I said, "It must hurt when you give yourself injections."
She said, "No. All you have to do is pretend it's nothing and relax. Then you hardly feel a thing. The more tense you are, the more it hurts."
I said, "The nurse who gave me my injection this morning must have been angry at someone, and she took it out on me. You would have thought she was giving an elephant an injection." I pulled my panties down below my hips. It was all hard where she had stuck in the needle and was already turning blue. "Look."
She winced when she saw it, and said, "Don't go to the hospital for the rest of your shots. I'll do them for you. You won't feel a thing."
I said, "You know how to inject penicillin too?"
"They're all the same." While she was talking, she pressed the swelling with her fingers, rubbing it very lightly.
Her fingers were very cool and limber as snakes, as if they had no bones. I could see her long, curved neck above me and the gentle swell of her breasts inside her sweater as she leaned over, pressing her thin body against me. Her body curved in an arc that was as fluid as a beautiful melody. Her face was a bit too pale, but the skin of her entire body bespoke a tender readiness to rush to me at a moment's notice, to watch over me, to protect me, and to drive away any pain or misfortune that threatened me.
All of this made me feel totally at ease, especially her touching me, allowing my senses to run along vague and unexpected paths. I thought of that time many years ago when she wanted me to lie next to her and kiss her breasts, which glistened like the polished jade stones on her pillow, and of the doleful tears that slowly gathered to roll across her cheek and fall. Then, for some reason, an image of the two naked bodies entwined on the military cot in Yi Qiu's inner room flashed briefly through my mind.
Switching my attention, I looked at the door to my room, and I noticed that the December light slanting in through the window was much brighter than it had been in the morning. I could see the dust motes floating in the light.
Purposely switching my train of thought, I asked, "Did Mrs. Ge really die?"
Ho replied, "Yes. Just after six in the morning a man from their courtyard who works an early shift noticed that their front door was wide open. He called a couple of times but there was no reply, so he stuck his head in the door. He thought something must be amiss when he discovered that the bed was unmade and there was nobody home. He stood outside a while, uncertain what to do. He suspected there might have been a burglary, and he was afraid to go into the house. So he called some other people, and the longer they shuffled around outside, the more convinced they became that something was wrong. Mrs. Ge was bedridden. How could it be that her bed was empty? If she had gone to the hospital, surely they would have locked the door? So everyone was certain that something untoward had happened."
"Weren't any of the women home?"
"After a while, some people ventured inside for a look. Only after a thorough search did they discover her, tied up and pushed face down under the bed with a towel jammed in her mouth. Frightened, they rushed from the house and called the police."
"Was she really dead?"
"The police came right away, and they didn't take her away until eleven. She was dead."
"Was it her husband who killed her?"
"It's hard to say what things were like in that family. They spent half their lives quarreling. Stuck together under one roof, these two perfectly normal people gradually became enemies. The bed was about the only place they acted in harmony. Their neighbors all said that they used to spend their life in the bedroom making love at the same time they were making war, but that after Mrs. Ge became ill, the only stage where they had ever acted together in harmony ceased to exist. At last this war without winners is over. It takes more than one cold day to make three feet of ice." Ho sighed and continued, "Although marriage can sometimes be an inexhaustible source of life, it can sometimes also be an inexhaustible source of bitterness. It can be creative, but it can also be destructive."
I thought of my own parents and my mood immediately darkened. "My mama and papa don't fight, but…"
"Their kind of 'cold war' can burn just as badly. Have you heard of Spinoza's leaves?" said Ho.
I had long known that Ho liked books. I was very excited the first time I saw those two long, black boxes filled with foreign books under her big bed. Once, probably during the summer holiday at the end of my first year in middle school, when I told her I would like to look at her books, she chose two novels from one of the boxes. I remember their titles: one was The Adventures of Robinson Crusoe, the other, The Gadfly. She told me I could read all of them if I wanted to. But after that, because I was busy with tests and assignments, I didn't borrow any more books from her. I knew, however, that she had read the lot of them.
"Spinoza?" I shook my head indicating I hadn't.
"No two leaves are exactly alike. Just look at the families in our courtyard."
After a moment, I said, "Why must we always get married? Men are if too undependable."
Ho said, "Too true."
Then she fell silent, probably thinking about her own life.
After a long silence, she spoke again. "Sometimes marriage seems like some kind of hoax. Only the walls, the windows, and the furniture are real, can be counted on. Human beings are the least dependable of all creatures. The blossoms of marriage are plastic ones. They look like the real thing, and they may never fade and die, but they are nonetheless false."
I said, "I don't want you to look for a new husband. Please. My mama has my papa, but the only thing he's good for is causing trouble." Then I lowered my voice and continued, "A few days ago I found an old book about men and women in my father's bookcase. The book said that women were a rampant noxious weed, that they were dangerous and crude predatory beasts. It must have been written by a man. I'm sure that my papa has read many books of that sort. But, in fact, I think it is the men who behave that way."
Ho started to laugh, saying, "But Niuniu, you melonhead, if it wasn't for your father, you wouldn't be here."
"But you, you don't have any children. And I'm not going to have any when I grow up," I said.
"But what about when I'm old?" she asked.
"I'll take care of you. I'll always be good to you. Really."
Ho looked at me quickly, her eyes shining. She put her arms around me, quilt and all, and hugged me fiercely, then she bent down and kissed my face. "Just like I'm taking care of you now?"
I nodded.
"But will you be able to carry me on your back?"
"When I'm better I'll try. I'm sure I can. You're so thin."
This seemed to please her, and she bent down and hugged me tightly again, without uttering a word.
Even though they were outside the quilt, I could feel her thin arms as she slid them around my waist and hugged me as desperately as if she were holding her own future. I heard her breath quicken slightly as she repeated softly, "Niuniu, Niuniu." Through her sobs and her unsteady voice I could feel the complex tangle of feelings of injustice, grief, loneliness, and hope that she was caught in.
In my mind, Ho always had a very powerful aura of the tragic heroine about her. This stemmed in part from her delicate, natural loveliness, and in part from a very strong self-destructive urge that had always burned within her, an air of decadence and ennui that came to her through her regal Manchu blood. These qualities, which she passed on to me, so much younger than herself, made me feel a special tenderness and devotion toward her.