thing with the car in the car park looked phony to me. What does it feel like, having a missing sister? I can tell you. You know how if you lose something valuable, a wallet or a piece of jewellery, you can’t concentrate on anything else? Well, it feels like that all the time, every day.
There’s something else people ask: Where do you think she is? Which is different from: Do I know where she is? At first I didn’t understand that the two questions were different. And then when I did understand, I thought that the Where do you think she is? question was stupid. Like, well if I knew that I’d go and look for her. But now I understand it as being a more poetic question. “Cos, really, it’s a way of asking what she was like. Do I think she’s in Africa, helping people? Or do I think she’s on one long permanent rave, or writing poems on a Scottish island, or travelling through the bush in Australia? So here’s what I think. I think she has a baby, maybe in America, and she’s in a little town somewhere sunny, Texas, say, or California, and she’s living with a man who works hard with his hands and looks after her and loves her. So that’s what I tell people, except of course I don’t know whether I’m telling them about Jen or about me.
Oh, and one more thing—especially if you’re reading this in the future, when everyone’s forgotten about us and how things turned out for us: don’t sit around hoping for her to pop up later on, to rescue me. She doesn’t come back, OK? And we don’t find out she’s dead, either. Nothing happens, so forget about it. Well, don’t forget about her, because she’s important. But forget about that sort of ending. It’s not that sort of story.
Maureen lives halfway between Toppers’ House and Kentish Town, in one of those little poky streets full of old ladies and teachers. I don’t know for sure they’re teachers, but there are an awful lot of bikes around—bikes and recycling bins. It’s shit, recycling, isn’t it? I said to Martin, and he was like, If you say so. He sounded a bit tired. And I asked him if he wanted to know why it was shit, but he didn’t. Just like he hadn’t wanted to know why France was shit, either. He wasn’t in a chatty mood, I suppose.
It was just me and Martin in the car because JJ didn’t want a lift with us, even though we nearly went past his flat. JJ probably would have helped smooth the conversation along a bit, I think. I wanted to talk because I was nervous, and that probably made me say stupid things. Or maybe stupid is the wrong word, because it’s not stupid to say France is shit. It’s just a bit abrupt or whatever. JJ could have put a sort of ramp up to my sentences to help people skateboard down from them.
I was nervous because I knew that we were going to meet Matty, and I’m sort of not good with disabled people. It’s nothing personal, and I don’t think I’m disablist, because I know they’ve got rights to an education and bus passes and that; it’s just that they turn my stomach a bit. It’s all that having to pretend they’re just like you and me when they’re not, really, are they? I’m not talking “disabled” like people who have only got one leg, say. They’re all right. I’m talking about the ones who aren’t right up top, and shout, and make funny faces. How can you say they’re like you and me? OK, I shout and make funny faces, but I know when I’m doing it. Most of the time I do, anyway. With them there’s no predicting, is there? They’re all over the place.
To be fair to him, though, Matty’s pretty quiet. He’s sort of so disabled that it’s OK, if you know what I mean. He just sits there. From my point of view, that’s probably better, although I can see that from his, it’s probably not much good. Except who knows whether he’s got a point of view? And if he hasn’t got one, then it’s got to be mine that counts, hasn’t it? He’s quite tall, and he’s in a wheelchair, and he’s got cushions and what have you stuffed up behind his neck to stop his head lolling about. He doesn’t look at you or anything, so you don’t get too freaked out. You forget he’s there after a while, so I coped better than I thought I would. Fucking hell, though. Poor old Maureen. I’ll tell you, you wouldn’t have persuaded me down from that roof. No way.
JJ was already there when we arrived, so when we walked in it was like a family reunion, except no one looked like each other, and no one pretended to be pleased to see each other. Maureen made us a cup of tea, and Martin and JJ asked her some polite questions about Matty. I just looked around a bit, because I didn’t want to listen. She really had tidied up, like she said she was going to. There was almost nothing in the place, apart from the telly and things to sit on. It was like she’d just moved in. In fact, I got the impression that she’d moved things out and taken things down, because you could just make out marks on the wall. But then Martin was going, What do you think, Jess?, so I had to stop looking around and start joining in. We had plans to make.
JJ
I didn’t want to go to Maureen’s place with Martin and Jess because I needed time to think. I’d done a couple interviews with music journalists in the past, but they were fans of the band, sweet guys who went away totally psyched if you gave them a demo CD and let them buy you a drink. But these people, people like the knock-on-the-door inspirational lady… Man, I didn’t know anything about them. All I knew was that they’d somehow found out my address in twenty-four hours, and if they could do that, then what couldn’t they do? It was like they had the names and addresses of every single person living in Britain, just in case one day any of them did anything that might be interesting.