The walls were brick and flint, half obscured by the mass of ivy which grew in profusion across them, tumbling over the porch in a tangled mane.
He glanced towards the garden. The coppice which bordered the lane encroached almost as far as the corner of the house, and extended to the far end of the lawn, screening the house from the playing fields. The murderer had reached the house by a path which led across the lawn and through the trees to the lane at the farthest end of the garden. Looking carefully at the snow on the lawn, he was able to discern the course of the path. The white glazed door to the left of the house must lead to the conservatory… And suddenly he knew he was afraid—afraid of the house, afraid of the sprawling dark garden. The knowledge came to him like an awareness of pain. The ivy walls seemed to reach forward and hold him, like an old woman cosseting an unwilling child. The house was large, yet dingy, holding to itself unearthly shapes, black and oily in the sudden contrasts of moonlight. Fascinated despite his fear, he moved towards it. The shadows broke and reformed, darting swiftly and becoming still, hiding in the abundant ivy, or merging with the black windows.
He observed in alarm the first involuntary movement of panic. He was afraid, then suddenly the senses joined in one concerted cry of terror, where sight and sound and touch could no longer be distinguished in the frenzy of his brain. He turned round and ran back to the gate. As he did so, he looked over his shoulder towards the house.
A woman was standing in the path, looking at him, and behind her the conservatory door swung slowly on its hinges.
For a second she stood quite still, then turned and ran back towards the conservatory. Forgetting his fear, Smiley followed. As he reached the corner of the house he saw to his astonishment that she was standing at the door, rocking it gently back and forth in a thoughtful, leisurely way, like a child. She had her back to Smiley, until suddenly she turned to him and spoke, with a soft Dorset drawl, and the childish lilt of a simpleton:
'I thought you was the Devil, Mister, but you'm got no wings.'
Smiley hesitated. If he moved forward, she might take fright again and run. He looked at her across the snow, trying to make her out. She seemed to be wearing a bonnet or shawl over her head, and a dark cape over her shoulders. In her hand she held a sprig of leaves, and these she gently waved back and forth as she spoke to him.
'But you'm carn't do nothin', Mister, 'cos I got the holly fer to hold yer. So you do bide there, Mister, for little Jane can hold yer.' She shook the leaves vehemently towards him and began laughing softly. She still had one hand upon the door, and as she spoke her head lolled to one side.
'You bide away from little Jane, Mister, however pretty she'm do be.'
'Yes, Jane,' said Smiley softly, 'you're a very pretty girl, I can see that; and that's a pretty cape you're wearing, Jane.'
Evidently pleased with this, she clutched the lapels of her cape and turned slowly round, in a child's parody of a fine lady.
As she turned, Smiley saw the two empty sleeves of an overcoat swinging at her sides.
'There's some do laugh at Janie,' she said, a note of petulance in her voice, 'but there's not many seen the Devil fly, Mister. But Janie seed 'im, Janie seed 'im. Silver wings like fishes 'e done 'ad, Janie saw.'
'Where did you find that coat, Janie?'
She put her hands together and shook her head slowly from side to side.
'He'm a bad one. Ooh, he'm a bad one, Mister,' and she laughed softly. 'I seed 'im flying, riding on the wind,' she laughed again, 'and the moon be'ind 'im, lightin' up the way! They'm close as sisters, moon and Devil.'
On an impulse Smiley seized a handful of ivy from the side of the house and held it out to her, moving slowly forward as he did so.
'Do you like flowers, Janie? Here are flowers for Janie; pretty flowers for pretty Janie.' He had nearly reached her when with remarkable speed she ran across the lawn, disappeared into the trees and ran off down the lane. Smiley let her go. He was drenched in sweat.
As soon as he reached the hotel he telephoned Detective Inspector Rigby.
Chapter 7—King Arthur's Church
The coffee lounge of the Sawley Arms resembles nothing so much as the Tropical Plants Pavilion at Kew Gardens. Built in an age when cactus was the most fashionable of plants and bamboo its indispensable companion, the lounge was conceived as the architectural image of a jungle clearing. Steel pillars, fashioned in segments like the trunk of a palm tree, supported a high glass roof whose regal dome replaced the African sky. Enormous urns of bronze or green-glazed earthenware contained all that was elegant and prolific in the cactus world, and between them very old residents could relax on sofas of spindly bamboo, sipping warm coffee and re-living the discomforts of safari.
Smiley's efforts to obtain a bottle of whisky and a syphon of soda at half past eleven at night were not immediately rewarded. It seemed that, like carrion from the carcass, the journalists had gone. The only sign of life in the hotel was the night porter, who treated his request with remote disapproval and advised him to go to bed. Smiley, by no means naturally persistent, discovered a half-crown in his overcoat pocket and thrust it a little irritably into the old man's hand. The result, though not magical, was effective, and by the time Rigby had made his way to the hotel, Smiley was seated in front of a bright gas fire in the coffee lounge with glasses and a whisky bottle before him.
Smiley retold his experiences of the evening with careful accuracy.
'It was the coat that caught my eye. It was a heavy overcoat like a man's,' he concluded. 'I remembered the blue belt and…'
He left the sentence unfinished. Rigby nodded, got up and walked briskly across the lounge and through the swing doors to the porter's desk. Ten minutes later, he returned.
'I think we'd better go and pull her in,' he said simply. 'I've sent for a car.'
'We?' asked Smiley.
'Yes, if you wouldn't mind. What's the matter? Are you frightened?'
'Yes,' he replied,' Yes, I am.'
The village of Pylle lies to the south of North Fields, upon a high spur which rises steeply from the flat, damp pastures of the Carne valley. It consists of a handful of stone cottages and a small inn where you may drink beer in the landlord's parlour. Seen from Carne playing fields, the village could easily be mistaken for an outcrop of rock upon a tor, for the hill on which it stands appears conical from the northern side. Local historians claim that Pylle is the oldest settlement in Dorset, that its name is Anglo-Saxon for harbour, and that it served the Romans as a port when all the lowlands around were covered by the sea. They will tell you, too, that King Arthur rested there after seven months at sea, and paid homage to Saint Andrew, the patron saint of sailors, on the site of Pylle Church, where he burned a candle for each month he had spent afloat; and that in the church, built to commemorate his visit and standing to this day lonely and untended on the hillside, there is a bronze coin as witness to his visit—the very one King Arthur gave to the verger before he set sail again for the Isle of Avalon.