Выбрать главу

A rustle in the hedgerow to her left was her only warning.

Irrith dove flat against the mud as a black shape burst toward her. Its leap carried it clear over, so that it skidded and went down in the muck. A black dog, she saw as she scrambled to her feet. And not an ordinary hound, someone’s mastiff escaped from its keeper; this was a padfoot or skriker, a faerie in the shape of a dog.

And he was not there to welcome her back to London.

The dog lunged forward, and Irrith dodged. But she realised her mistake as she went: the beast wasn’t aiming for her. His jaws closed around the oiled cloth of the satchel she carried, and dragged it free of the mud.

Irrith snarled. Her blossoming fear died beneath the boot of fury; she had not hauled that bag all the way from Berkshire in the rain just to lose it to a padfoot. She threw herself forward and landed half on the creature’s back. His feet splayed under the unexpected weight, and down they both went, into the mud again. Irrith grabbed an ear and yanked mercilessly. The black dog snarled and tried to bite her; but she was on his back, and now he’d lost the bag. The sprite snatched at the strap, and quite by accident managed to kick her opponent in the head as she slid across the ground. He shook his head with a whimper, then lunged at her again, and this time she was flat on her back with no way to defend herself.

Just before the beast’s massive jaws could close around her leg, a sound broke through the patter of the rain, that Irrith had never thought she would be grateful to hear: church bells.

The black dog howled and fell back, writhing. But the peals broke harmlessly over Irrith, and so she seized her advantage, and the bag; clutching it in her filthy hands, she aimed herself at the Tyburn gallows and ran.

By the time the bells stopped, she was well among the houses that now crowded the once rural road. Irrith slowed, panting for breath, feeling her heart pound. Would the dog track her here? She doubted it; too much risk of someone hearing the disturbance and coming out to investigate. And now the other faerie knew she was protected, as he was not.

Then again, Irrith would have said if asked that no local faerie would dream of assaulting a fellow on the road, so close to his Queen’s domain. A mortal, perhaps, but not a sprite like her.

Perhaps he wasn’t local. But then what was he doing on the Tyburn road, waiting for her to pass with the delivery from the Vale?

It was a good question. She knew the fae of London had their problems, but she might have underestimated them. How much had changed here, besides the landscape?

She hadn’t thought to ask Tom Toggin. Unless she felt like walking all the way back to Berkshire—past the black dog who might still be hunting her—the only way to answer that question was to continue onward, and present herself, looking like a rat drowned in mud, to the Queen of the Onyx Court.

THE ONYX HALL, LONDON
30 September 1757

The crowded and unfashionable environs of Newgate, in the central City of London, were an unlikely destination for a gentleman so late at night, but so long as Galen paid the chair-men, they had no reason to ask questions. With the rain finally ended, they deposited him at the front of a pawnbroker’s, closed for the night, and went on their way. Once they were well out of sight, Galen tiptoed around the corner, trying and failing to protect the shoes and black silk stockings Mrs. Montagu had derided, into a narrow alley.

The door he sought stood in the back wall of the pawnbroker’s, and if anyone noticed it—which they should not—they no doubt assumed it let into the cramped room where the shopkeeper stored wares he could not fit in the display out front. Instead, it admitted Galen to a tiny alcove barely large enough for him to squeeze into and still shut the door behind him. Standing in that stifling space, he murmured, “Downward,” and felt the floor drop away.

It was a vertiginous feeling, no matter how often he experienced it. Galen always tensed, expecting a bruising impact, and he always touched down as lightly as a feather. He would have preferred a more ordinary staircase. But with that word, he shifted from the ordinary world into one that was anything but.

His feet settled onto a roundel of black marble, and cool light bloomed around him. The chamber in which he now stood was a lofty dome—nothing to the soaring heights of St. Paul’s Cathedral, but it felt so after the confines of the alcove above. The walls formed slender ribs that seemed inadequate to the weight, and no doubt they were; something other than the architect’s art kept the shadowed ceiling up.

It was far from the greatest wonder here.

Country folk still told tales of faerie realms hidden away in hollow hills, but few if any would expect to find one beneath the City of London. So far as Galen knew, the Onyx Hall was unique; nowhere else in Britain, or possibly in the entire world, did fae live so close with mortal kind. Yet here they had a palace that was a city unto itself, crowded with bedchambers and gardens, dancing halls and long galleries of art, all protected against the hostility of the world above. It was a mirror of that world, casting a strange and altered reflection, and one that only a select few could enter.

Galen sighed to see the muddy track he left behind as he stepped clear of the roundel. He knew that if he left the chamber and came back a minute later, he would find the dirt gone; there were unseen creatures here, more efficient than the most dedicated servant, who seemed to treat the slightest mess as a personal affront. Or they would if they had any sense of self; as Galen understood it, they had very few thoughts at all, scarcely more than the faerie lights that lined the delicate columns along the walls. Still, he wished for a boot-scraper on which to clean his feet, so he would not trail bits of mud around so miraculous a place.

No help for it. Galen was about to abandon his concerns and proceed, when a sudden swirl of air tugged at the hem of his cloak.

Another figure descended from the aperture in the ceiling, dropping swiftly before floating to a halt on the roundel. Galen’s own muddy prints were obliterated by an enormous smear as the dripping and filthy figure shifted, slipped, and landed unceremoniously on his backside.

“Blood and Bone!” the figure swore, and the voice was far too high to be male. Galen leapt forward, reflexively offering his hand, and promptly ruined his glove when the newcomer took the assistance to rise.

That she was a faerie, he could be certain; the delicacy of her hand—if not her speech—made anything else unlikely. But he could discern little more; she seemed to have rolled in the mud for sport, though some of it had subsequently been washed off by the rain. Her hair, skin, and clothes were one indeterminate shade of brown, in which her eyes made a startling contrast. They held a hundred shades of green, shifting and dancing as no human irises would.

She in turn seemed quite startled by him. “You’re human!” she said, peering at him through the dripping wreck of her hair.

What polite answer could a gentleman make to that? “Yes, I am,” he said, and bent to pick up the satchel she had dropped.

The faerie snatched it from him, then grimaced. “Sorry. Someone has already tried to take this from me once tonight. I’d rather carry it myself, if you don’t mind.”

“Not at all,” Galen said. Sighing in regret, he pulled off the ruined glove and the clean one both, dropping them to the floor. The unseen servants might as well take those, too, when they came to mop this up. “May I escort you to your chambers? This marble is treacherous for wet feet.”

He thought she might be a sprite, under all that mud; she didn’t carry herself with the courtly grace of an elfin lady. Slinging the bag over her shoulder, she sat down again—this time deliberately—and pulled off her dripping boots, followed by her stockings. The feet beneath were incongruously pale, and as delicate as her hands. She set them down on a clean patch of floor, then levered herself to her feet. “I’ll drip,” she said, making a futile effort to wring out the hem of her coat, “but it’s better than nothing.”