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She could not see the one she sought. But that was what telescopes were for.

Jack Ellin, Prince of the Stone, nodded cheerfully. “Indeed. Either we exile this beast beyond the boundaries of the world—or it gets free and burns us all to ash. Either way, I won’t have to climb the hill again.”

For all his levity, he showed nothing but precision as he directed the various fae to their tasks. Once he’d taken the necessary sights through the telescope of the Astronomer Royal, he sent a few of his more agile assistants up the mast, where they unhooked the ropes that held the sixty-foot tube in place. Others pried open the crate, revealing another, shorter telescope—this one unlike any other in the world.

Lune paced impatiently while her subjects rigged this one to the mast and set up a platform for them to stand next to its eyepiece. Jack ignored her restlessness. Hauling their telescope hither and yon would have jarred the mirrors from their careful alignments, and any error in that respect could lead to disaster. Under his direction, a delicate-fingered sprite tapped them into place, first the great, then the little.

At last he said, “We’re ready.”

“Are you sure?” Lune asked.

His wry face reached for, but did not quite achieve, carelessness. “Am I sure that an inverted model of a revolutionary design of telescope, crafted out of faerie wood and faerie metal, will succeed at focusing and directing the spirit of a Dragon through the aether and onto a comet so far distant it can only barely be seen with the aid of the most advanced astronomical equipment in England? Of course, your Grace. I would never suggest it otherwise.”

Despite the gravity of their task, Lune smiled. But Jack knew the danger quite well, and so he added, too quietly for the others to hear, “What will we do if this fails?”

Lune’s left hip carried the London Sword, the central piece of the Onyx Court’s royal regalia. She touched its hilt with her good fingers. “I yet have another hand. And the prison might hold a while longer.”

Both of them turned to watch the approach of a second crate, this one of hawthorn. Once it was laid in the grass at their feet, all the fae retreated, leaving Queen and Prince alone at the foot of the telescope. All of them drew weapons—as if they would do much good. Jack offered his arm to Lune with a courtly bow, assisting her up onto the platform.

Then he knelt and lifted the top from the hawthorn crate.

Inside that shielding wood lay a small box of black iron, unadorned save for a flame-marked shield on its lid. It had been cold the first time he touched it, sixteen years ago. Now gloves barely protected his hands from the heat. The prison into which they had forced the spirit of the Great Fire of London could not hold it forever. The strange enchantments of the iron were weakening under its power.

He prayed—silently, so the fae would not hear—that this would work. Even if Lune sacrificed her other hand to trap the Dragon once more, it would leave them in hopeless straits. They could not kill the beast, and it seemed they could not imprison it, either. Exile was their only remaining option.

Jack lifted the box free and climbed up to join Lune next to the eyepiece. “Let us hope,” she said, “that Isaac Newton is as great a mind as you say.”

“He is,” Jack promised her, and opened the box.

A radiance like the heart of the sun blazed forth, into the waiting eyepiece. An ordinary telescope gathered up the faint light of space and brought it in small to the human eye; this one, adapted from the reflective design of Professor Newton, took the intense light of the Dragon’s spirit and sent it out into the void. That unbearable blaze struck the flawless craftsmanship of the mirrors and ricocheted outward, in an unerring line, straight to the bearded star Flamsteed had been observing these many months.

Jack could hear nothing past the silent roar of the Dragon. Lune might have been screaming; so might he. But then the light was gone, and the box crumbled to rust in his hands, blistered even beneath the leather of his gloves.

And Lune swung the London Sword, cutting the ropes that held the telescope in position. It fell to the ground, severing the last link between the Dragon and this place.

In the aftermath, the only sound was the steady wind off the Thames.

Lune whispered, “It worked.”

Jack looked upward. He thought he could discern something in the sky, that had not been visible before: the departing comet, glowing unnaturally bright. Then it faded, and was lost to his eye.

The Dragon of the Fire was gone.

THE ONYX HALL, LONDON
1 October 1757

When she first came to the Onyx Hall, Irrith had found the subterranean palace an incomprehensible maze, through which she could follow only a few memorised paths.

In the century since, that opinion had not changed much.

But there was one chamber to which she could find her way blindfolded, for she’d fallen in love with it the first time she stepped through one of its arching entrances. There were many small gardens tucked into odd corners of the Onyx Hall; this, the night garden, was the grandest by far. Here the Walbrook, London’s long-forgotten stream, wound through grassy plots and shadowing trees. Here flowers bloomed, in changeless defiance of the seasons above, blossoms drawn from both the mortal world and the deeper reaches of Faerie. It wasn’t pure nature—with its fountains and charming pathways, the night garden was more like a poet’s notion of the countryside—but Irrith loved it nonetheless.

And so when she left her chamber after a fitful rest, it was to the night garden that her disconsolate steps took her.

She glanced up as she entered the green, breathing space, to see the faerie lights twinkling in artificial night above. Sometimes they shaped themselves into patterns that reflected the current mood of the court, but at present they drifted aimlessly, forming no identifiable shape.

Irrith sighed and walked on. Then she saw something ahead that lifted her spirit, and provoked her into a run.

A pavilion stood near one end of the night garden, surrounded by a wide swath of grass, and a figure moved within that should be—was—utterly out of place in the airless stone galleries of the Onyx Hall. Hooves clopped a startled tattoo against the polished boards of the pavilion floor as Irrith vaulted the ramp, and then a pair of arms caught her at the apex of her leap.

“Ktistes!” she cried in delight. “I thought you had gone!”

“That was my intent,” the centaur said, setting her down gently. “But her Majesty asked me to stay. It has been many a long year, Dame Irrith.”

“Fifty, I think. I lost count in the Vale.”

Ktistes laughed. “And you so often beneath the stars, but so rarely watching their dance.”

He gestured upward as he said it, not to the ceiling of the night garden, with its false constellations, but to the roof of his pavilion. The structure was new, by the standards of the Onyx Hall; Lune had it built following the Great Fire, for Ktistes’s use, when he came from Greece to help repair the damage done to the Onyx Hall. The centaur cared nothing for shelter—he was happy to sleep on the soft grass of the garden—but the roof was valuable to him. It had once been the ceiling of some chamber elsewhere in the Hall, and the chips of starlight set into its surface moved in perfect reflection of the hidden sky above.

Irrith dismissed it with a wave of her hand. “Years. Why should I count them?”

“Only for the sake of your friends, who regret your absence. But you thought I was returning to Greece, and so I forgive you. Come, sit with me in the grass.” Ktistes descended the short ramp into the garden.

Next to him, Irrith felt tiny. His sturdy horse body, a gray so dark it was almost black, was as tall as she; his olive-skinned human torso towered over her. But he folded his white-socked forelegs down onto the grass, and she sat a little distance away, and then it was not so bad.