Inspector William Rigby, himself a keen local historian, gave Smiley a somewhat terse précis of Pylle's legendary past as he drove cautiously along the snow-covered lanes.
'These small, out-of-the-way villages are pretty strange places,' he concluded. 'Often only three or four families, all so inbred you can no more sort them out than a barnful of cats. That's where your village idiots come from. They call it the Devil's Mark; I call it incest. They hate to have them in the village, you know—they'll drive them away at any price, like trying to wash away their shame, if you follow me.'
'I follow you.'
'This Jane's the religious sort. There's one or two of them turn that way. The villagers at Pylle are all Chapel now, see, so there's been no use for King Arthur's Church since Wesley. It's empty, falling to bits. There's a few from the valley go up to see it, for its history, like, but no one cares for it, or didn't not till Janie moved in.'
'Moved in?'
'Yes. She's taken to cleaning the church out night and day, bringing in wild flowers and such. That's why they say she's a witch.'
They passed Rode's house in silence and after turning a sharp bend began climbing the long steep hill that led to Pylle village. The snow in the lane was untouched and apart from occasional skidding they progressed without difficulty. The lower slopes of the hill were wooded, and the lane dark, until suddenly they emerged to find themselves on a smooth plateau, where a savage wind blew the fine snow like smoke across the fields, whipping it against the car. The snow had risen in drifts to one side of the lane, and the going became increasingly difficult.
Finally Rigby stopped the car and said:
'We'll walk from here, sir, if you don't mind.'
'How far is it?'
'Short and sour, I'd say. That's the village straight ahead.'
Through the windscreen, Smiley could discern behind the drifting veils of blown snow two low buildings about a quarter of a mile away. As he looked, a tall, muffled figure advanced towards them along the lane.
'That's Ted Mundy,' said Rigby with satisfaction, 'I told him to be here. He's the sergeant from Okeford.' He leaned out of the car window and called merrily:
'Hullo, Ted there, you old buzzard, how be?' Rigby opened the back door of the car and the sergeant climbed in. Smiley and Mundy were briefly introduced.
'There's a light in the church,' said Mundy, 'but I don't know whether Janie's there. I can't ask no one in the village, see, or I'd have the whole lot round me. They thought she'd gone for good.'
'Does she sleep there then, Ted? She got a bed there or something?' Rigby asked, and Smiley noticed with pleasure that his Dorset accent was more pronounced when he spoke to Mundy.
'So they say, Bill. I couldn't find no bed when I looked in there Saturday. But I tell you an odd thing, Bill. It seems Mrs Rode used to come up here sometimes, to the chapel, to see Janie.'
'I heard about that,' said Rigby shortly. 'Now which way's the church, Ted?'
'Over the hill,' said Mundy. 'Outside the village, in a paddock.' He turned to Smiley. 'That's quite common round here, sir, as I expect you know.' Mundy spoke very slowly, choosing his words. 'You see, when they had the plague they left their dead in the villages and moved away; not far though, on account of their land and the church. Terrible it was, terrible.' Somehow Mundy managed to imply that the Black Death was a fairly recent disaster in those parts, if not actually within living memory.
They got out of the car, forcing the doors against the strong wind, and made their way towards the village, Mundy leading and Smiley in third place. The driven snow, fine and hard, stung their faces. It was an unearthly walk, high on that white hill on such a night. The curve of the bleak hill's crest and the moaning of the wind, the snow cloud which sped across the moon, the dismal, unlit cottages so cautiously passed, belonged to another corner of the world.
Mundy led them sharply to the left, and Smiley guessed that by avoiding the centre of the village he hoped to escape the notice of its inhabitants. After about twenty minutes' walking, often through deep snow, they found themselves following a low hedge between two fields. In the furthest corner of the right-hand field they saw a pale light glimmering across the snow, so pale that at first Smiley had to look away from it, then run his eyes back along the line of that distant hedge to make sure he was not deceived. Rigby stopped, beckoning to the others.
'I'll take over now,' he said. He turned to Smiley. 'I'd be obliged, sir, if you'd stand off a little. If there's any trouble we don't want you mixed up in it, do we?'
'Of course.'
'Ted Mundy, you come up by me.'
They followed the hedge until they came to a stile. Through the gap in the hedge they saw the church clearly now, a low building more like a tithe barn than a church. At one end a pale glow, like the uncertain light of a candle, shone dimly through the leaded windows.
'She's there,' said Mundy, under his breath, as he and Rigby moved forward, Smiley following some distance behind.
They were crossing the field now, Rigby leading, and the church drawing ever closer. New sounds disturbed the moaning of the storm; the parched creak of a door, the mutter of a crumbling roof, the incessant sigh of wind upon a dying house. The two men in front of Smiley had stopped, almost in the shadow of the church wall, and were whispering together. Then Mundy walked quietly away, disappearing round the corner of the church. Rigby waited a moment, then approached the narrow entrance in the rear wall, and pushed the door.
It opened slowly, creaking painfully on its hinges. Then he disappeared into the church. Smiley was waiting outside when suddenly above all the sounds of night he heard a scream, so taut and shrill and clear that it seemed to have no source, but to ride everywhere upon the wind, to mount the ravaged sky on wings; and Smiley had a vision of Mad Janie as he had seen her earlier that night, and he heard again in her demented cry the dreadful note of madness. For a moment he waited.
The echo died. Then slowly, terrified, he walked through the snow to the open doorway.
Two candles and an oil lamp on the bare altar shed a dim light over the tiny chapel. In front of the altar, on the sanctuary step, sat Jane, looking vaguely towards them. Her vacuous face was daubed with stains of green and blue, her filthy clothes were threaded with sprigs of evergreen and all about her on the floor were the bodies of small animals and birds.
The pews were similarly decorated with dead creatures of all kinds; and on the altar, broken twigs and little heaps of holly leaves. Between the candles stood a crudely-fashioned cross. Stepping forward past Rigby, Smiley walked quickly down the aisle, past the lolling figure of Jane, until he stood before the altar. For a moment he hesitated, then turned and called softly to Rigby.
On the cross, draped over its three ends like a crude diadem, was a string of green beads.
Chapter 8—Flowers for Stella
He woke with the echo of her scream in his ears. He had meant to sleep late, but his watch said half past seven. He put on his bedside lamp, for it was still half-dark, and peered owlishly round the room. There were his trousers, flung over the chair, the legs still sodden from the snow. There were his shoes; he'd have to buy another pair. And there beside him were the notes he had made early that morning before going to sleep, transcriptions from memory of some of Mad Jane's monologue on the journey back to Carne, a journey he would never forget. Mundy had sat with her in the back. She spoke to herself as a child does, asking questions and then in the patient tones of an adult for whom the reply is self-evident, providing the answer.