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‘Perfectly certain. I am not eager to claim the authorship, I can assure you, especially after Mr Wells’s very outspoken criticisms, but there is nothing else to be done. The poem appeared more than a dozen years ago, in a small book called The Dark Horse.’

‘Ah! Something in the Whyte Melville style, I suppose?’

‘No,’ said Mr Lawrie sharply. ‘No. Certainly not. They were serious poems, tragical most of them. I had them collected, and published them at my own expense. Very much at my own expense. I used a pseudonym, I am thankful to say. As far as I could ascertain, the total sale amounted to eight copies. I have never felt the very slightest inclination to repeat the performance. But how this boy managed to see the book is more than I can explain. He can hardly have bought it. The price was half-a-guinea. And there is certainly no copy in the School library. The thing is a mystery.’

‘A mystery that must be solved,’ said the Headmaster. ‘The fact remains that he did see the book, and it is very serious. Wholesale plagiarism of this description should be kept for the School magazine. It should not be allowed to spread to poetry prizes. I must see Lorimer about this tomorrow. Perhaps he can throw some light upon the matter.’

When, in the course of morning school next day, the School porter entered the Upper Fifth form-room and informed Mr Sims, who was engaged in trying to drive the beauties of Plautus’ colloquial style into the Upper Fifth brain, that the Headmaster wished to see Lorimer, Lorimer’s conscience was so abnormally good that for the life of him he could not think why he had been sent for. As far as he could remember, there was no possible way in which the authorities could get at him. If he had been in the habit of smoking out of bounds in lonely fields and deserted barns, he might have felt uneasy. But whatever his failings, that was not one of them. It could not be anything about bounds, because he had been so busy with cricket that he had had no time to break them this term. He walked into the presence, glowing with conscious rectitude. And no sooner was he inside than the Headmaster, with three simple words, took every particle of starch out of his anatomy.

‘Sit down, Lorimer,’ he said.

There are many ways of inviting a person to seat himself. The genial ‘take a pew’ of one’s equal inspires confidence. The raucous ‘sit down in front’ of the frenzied pit, when you stand up to get a better view of the stage, is not so pleasant. But worst of all is the icy ‘sit down’ of the annoyed headmaster. In his mouth the words take to themselves new and sinister meanings. They seem to accuse you of nameless crimes, and to warn you that anything you may say will be used against you as evidence.

‘Why have I sent for you, Lorimer?’

A nasty question that, and a very favourite one of the Rev. Mr Beckett, Headmaster of Beckford. In nine cases out of ten, the person addressed, paralysed with nervousness, would give himself away upon the instant, and confess everything. Lorimer, however, was saved by the fact that he had nothing to confess. He stifled an inclination to reply ‘because the woodpecker would peck her’, or words to that effect, and maintained a pallid silence.

‘Have you ever heard of a book called The Dark Horse, Lorimer?’

Lorimer began to feel that the conversation was too deep for him. After opening in the conventional ‘judge-then-placed-the-black-cap-on-his-head’ manner, his assailant had suddenly begun to babble lightly of sporting literature. He began to entertain doubts of the Headmaster’s sanity. It would not have added greatly to his mystification if the Head had gone on to insist that he was the Emperor of Peru, and worked solely by electricity.

The Headmaster, for his part, was also surprised. He had worked for dismay, conscious guilt, confessions, and the like, instead of blank amazement. He, too, began to have his doubts. Had Mr Lawrie been mistaken? It was not likely, but it was barely possible. In which case the interview had better be brought to an abrupt stop until he had made inquiries. The situation was at a deadlock.

Fortunately at this point half-past twelve struck, and the bell rang for the end of morning school. The situation was saved, and the tension relaxed.

‘You may go, Lorimer,’ said the Head, ‘I will send for you later.’

He swept out of the room, and Lorimer raced over to the House to inform Pringle that the Headmaster had run suddenly mad, and should by rights be equipped with a strait-waistcoat.

‘You never saw such a man,’ he said, ‘hauled me out of school in the middle of a Plautus lesson, dumps me down in a chair, and then asks me if I’ve read some weird sporting novel or other.’

‘Sporting novel! My dear man!’

‘Well, it sounded like it from the title.’

‘The title. Oh!’

‘What’s up?’

Pringle had leaped to his feet as if he had suddenly discovered that he was sitting on something red-hot. His normal air of superior calm had vanished. He was breathless with excitement. A sudden idea had struck him with the force of a bullet.

‘What was the title he asked you if you’d read the book of?’ he demanded incoherently.

The Derby Winner.’

Pringle sat down again, relieved.

‘Oh. Are you certain?’

‘No, of course it wasn’t that. I was only ragging. The real title was The Dark Horse. Hullo, what’s up now? Have you got ‘em too?’

‘What’s up? I’ll tell you. We’re done for. Absolutely pipped. That’s what’s the matter.’

‘Hang it, man, do give us a chance. Why can’t you explain, instead of sitting there talking like that? Why are we done? What have we done, anyway?’

‘The poem, of course, the prize poem. I forgot, I never told you. I hadn’t time to write anything of my own, so I cribbed it straight out of a book called The Dark Horse. Now do you see?’

Lorimer saw. He grasped the whole unpainted beauty of the situation in a flash, and for some moments it rendered him totally unfit for intellectual conversation. When he did speak his observation was brief, but it teemed with condensed meaning. It was the conversational parallel to the ox in the tea-cup.

‘My aunt!’ he said.

‘There’ll be a row about this,’ said Pringle.

‘What am I to say when he has me in this afternoon? He said he would.’

‘Let the whole thing out. No good trying to hush it up. He may let us down easy if you’re honest about it.’

It relieved Lorimer to hear Pringle talk about ‘us’. It meant that he was not to be left to bear the assault alone. Which, considering that the whole trouble was, strictly speaking, Pringle’s fault, was only just.

‘But how am I to explain? I can’t reel off a long yarn all about how you did it all, and so on. It would be too low.’

‘I know,’ said Pringle, ‘I’ve got it. Look here, on your way to the Old Man’s room you pass the Remove door. Well, when you pass, drop some money. I’ll be certain to hear it, as I sit next the door. And then I’ll ask to leave the room, and we’ll go up together.’

‘Good man, Pringle, you’re a genius. Thanks, awfully.’

But as it happened, this crafty scheme was not found necessary. The blow did not fall till after lock-up.

Lorimer being in the Headmaster’s House, it was possible to interview him without the fuss and advertisement inseparable from a ‘sending for during school’. Just as he was beginning his night-work, the butler came with a message that he was wanted in the Headmaster’s part of the House.

‘It was only Mr Lorimer as the master wished to see,’ said the butler, as Pringle rose to accompany his companion in crime.

‘That’s all right,’ said Pringle, ‘the Headmaster’s always glad to see me. I’ve got a standing invitation. He’ll understand.’

At first, when he saw two where he had only sent for one, the Headmaster did not understand at all, and said so. He had prepared to annihilate Lorimer hip and thigh, for he was now convinced that his blank astonishment at the mention of The Dark Horse during their previous interview had been, in the words of the bard, a mere veneer, a wile of guile. Since the morning he had seen Mr Lawrie again, and had with his own eyes compared the two poems, the printed and the written, the author by special request having hunted up a copy of that valuable work, The Dark Horse, from the depths of a cupboard in his rooms.