'What are the duties of Senior Tutor, then?' Smiley asked, just for something to say.
'He's the referee between the classics and the scientists; arranges the timetable and vets the exam, results. But principally, poor man, he must reconcile the Arts with the Sciences.' He shook his head sagely. 'And it takes a better man than D'Arcy to do that. Not, mind you,' he added wearily, 'that it makes the least difference who wins the extra hour on Friday evenings. Who cares? Not the boys, poor dears, that's certain.'
Fielding talked on, at random and always in superlatives, sometimes groping in the air with his hand as if to catch the more elusive metaphors; now of his colleagues with caustic derision, now of boys with compassion if not with understanding; now of the Arts with fervour—and the studied bewilderment of a lonely disciple.
'Carne isn't a school. It's a sanatorium for intellectual lepers. The symptoms began when we came down from University; a gradual putrefaction of our intellectual extremities. From day to day our minds die, our spirits atrophy and rot. We watch the process in one another, hoping to forget it in ourselves.' He paused, and looked reflectively at his hands.
'In me the process is complete. You see before you a dead soul, and Carne is the body I live in.' Much pleased by this confession, Fielding held out his great arms so that the sleeves of his gown resembled the wings of a giant bat; 'the Vampire of Carne', he declared, bowing deeply. 'Alcoholique et poète!' A bellow of laughter followed this display.
Smiley was fascinated by Fielding, by his size, his voice, the wanton inconstancy of his temperament, by his whole big-screen style; he found himself attracted and repelled by this succession of contradictory poses; he wondered whether he was supposed to take part in the performance, but Fielding seemed so dazzled by the footlights that he was indifferent to the audience behind them. The more Smiley watched, the more elusive seemed the character he was trying to comprehend: changeful but sterile, daring but fugitive; colourful, unbounded, ingenuous, yet deceitful and perverse. Smiley began to wish he could acquire the material facts of Fielding—his means, his ambitions and disappointments.
His reverie was interrupted by Miss Truebody. Felix D'Arcy had arrived.
No candles, and a cold supper admirably done by Miss Truebody. Not claret, but hock, passed round like port. And at last, at long last, Fielding mentioned Stella Rode.
They had been talking rather dutifully of the Arts and the Sciences. This would have been dull (for it was uninformed) had not D'Arcy constantly been goaded by Fielding, who seemed anxious to exhibit D'Arcy in his worst light. D'Arcy's judgements of people and problems were largely coloured by what he considered 'seemly' (a favourite word) and by an effeminate malice towards his colleagues. After a while Fielding asked who was replacing Rode during his absence, to which D'Arcy said, 'No one,' and added unctuously:
'It was a terrible shock to the community, this affair.'
'Nonsense,' Fielding retorted. 'Boys love disaster. The further we are from death the more attractive it seems. They find the whole affair most exhilarating.'
'The publicity has been most unseemly,' said D'Arcy, 'most. I think that has been prominent in the minds of many of us in the Common Room.' He turned to Smiley:
'The press, you know, is a constant worry here. In the past it could never have happened. Formerly our great families and institutions were not subjected to this intrusion. No, indeed not. But today all that is changed. Many of us are compelled to subscribe to the cheaper newspapers for this very reason. One Sunday newspaper mentioned no fewer than four of Hecht's old boys in one edition. All of them in an unseemly context, I may say. And of course such papers never fail to mention that the boy is a Carnian. You know, I suppose, that we have the young Prince here. (I myself have the honour to supervise his French studies.) The young Sawley is also at Carne. The activity of the press during his parents' divorce suit was deplorable. Quite deplorable. The Master wrote to the Press Council, you know. I drafted the letter myself. But on this tragic occasion they have excelled themselves. We even had the press at Compline last night, you know, waiting for the Special Prayer. They occupied the whole of the two rear pews on the west side. Hecht was doing Chapel Duty and tried to have them removed.' He paused, raised his eyebrows in gentle reproach and smiled. 'He had no business to, of course, but that never stopped the good Hecht.' He turned to Smiley, 'One of our athletic brethren,' he explained.
'Stella was too common for you, Felix, wasn't she?'
'Not at all,' said D'Arcy quickly. 'I would not have you say that of me, Terence. I am by no means discriminatory in the matter of class; merely of manners. I grant you, in that particular field, I found her wanting.'
'In many ways she was just what we needed,' Fielding continued, addressing Smiley and ignoring D'Arcy. 'She was everything we're forced to ignore—she was red-brick, council estates, new towns, the very antithesis of Carne!' He turned suddenly to D'Arcy and said, 'But to you, Felix, she was just bad form.'
'Not at all; merely unsuitable.'
Fielding turned to Smiley in despair.
'Look,' he said. 'We talk academic here, you know, wear academic dress and hold high table dinners in the Common Room; we have long graces in Latin that none of us can translate. We go to the Abbey and the wives sit in the hencoop in their awful hats. But it's a charade. It means nothing.'
D'Arcy smiled wanly.
'I cannot believe, my dear Terence, that anyone who keeps such an excellent table as yourself can have so low an opinion of the refinements of social conduct.' He looked to Smiley for support and Smiley dutifully echoed the compliment. 'Besides, we know Terence of old at Carne. I am afraid we are accustomed to his roar.'
'I know why you disliked that woman, Felix. She was honest, and Carne has no defence against that kind of honesty,'
D'Arcy suddenly became very angry indeed.
'Terence, I will not have you say this. I simply will not have it. I feel I have a certain duty at Carne, as indeed we all have, to restore and maintain those standards of behaviour which suffered so sadly in the war. I am sensible that this determination has made me on more than one occasion unpopular. But such comment or advice as I offer is never—I beg you to notice this—is never directed against personalities, only against behaviour, against unseemly lapses in conduct. I will acknowledge that more than once I was compelled to address Rode on the subject of his wife's conduct. That is a matter quite divorced from personalities, Terence. I will not have it said that I disliked Mrs Rode. Such a suggestion would be disagreeable at all times, but under the present tragic circumstances it is deplorable. Mrs Rode's own… background and education did not naturally prepare her for our ways; that is quite a different matter. It does, however, illustrate the point that I wish to emphasize, Terence: it was a question of enlightenment, not of criticism. Do I make myself clear?'
'Abundantly,' Fielding answered dryly.
'Did the other wives like her?' Smiley ventured.
'Not entirely,' D'Arcy replied crisply.
'The wives! My God!' Fielding groaned, putting his hand to his brow. There was a pause.
'Her clothes, I believe, were a source of distress to some of them. She also frequented the public laundry. This, too, would not make a favourable impression. I should add that she did not attend our church…'