Stripling was, no doubt, glad to see him go. He probably wanted time to recover from what he evidently looked upon as a serious defeat over the collars. Peter turned on the gramophone, and Stripling retired to the corner of the room with him, where while Stripling’s temper cooled they played some game with matches. It was soon after this that I made a decidedly interesting discovery about Lady McReith, who had begun to discuss dance steps with Babs, while I looked through some of the records that Peter had been arranging in piles. In order to illustrate some point she wanted to make about fox-trotting, Lady McReith suddenly jumped from the sofa, took my arm and, sliding it round her waist, danced a few steps. “Like this?” she said, turning her face towards Babs; and then, as she continued to cling to me, tracing the steps back again in the other direction: “Or like that?” The transaction took place so swiftly, and, so far as Lady McReith was concerned, so unselfconsciously, that Peter and Stripling did not look up from their game; but — although employed merely as a mechanical dummy — I had become aware, with colossal impact, that Lady McReith’s footing in life was established in a world of physical action of which at present I knew little or nothing. Up to that moment I had found her almost embarrassingly difficult to deal with as a fellow guest: now the extraordinary smoothness with which she glided across the polished boards, the sensation that we were holding each other close, and yet, in spite of such proximity, she remained at the same time aloof and separate, the pervading scent with which she drenched herself, and, above all, the feeling that all this offered something further, some additional and violent assertion of the will, was — almost literally — intoxicating. The revelation was something far more universal in implication than a mere sense of physical attraction towards Lady McReith. It was realisation, in a moment of time, not only of her own possibilities, far from inconsiderable ones, but also of other possibilities that life might hold; and my chief emotion was surprise.
This incident was, of course, of interest to myself alone, as its importance existed only in my own consciousness. It would never have occurred to me to discuss it with Peter, certainly not in the light in which it appeared to myself, because to him the inferences would — I now realised — have appeared already so self-evident that he would have been staggered by my own earlier obtuseness: an obtuseness which he would certainly have disparaged in his own forceful terms. Keen awareness of Peter’s point of view on the subject followed logically on a better apprehension of the elements that went towards forming Lady McReith as a personality: a personality now so changed in my eyes. However, all that happened was that we danced together until the record came to an end, when she whirled finally round and threw herself down again on the sofa, where Babs still lay: and a second later put her arm round Babs’s neck. Stripling came across the room and poured out for himself another whisky. He said: “We must find some way of ragging old Sunny. He is getting too pleased with himself by half.”
Lady McReith went off into such peals of laughter at this, wriggling and squeezing, that Babs, freeing herself, turned and shook her until she lay quiet, still laughing, at last managing to gasp out: “Do think of something really funny this time, Jimmy.” I asked what had happened on earlier occasions when Sunny Farebrother had been ragged. Peter outlined some rather mild practical jokes, none of which, in retrospect, sounded strikingly amusing. Various suggestions were made, but nothing came of them at the moment; though the discussion might be said to have laid the foundation for a scene of an odd kind enacted on the last night of my stay.
*
Looking back at the Horabins’ dance that took place on that last night, the ball itself seemed merely a prelude to the events that followed. At the time, the Horabins’ party itself was important enough, not only on account of the various sequels enacted on our return to the Templers’ house — fields in which at that time I felt myself less personally concerned, and, therefore, less interested — but because of the behaviour of Jean Templer at the dance, conduct which to some extent crystallised in my own mind my feelings towards her; at the same time precipitating acquaintance with a whole series of emotions and apprehensions, the earliest of numberless similar ones in due course to be undergone. The Horabins for long after were, indeed, momentous to me simply for that reason. As it happens, I cannot even remember the specific incident that clarified, in some quite uncompromising manner, the positive recognition that Jean might prefer someone else’s company to my own; nor, rather unjustly, did the face of this superlatively lucky man — as he then seemed — remain in my mind a year or two later. I have, however, little doubt that the whole matter was something to do with cutting a dance; and that the partner she chose, in preference to myself, persisted dimly in my mind as a figure certainly older, and perhaps with a fair moustache and reddish face. Even if these circumstances are described accurately, it would undoubtedly be true to say that nothing could be less interesting than the manner in which Jean’s choice was brought home to me. There was not the smallest reason to infer from anything that had taken place in the course of my visit that I possessed any sort of prescriptive rights over her: and it may well be that the man with the moustache had an excellent claim. Such an argument did not strike me at the time; nor were the disappointment and annoyance, of which I suddenly became aware in an acute degree, tempered by the realisation, which came much later, that such feelings — like those experienced during the incident with Lady McReith — marked development in transmutation from one stage of life to another.
One of the effects of this powerful, and in some ways unexpected, concentration on the subject of Jean at the dance was to distract my attention from everything not immediately connected with her; so that, by the time we were travelling home, several matters that must have been blowing up in the course of the evening had entirely escaped my notice. I was in the back of a chauffeur-driven car, Peter by the far window, and Lady McReith between us. I was conscious that for the first part of the drive these two were carrying on some sort of mutual conflict under the heavy motoring rug that covered the three of us; but I had not noticed how or why she had become separated from the Striplings. Probably the arrangement had something to do with transport to their homes of some other guests who had dined at the Templers’ house for the ball.
Whatever the reason, one of the consequences of the allotment of seats had been that Jean and Sunny Farebrother had been carried in the Striplings’ Mercedes. We rolled along under the brilliant stars, even Peter and Lady McReith at last silent, perhaps dozing: though like electric shocks I could feel the almost ceaseless vibration of her arm next to mine, quivering as if her body, in spite of sleep, knew no calm.
I did not feel at all anxious to retire to bed when we arrived at the house. On the following day I was to travel to London. Farebrother was going on the same train. We were making a late start in order to rest on a little into the morning after the exertions of the ball. Peter, for once, seemed ready for bed, saying good night and going straight upstairs. The Striplings had arrived before us, and were shifting about restlessly, talking of “raiding the kitchen,” bacon and eggs, more drink, and, in general, showing unwillingness to bring the party to an end. Lady McReith asserted that she was worn out. Sunny Farebrother, too, was evidently anxious to get some sleep as soon as possible. They went off together up the stairs. Finally Babs found her way to the kitchen, and returned with some odds and ends of food: that would for the time postpone the need to bring the right’s entertainment to a close. Her husband walked up and down, working himself up into one of his rages against Sunny Farebrother, who had, it appeared, particularly annoyed him on the drive home. Jean had at first gone up to her room; but on hearing voices below came downstairs again, and joined the picnic that was taking place.