“It’s all right for every one,” screamed Roland joyfully. “Why, if I’ve made a couple of hundred thousand, what must Mr. Windlebird have netted. It says here that he is the largest holder. He must have pulled off the biggest thing of his life.”
He thought for a moment.
“The chap I’m sorry for,” he said meditatively, “is Mr. Windlebird’s pal. You know. The fellow whom Mr. Windlebird persuaded to sell all his shares to me.”
A faint moan escaped from his hostess’s pale lips. Roland did not hear it. He was reading the cricket news.
THE EPISODE OF THE THEATRICAL VENTURE
Third of a Series of Six Stories [First published in Pictorial Review, July 1916]
It was one of those hard, nubbly rolls. The best restaurants charge you sixpence for having the good sense not to eat them. It hit Roland Bleke with considerable vehemence on the bridge of the nose. For the moment Roland fancied that the roof of the Regent Grill-room must have fallen in; and, as this would automatically put an end to the party, he was not altogether sorry. He had never been to a theatrical supper-party before, and within five minutes of his arrival at the present one he had become afflicted with an intense desire never to go to a theatrical supper-party again. To be a success at these gay gatherings one must possess dash; and Roland, whatever his other sterling qualities, was a little short of dash.
The young man on the other side of the table was quite nice about it. While not actually apologizing, he went so far as to explain that it was “old Gerry” whom he had had in his mind when he started the roll on its course. After a glance at old Gerry—a chinless child of about nineteen—Roland felt that it would be churlish to be angry with a young man whose intentions had been so wholly admirable. Old Gerry had one of those faces in which any alteration, even the comparatively limited one which a roll would be capable of producing, was bound to be for the better. He smiled a sickly smile and said that it didn’t matter.
The charming creature who sat on his assailant’s left, however, took a more serious view of the situation.
“Sidney, you make me tired,” she said severely. “If I had thought you didn’t know how to act like a gentleman I wouldn’t have come here with you. Go away somewhere and throw bread at yourself, and ask Mr. Bleke to come and sit by me. I want to talk to him.”
That was Roland’s first introduction to Miss Billy Verepoint.
“I’ve been wanting to have a chat with you all the evening, Mr. Bleke,” she said, as Roland blushingly sank into the empty chair. “I’ve heard such a lot about you.”
What Miss Verepoint had heard about Roland was that he had two hundred thousand pounds and apparently did not know what to do with it.
“In fact, if I hadn’t been told that you would be here, I shouldn’t have come to this party. Can’t stand these gatherings of nuts in May as a general rule. They bore me stiff.”
Roland hastily revised his first estimate of the theatrical profession. Shallow, empty-headed creatures some of them might be, no doubt, but there were exceptions. Here was a girl of real discernment—a thoughtful student of character—a girl who understood that a man might sit at a supper-party without uttering a word and might still be a man of parts.
“I’m afraid you’ll think me very outspoken—but that’s me all over. All my friends say, ‘Billy Verepoint’s a funny girclass="underline" if she likes any one she just tells them so straight out; and if she doesn’t like any one she tells them straight out, too.’”
“And a very admirable trait,” said Roland, enthusiastically.
Miss Verepoint sighed. “P’raps it is,” she said pensively, “but I’m afraid it’s what has kept me back in my profession. Managers don’t like it: they think girls should be seen and not heard.”
Roland’s blood boiled. Managers were plainly a dastardly crew.
“But what’s the good of worrying,” went on Miss Verepoint, with a brave but hollow laugh. “Of course, it’s wearing, having to wait when one has got as much ambition as I have; but they all tell me that my chance is bound to come some day.”
The intense mournfulness of Miss Verepoint’s expression seemed to indicate that she anticipated the arrival of the desired day not less than sixty years hence. Roland was profoundly moved. His chivalrous nature was up in arms. He fell to wondering if he could do anything to help this victim of managerial unfairness. “You don’t mind my going on about my troubles, do you?” asked Miss Verepoint, solicitously. “One so seldom meets anybody really sympathetic.”
Roland babbled fervent assurances, and she pressed his hand gratefully.
“I wonder if you would care to come to tea one afternoon,” she said.
“Oh, rather!” said Roland. He would have liked to put it in a more polished way but he was almost beyond speech.
“Of course, I know what a busy man you are–-“
“No, no!”
“Well, I should be in to-morrow afternoon, if you cared to look in.”
Roland bleated gratefully.
“I’ll write down the address for you,” said Miss Verepoint, suddenly businesslike.
Exactly when he committed himself to the purchase of the Windsor Theater, Roland could never say. The idea seemed to come into existence fully-grown, without preliminary discussion. One moment it was not—the next it was. His recollections of the afternoon which he spent drinking lukewarm tea and punctuating Miss Verepoint’s flow of speech with “yes’s” and “no’s” were always so thoroughly confused that he never knew even whose suggestion it was.
The purchase of a West-end theater, when one has the necessary cash, is not nearly such a complicated business as the layman might imagine. Roland was staggered by the rapidity with which the transaction was carried through. The theater was his before he had time to realize that he had never meant to buy the thing at all. He had gone into the offices of Mr. Montague with the intention of making an offer for the lease for, say, six months; and that wizard, in the space of less than an hour, had not only induced him to sign mysterious documents which made him sole proprietor of the house, but had left him with the feeling that he had done an extremely acute stroke of business. Mr. Montague had dabbled in many professions in his time, from street peddling upward, but what he was really best at was hypnotism.
Altho he felt, after the spell of Mr. Montague’s magnetism was withdrawn, rather like a nervous man who has been given a large baby to hold by a strange woman who has promptly vanished round the corner, Roland was to some extent consoled by the praise bestowed upon him by Miss Verepoint. She said it was much better to buy a theater than to rent it, because then you escaped the heavy rent. It was specious, but Roland had a dim feeling that there was a flaw somewhere in the reasoning; and it was from this point that a shadow may be said to have fallen upon the brightness of the venture.
He would have been even less self-congratulatory if he had known the Windsor Theater’s reputation. Being a comparative stranger in the metropolis, he was unaware that its nickname in theatrical circles was “The Mugs’ Graveyard”—a title which had been bestowed upon it not without reason. Built originally by a slightly insane old gentleman, whose principal delusion was that the public was pining for a constant supply of the Higher Drama, and more especially those specimens of the Higher Drama which flowed practically without cessation from the restless pen of the insane old gentleman himself, the Windsor Theater had passed from hand to hand with the agility of a gold watch in a gathering of race-course thieves. The one anxiety of the unhappy man who found himself, by some accident, in possession of the Windsor Theater, was to pass it on to somebody else. The only really permanent tenant it ever had was the representative of the Official Receiver.